She caught herself indulging in this day-dream.
"Listen. I won't go alone," she said. "You must come with me."
"Nonsense, Sofotchka!" sighed Lubyantsev. "One must be sensible and not want the impossible."
"You will come when you know all about it," thought Sofya Petrovna.
Making up her mind to go at all costs, she felt that she was out of danger. Little by little her ideas grew clearer; her spirits rose and she allowed herself to think about it all, feeling that however much she thought, however much she dreamed, she would go away. While her husband was asleep, the evening gradually came on. She sat in the drawing-room and played the piano. The greater liveliness out of doors, the sound of music, but above all the thought that she was a sensible person, that she had surmounted her difficulties, completely restored her spirits. Other women, her appeased conscience told her, would probably have been carried off their feet in her position, and would have lost their balance, while she had almost died of shame, had been miserable, and was now running out of the danger which perhaps did not exist! She was so touched by her own virtue and determination that she even looked at herself two or three times in the looking-glass.
When it got dark, visitors arrived. The men sat down in the dining-room to play cards; the ladies remained in the drawing-room and the verandah. The last to arrive was Ilyin. He was gloomy, morose, and looked ill. He sat down in the corner of the sofa and did not move the whole evening. Usually good-humoured and talkative, this time he remained silent, frowned, and rubbed his eyebrows. When he had to answer some question, he gave a forced smile with his upper lip only, and answered jerkily and irritably. Four or five times he made some jest, but his jests sounded harsh and cutting. It seemed to Sofya Petrovna that he was on the verge of hysterics. Only now, sitting at the piano, she recognized fully for the first time that this unhappy man was in deadly earnest, that his soul was sick, and that he could find no rest. For her sake he was wasting the best days of his youth and his career, spending the last of his money on a summer villa, abandoning his mother and sisters, and, worst of all, wearing himself out in an agonizing struggle with himself. From mere common humanity he ought to be treated seriously.
She recognized all this clearly till it made her heart ache, and if at that moment she had gone up to him and said to him, "No," there would have been a force in her voice hard to disobey. But she did not go up to him and did not speak -- indeed, never thought of doing so. The pettiness and egoism of youth had never been more patent in her than that evening. She realized that Ilyin was unhappy, and that he was sitting on the sofa as though he were on hot coals; she felt sorry for him, but at the same time the presence of a man who loved her to distraction, filled her soul with triumph and a sense of her own power. She felt her youth, her beauty, and her unassailable virtue, and, since she had decided to go away, gave herself full licence for that evening. She flirted, laughed incessantly, sang with peculiar feeling and gusto. Everything delighted and amused her. She was amused at the memory of what had happened at the seat in the wood, of the sentinel who had looked on. She was amused by her guests, by Ilyin's cutting jests, by the pin in his cravat, which she had never noticed before. There was a red snake with diamond eyes on the pin; this snake struck her as so amusing that she could have kissed it on the spot.
Sofya Petrovna sang nervously, with defiant recklessness as though half intoxicated, and she chose sad, mournful songs which dealt with wasted hopes, the past, old age, as though in mockery of another's grief. " 'And old age comes nearer and nearer' . . ." she sang. And what was old age to her?
"It seems as though there is something going wrong with me," she thought from time to time through her laughter and singing.
The party broke up at twelve o'clock. Ilyin was the last to leave. Sofya Petrovna was still reckless enough to accompany him to the bottom step of the verandah. She wanted to tell him that she was going away with her husband, and to watch the effect this news would produce on him.
The moon was hidden behind the clouds, but it was light enough for Sofya Petrovna to see how the wind played with the skirts of his overcoat and with the awning of the verandah. She could see, too, how white Ilyin was, and how he twisted his upper lip in the effort to smile.
"Sonia, Sonitchka . . . my darling woman!" he muttered, preventing her from speaking. "My dear! my sweet!"
In a rush of tenderness, with tears in his voice, he showered caressing words upon her, that grew tenderer and tenderer, and even called her "thou," as though she were his wife or mistress. Quite unexpectedly he put one arm round her waist and with the other hand took hold of her elbow.
"My precious! my delight!" he whispered, kissing the nape of her neck; "be sincere; come to me at once!"
She slipped out of his arms and raised her head to give vent to her indignation and anger, but the indignation did not come off, and all her vaunted virtue and chastity was only sufficient to enable her to utter the phrase used by all ordinary women on such occasions:
"You must be mad."
"Come, let us go," Ilyin continued. "I felt just now, as well as at the seat in the wood, that you are as helpless as I am, Sonia. . . . You are in the same plight! You love me and are fruitlessly trying to appease your conscience. . . ."
Seeing that she was moving away, he caught her by her lace cuff and said rapidly:
"If not today, then tomorrow you will have to give in! Why, then, this waste of time? My precious, darling Sonia, the sentence is passed; why put off the execution? Why deceive yourself?"
Sofya Petrovna tore herself from him and darted in at the door. Returning to the drawing-room, she mechanically shut the piano, looked for a long time at the music-stand, and sat down. She could not stand up nor think. All that was left of her excitement and recklessness was a fearful weakness, apathy, and dreariness. Her conscience whispered to her that she had behaved badly, foolishly, that evening, like some madcap girl -- that she had just been embraced on the verandah, and still had an uneasy feeling in her waist and her elbow. There was not a soul in the drawing-room; there was only one candle burning. Madame Lubyantsev sat on the round stool before the piano, motionless, as though expecting something. And as though taking advantage of the darkness and her extreme lassitude, an oppressive, overpowering desire began to assail her. Like a boa-constrictor it gripped her limbs and her soul, and grew stronger every second, and no longer menaced her as it had done, but stood clear before her in all its nakedness.
She sat for half an hour without stirring, not restraining herself from thinking of Ilyin, then she got up languidly and dragged herself to her bedroom. Andrey Ilyitch was already in bed. She sat down by the open window and gave herself up to desire. There was no "tangle" now in her head; all her thoughts and feelings were bent with one accord upon a single aim. She tried to struggle against it, but instantly gave it up. . . . She understood now how strong and relentless was the foe. Strength and fortitude were needed to combat him, and her birth, her education, and her life had given her nothing to fall back upon.
"Immoral wretch! Low creature!" she nagged at herself for her weakness. "So that's what you're like!"
Her outraged sense of propriety was moved to such indignation by this weakness that she lavished upon herself every term of abuse she knew, and told herself many offensive and humiliating truths. So, for instance, she told herself that she never had been moral, that she had not come to grief before simply because she had had no opportunity, that her inward conflict during that day had all been a farce. . . .