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At a little before four we all wandered into the drawing-room. Old Lady Bland sat on a sofa with Ferdy; Freddy, Muriel, and I made ourselves comfortable in arm-chairs; and Lea Makart sat by herself. She chose instinctively a high-backed Jacobean chair that had somewhat the air of a throne, and in a yellow dress, with her olive skin, she looked very handsome. She had magnificent eyes. She was very much made up and her mouth was scarlet.

George gave no sign of nervousness. He was already seated at the piano when I went in with his father and mother, and he watched us quietly settling ourselves down. He gave me the shadow of a smile. When he saw that we were all at our ease he began to play. He played Chopin. He played two waltzes that were familiar to me, a polonaise and an etude. He played with a great deal of brio. I wish I knew music well enough to give an exact description of his playing. It had strength, and a youthful exuberance, but I felt that he missed what to me is the peculiar charm of Chopin, the tenderness, the nervous melancholy, the wistful gaiety and the slightly faded romance that reminds me always of an Early Victorian keepsake. And again I had the vague sensation, so slight that it almost escaped me, that the two hands did not quite synchronize. I looked at Ferdy and saw him give his sister a look of faint surprise. Muriel's eyes were fixed on the pianist, but presently she dropped them and for the rest of the time stared at the floor. His father looked at him too, and his eyes were steadfast, but unless I was much mistaken he went pale and his face betrayed something like dismay. Music was in the blood of all of them, all their lives they had heard the greatest pianists in the world, and they judged with instinctive precision. The only person whose face betrayed no emotion was Lea Makart. She listened very attentively. She was as still as an image in a niche.

At last he stopped and turning round on his seat faced her. He did not speak.

'What is it you want me to tell you?' she asked.

They looked into one another's eyes.

'I want you to tell me whether I have any chance of becoming in time a pianist in the first rank.'

'Not in a thousand years.'

For a moment there was dead silence. Freddy's head sank and he looked down at the carpet at his feet. His wife put out her hand and took his. But George continued to look steadily at Lea Makart.

'Ferdy has told me the circumstances,' she said at last. 'Don't think I'm influenced by them. Nothing of this is very important.' She made a great sweeping gesture that took in the magnificent room with the beautiful things it contained and all of us. 'If I thought you had in you the makings of an artist I shouldn't hesitate to beseech you to give up everything for art's sake. Art is the only thing that matters. In comparison with art, wealth and rank and power are not worth a straw.' She gave us a look so sincere that it was void of insolence. 'We are the only people who count. We give the world significance. You are only our raw material.'

I was not too pleased to be included with the rest under that heading, but that is neither here nor there.

'Of course I can see that you've worked very hard. Don't think it's been wasted. It will always be a pleasure to you to be able to play the piano and it will enable you to appreciate great playing as no ordinary person can hope to do. Look at your hands. They're not a pianist's hands.'

Involuntarily I glanced at George's hands. I had never noticed them before. I was astounded to see how podgy they were and how short and stumpy the fingers.

'Your ear is not quite perfect. I don't think you can ever hope to be more than a very competent amateur. In art the difference between the amateur and the professional is immeasurable.'

George did not reply. Except for his pallor no one would have known that he was listening to the blasting of all his hopes. The silence that fell was quite awful. Lea Makart's eyes suddenly filled with tears.

'But don't take my opinion alone,' she said. 'After all, I'm not infallible. Ask somebody else. You know how good and generous Paderewski is. I'll write to him about you and you can go down and play to him. I'm sure he'll hear you.'

George now gave a little smile. He had very good manners and whatever he was feeling did not want to make the situation too difficult for others.

'I don't think that's necessary, I am content to accept your verdict. To tell you the truth it's not so very different from my master's in Munich.'

He got up from the piano and lit a cigarette. It eased the strain. The others moved a little in their chairs. Lea Makart smiled at George.

'Shall I play to you?' she said.

'Yes, do.'

She got up and went to the piano. She took off the rings with which her fingers were laden. She played Bach. I do not know the names of the pieces, but I recognized the stiff ceremonial of the frenchified little German courts and the sober, thrifty comfort of the burghers, and the dancing on the village green, the green trees that looked like Christmas trees, and the sunlight on the wide German country, and a tender cosiness; and in my nostrils there was a warm scent of the soil and I was conscious of a sturdy strength that seemed to have its roots deep in mother earth, and of an elemental power that was timeless and had no home in space. She played beautifully, with a soft brilliance that made you think of the full moon shining at dusk in the summer sky. With another part of me I watched the others and I saw how intensely they were conscious of the experience. They were rapt. I wished with all my heart that I could get from music the wonderful exaltation that possessed them. She stopped, a smile hovered on her lips, and she put on her rings. George gave a little chuckle.

'That clinches it, I fancy,' he said.

The servants brought in tea and after tea Lea Makart and I bade the company farewell and got into the car. We drove up to London. She talked all the way, if not brilliantly at all events with immense gusto; she told me of her early years in Manchester and of the struggle of her beginnings. She was very interesting. She never even mentioned George; the episode was of no consequence, it was finished and she thought of it no more.

We little knew what was happening at Tilby. When we left George went out on the terrace and presently his father joined him. Freddy had won the day, but he was not happy. With his more than feminine sensitiveness he felt all that George was feeling, and George's anguish simply broke his heart. He had never loved his son more than then. When he appeared George greeted him with a little smile. Freddy's voice broke. In a sudden and overwhelming emotion he found it in him to surrender the fruits of his victory.

'Look here, old boy,' he said, 'I can't bear to think that you've had such a disappointment. Would you like to go back to Munich for another year and then see?'

George shook his head.

'No, it wouldn't be any good. I've had my chance. Let's call it a day.'

'Try not to take it too hard.'

'You see, the only thing in the world I want is to be a pianist. And there's nothing doing. It's a bit thick if you come to think of it.'

George, trying so hard to be brave, smiled wanly.

'Would you like to go round the world? You can get one of your Oxford pals to go with you and I'll pay all the expenses. You've been working very hard for a long time.'

'Thanks awfully, daddy, we'll talk about it. I'm just going for a stroll now.'

'Shall I come with you?'

'I'd rather go alone.'

Then George did a strange thing. He put his arm round his father's neck, and kissed him on the lips. He gave a funny little moved laugh and walked away. Freddy went back to the drawing-room. His mother, Ferdy, and Muriel were sitting there.

'Freddy, why don't you marry the boy?' said the old lady. 'He is twenty-three. It would take his mind off his troubles and when he is married and has a baby he will soon settle down like everybody else.'

'Whom is he to marry, mamma?' asked Sir Adolphus, smiling.

'That's not so difficult. Lady Frielinghausen came to see me the other day with her daughter Violet. She is a very nice maiden and she will have money of her own. Lady Frielinghausen gave me to understand that her Sir Jacob would come down very handsome if Violet made a good match.'