He thought of Mick. "It is. More so in a way as you don't have the family dynamics, the antagonisms, getting in the way. With Mick and Brian and the rest of us, we were a family we created rather than one we'd been born into. It's a powerful bond."
"Okay, tell me this – from a species that does the majority of its thinking with its penis – "
"I resent that. I don't think with my penis more than twenty-five percent of the time."
"Tell that to somebody you didn't just nail in the sleep chair."
"And I can tell you it took very little thought. But your question is?"
"Guys'll bang anything if they get the chance."
"Yes, and we're proud of it."
"No offense. That's just the way the machine works. But when they have a choice, a selection, even a fantasy, they tend toward a certain type. Most commonly that fantasy or type is based on a female figure that was or is important to the man. Either the type resembles that figure in some way or opposes it."
"Since I assume in this case you're eliminating basic chemistry, emotion, and relationship, I won't disagree. The female machine runs much the same way."
"Yeah, that's how he gets them. Molding himself into their fantasy. But I'm betting the women he selects are looking for the type he is, or appears to be on the surface. He doesn't have to change much. Why should he? It's his game. I'm going to run some probabilities."
Roarke heard the signal from his office for incoming data. "Stiles came through. I'll transfer that over for you."
"Thanks." She glanced at her wrist unit. "Nine-fifteen," she announced. "Nearly date time."
Her name was Melissa Kotter, and she was from Nebraska. A genuine farm girl who'd fled the fields for the bright lights of the big city. She had hopes, as did thousands of other young women who streamed into New York, of being an actress. A serious actress, of course – one who would remain true to her art, infusing new life into the classic roles played by all the greats who'd trod the board before her.
While she was waiting to light up Broadway, she waited tables, went to auditions, and took whatever work came her way. It was, in her opinion, the way all the great artists began their careers.
At twenty-one, she was full of optimism and innocence. And dreams. She waited tables with tireless cheer, and her farm-fresh looks earned her as many tips as her speedy service.
She was blonde, blue-eyed, and delicate of build.
A sociable creature, Melissa had made a number of friends. She was always eager for friendships, conversation, experiences.
She adored New York with the passion of a new lover, and in the six months she'd lived in the city, her affection hadn't dimmed by a watt.
She'd told her across-the-hall neighbor, Wanda, about her date that night. And had laughed off her friend's concerns. The media reports about the murdered women didn't apply to her. Hadn't Sebastian brought them up himself, hadn't he said he'd understand completely if she didn't feel comfortable meeting him tonight?
As she'd told Wanda, he'd hardly have brought the matter up if he was a dangerous individual.
He was a wonderful man, intelligent, erudite, exciting. And so very different from all the boys back home. Most of them hadn't known Chaucer from Chesterfield. But Sebastian knew all about poetry and plays. He'd traveled all over the world, had attended performances in all the great theaters.
She'd read his e-mails over and over until she could recite them by heart. No one who could write such lovely things could be anything but wonderful.
And he was meeting her at Jean-Luc's, one of the most exclusive clubs in the city.
She made the dress herself, patterning it after a gown worn by the actress Helena Grey when she'd accepted her Tony the previous year. The deep midnight blue material was synthetic rather than silk, but it had a lovely drape. With it she wore the pearl earrings her grandmother had given her on her twenty-first birthday in November. They looked almost real dripping from her lobes.
The shoes and the bag had been snagged on sale at Macy's.
She did a quick, laughing twirl. "How do I look?"
"You look mag, Mel, but I wish you wouldn't go."
"Stop being such a worrywart, Wanda. Nothing's going to happen to me."
Wanda bit her lip. She looked at Melissa and saw a little woolly lamb who'd bah cheerfully as she was led to the slaughter. "Maybe I'll call in sick, hang out here in your place until you get home."
"Don't be silly. You need the money. Go on, go get ready for work." Melissa draped an arm around Wanda's shoulders and walked her to the door. "If it makes you feel better I'll call you when I get back."
"Promise."
"Scout's honor. I think I'm going to order a martini. I've always wanted to try one. Which do you think is more sophisticated? Gin or vodka? Vodka," she decided before Wanda could weigh in. "A vodka martini, very dry, with a twist."
"You call me, the minute you get back. And don't you bring him up here, no matter what."
"I won't." Melissa twirled herself to the stairs. "Wish me luck."
"I do. Be careful."
Melissa dashed down all three flights, feeling very glamorous. She called out greetings to neighbors, struck a pose at the wolf whistle delivered by Mr. Tidings in 102. When she rushed out on the sidewalk, her cheeks were flushed and rosy.
She thought about taking a cab, but since she had more time than money thought it best to take the subway uptown.
She joined the hordes on the underground platform, humming to herself as she anticipated the evening. She squeezed on the train and stood, propped up by bodies.
Crowds didn't bother her; she thrived on them. If she hadn't been so busy writing the script for her meeting with Sebastian, she'd have struck up any number of conversations with her fellow passengers.
It was only with one-to-one encounters with men she found herself shy and tongue-tied. But she was sure, she was positive, she'd be neither with Sebastian.
It was as if they were made for each other.
When the train jerked to an abrupt halt, and the lights dimmed, she was tossed unceremoniously against the burly black man wedged in beside her.
"Excuse me."
"That's cool, sister. Ain't enough to you to put a dent in."
"I wonder what's wrong." She tried to see through people, over them in the greenish wash of emergency lighting.
"Always some mess with this uptown train. Don't know why they don't fix the sumbitch." He skimmed his gaze down her and up again. "You got you some date, doncha?"
"Yes. I hope we're not delayed long or I'll be late. I hate being late."
"Look like you, guy's not gonna mind a wait." His friendly face went hard and cold, and sent Melissa's heart bounding to her throat. "Brother, you wanna take your fingers off this lady's purse, or I'm gonna break 'em into little pieces."
Melissa jolted, snatched her purse around to press it to her belly. She glanced back and caught a glimpse of the small man in a dark trench coat as he slithered back into the jammed bodies.
"Oh. Thank you! Sometimes I forget to be careful."
"Don't pay to forget. You keep that purse close."
"Yes, I will. Thank you again. I'm Melissa. Melissa Kotter."
"Bruno Biggs. They just call me Biggs… 'cause I am."
During the ten-minute delay, she chatted with him. She learned he worked in construction, had a wife named Ritz and a baby boy they called B.J. for Bruno, Junior. By the time they'd reached her stop, she'd given him the name of the restaurant where she worked and had invited him to bring his family in for dinner. As people gushed off the train, she waved and let herself be swept along by the current.
Bruno saw her trying to hurry along, her purse once again trailing behind her.
He shook his head and muscled his way off just before the doors closed.
Melissa broke free of the crowd and raced up the stairs. She was going to be late unless she ran the last three blocks. She made a dash for the corner. Something hit her from behind, low on the back, and sent her pitching forward. The strap of her purse snapped clean. She managed one short scream as she tumbled off the curb. There were shrieking brakes, shouts, then a bright, blinding pain as she hit the street.