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" 'Oh, how I hate you! I wish no one harm as I do you! Let me tell you that! I want you to understand that!'

"You understand, moonlight, her pale face, breathless with passion, the stillness . . . little pig as I was I actually enjoyed it. I listened to her, looked at her eyes. . . . At first I liked it, and enjoyed the novelty. Then I was suddenly seized with terror, I gave a scream, and ran into the house at breakneck speed.

"I made up my mind that the best thing to do was to complain to maman. And I did complain, mentioning incidentally how Sasha had kissed Zinotchka. I was stupid, and did not know what would follow, or I should have kept the secret to myself. . . . After hearing my story maman flushed with indignation and said:

" 'It is not your business to speak about that, you are still very young. . . . But, what an example for children.'

"My maman was not only virtuous but diplomatic. To avoid a scandal she did not get rid of Zinotchka at once, but set to work gradually, systematically, to pave the way for her departure, as one does with well-bred but intolerable people. I remember that when Zinotchka did leave us the last glance she cast at the house was directed at the window at which I was sitting, and I assure you, I remember that glance to this day.

"Zinotchka soon afterwards became my brother's wife. She is the Zinaida Nikolaevna whom you know. The next time I met her I was already an ensign. In spite of all her efforts she could not recognize the hated Petya in the ensign with his moustache, but still she did not treat me quite like a relation. . . . And even now, in spite of my good-humoured baldness, meek corpulence, and unassuming air, she still looks askance at me, and feels put out when I go to see my brother. Hatred it seems can no more be forgotten than love. . . .

"Tchoo! I hear the cock crowing! Good-night. Milord! Lie down!"

NOTES

name-day party: Russians celebrate the feast day of the saint after whom they are named

maman: mamma

* * *

The Doctor

by Anton Chekhov

IT was still in the drawing-room, so still that a house-fly that had flown in from outside could be distinctly heard brushing against the ceiling. Olga Ivanovna, the lady of the villa, was standing by the window, looking out at the flower-beds and thinking. Dr. Tsvyetkov, who was her doctor as well as an old friend, and had been sent for to treat her son Misha, was sitting in an easy chair and swinging his hat, which he held in both hands, and he too was thinking. Except them, there was not a soul in the drawing-room or in the adjoining rooms. The sun had set, and the shades of evening began settling in the corners under the furniture and on the cornices.

The silence was broken by Olga Ivanovna.

"No misfortune more terrible can be imagined," she said, without turning from the window. "You know that life has no value for me whatever apart from the boy."

"Yes, I know that," said the doctor.

"No value whatever," said Olga Ivanovna, and her voice quivered. "He is everything to me. He is my joy, my happiness, my wealth. And if, as you say, I cease to be a mother, if he . . . dies, there will be nothing left of me but a shadow. I cannot survive it."

Wringing her hands, Olga Ivanovna walked from one window to the other and went on:

"When he was born, I wanted to send him away to the Foundling Hospital, you remember that, but, my God, how can that time be compared with now? Then I was vulgar, stupid, feather-headed, but now I am a mother, do you understand? I am a mother, and that's all I care to know. Between the present and the past there is an impassable gulf."

Silence followed again. The doctor shifted his seat from the chair to the sofa and impatiently playing with his hat, kept his eyes fixed upon Olga Ivanovna. From his face it could be seen that he wanted to speak, and was waiting for a fitting moment.

"You are silent, but still I do not give up hope," said the lady, turning round. "Why are you silent?"

"I should be as glad of any hope as you, Olga, but there is none," Tsvyetkov answered, "we must look the hideous truth in the face. The boy has a tumour on the brain, and we must try to prepare ourselves for his death, for such cases never recover."

"Nikolay, are you certain you are not mistaken?"

"Such questions lead to nothing. I am ready to answer as many as you like, but it will make it no better for us."

Olga Ivanovna pressed her face into the window curtains, and began weeping bitterly. The doctor got up and walked several times up and down the drawing-room, then went to the weeping woman, and lightly touched her arm. Judging from his uncertain movements, from the expression of his gloomy face, which looked dark in the dusk of the evening, he wanted to say something.

"Listen, Olga," he began. "Spare me a minute's attention; there is something I must ask you. You can't attend to me now, though. I'll come later, afterwards. . . ." He sat down again, and sank into thought. The bitter, imploring weeping, like the weeping of a little girl, continued. Without waiting for it to end, Tsvyetkov heaved a sigh and walked out of the drawing-room. He went into the nursery to Misha. The boy was lying on his back as before, staring at one point as though he were listening. The doctor sat down on his bed and felt his pulse.

"Misha, does your head ache?" he asked.

Misha answered, not at once: "Yes. I keep dreaming."

"What do you dream?"

"All sorts of things. . . ."

The doctor, who did not know how to talk with weeping women or with children, stroked his burning head, and muttered:

"Never mind, poor boy, never mind. . . . One can't go through life without illness. . . . Misha, who am I -- do you know me?"

Misha did not answer.

"Does your head ache very badly?"

"Ve-ery. I keep dreaming."

After examining him and putting a few questions to the maid who was looking after the sick child, the doctor went slowly back to the drawing-room. There it was by now dark, and Olga Ivanovna, standing by the window, looked like a silhouette.

"Shall I light up?" asked Tsvyetkov.

No answer followed. The house-fly was still brushing against the ceiling. Not a sound floated in from outside as though the whole world, like the doctor, were thinking, and could not bring itself to speak. Olga Ivanovna was not weeping now, but as before, staring at the flower-bed in profound silence. When Tsvyetkov went up to her, and through the twilight glanced at her pale face, exhausted with grief, her expression was such as he had seen before during her attacks of acute, stupefying, sick headache.

"Nikolay Trofimitch!" she addressed him, "and what do you think about a consultation?"

"Very good; I'll arrange it to-morrow."

From the doctor's tone it could be easily seen that he put little faith in the benefit of a consultation. Olga Ivanovna would have asked him something else, but her sobs prevented her. Again she pressed her face into the window curtain. At that moment, the strains of a band playing at the club floated in distinctly. They could hear not only the wind instruments, but even the violins and the flutes.

"If he is in pain, why is he silent?" asked Olga Ivanovna. "All day long, not a sound, he never complains, and never cries. I know God will take the poor boy from us because we have not known how to prize him. Such a treasure!"