'After all,' he reflected, 'the politicians have made such a mess of the world during the last five-and-twenty years, I don't suppose it makes much odds if they're mad or sane.' He rang the bell.
'If Lord Mountdrago comes now will you tell him that I have another appointment at six-fifteen and so I'm afraid I can't see him.'
'Very good, sir.'
'Has the evening paper come yet?'
'I'll go and see.'
In a moment the servant brought it in. A huge headline ran across the front page: Tragic Death of Foreign Minister.
'My God!' cried Dr Audlin.
For once he was wrenched out of his wonted calm. He was shocked, horribly shocked, and yet he was not altogether surprised. The possibility that Lord Mountdrago might commit suicide had occurred to him several times, for that it was suicide he could not doubt. The paper said that Lord Mountdrago had been waiting in a Tube station, standing on the edge of the platform, and as the train came in was seen to fall on the rail. It was supposed that he had had a sudden attack of faintness. The paper went on to say that Lord Mountdrago had been suffering for some weeks from the effects of overwork, but had felt it impossible to absent himself while the foreign situation demanded his unremitting attention. Lord Mountdrago was another victim of the strain that modern politics placed upon those who Played the more important parts in it. There was a neat little piece about the talents and industry, the patriotism and vision, of the deceased statesman, followed by various surmises upon the Prime Minister's choice of his successor. Dr Audlin read all this. He had not liked Lord Mountdrago. The chief emotion that his death caused in him was dissatisfaction with himself because he had been able to do nothing for him.
Perhaps he had done wrong in not getting into touch with Lord Mountdrago's doctor. He was discouraged, as always when failure frustrated his conscientious efforts, and repulsion seized him for the theory and practice of this empiric doctrine by which he earned his living. He was dealing with dark and mysterious forces that it was perhaps beyond the powers of the human mind to understand. He was like a man blindfold trying to feel his way to he knew not whither. Listlessly he turned the pages of the paper. Suddenly he gave a great start, and an exclamation once more was forced from his lips. His eyes had fallen on a small paragraph near the bottom of a column. Sudden Death of an M.P., he read. Mr Owen Griffiths, member for so-and-so, had been taken ill in Fleet Street that afternoon and when he was brought to Charing Cross Hospital life was found to be extinct. It was supposed that death was due to natural causes, but an inquest would be held. Dr Audlin could hardly believe his eyes. Was it possible that the night before Lord Mountdrago had at last in his dream found himself possessed of the weapon, knife or gun, that he had wanted, and had killed his tormentor, and had that ghostly murder, in the same way as the blow with the bottle had given him a racking headache on the following day, taken effect a certain number of hours later on the waking man? Or was it, more mysterious and more frightful, that when Lord Mountdrago sought relief in death, the enemy he had so cruelly wronged, unappeased, escaping from his own mortality, had pursued him to some other sphere there to torment him still? It was strange. The sensible thing was to look upon it merely as an odd coincidence. Dr Audlin rang the bell.
'Tell Mrs Milton that I'm sorry I can't see her this evening. I'm not well.'
It was true; he shivered as though of an ague. With some kind of spiritual sense he seemed to envisage a bleak, a horrible void. The dark night of the soul engulfed him, and he felt a strange, primeval terror of he knew not what.
The Social Sense
I do not like long-standing engagements. How can you tell whether on a certain day three or four weeks ahead you will wish to dine with a certain person? The chances are that in the interval something will turn up that you would much sooner do and so long a notice presages a large and formal party. But what help is there? The date has been fixed thus far away so that the guests bidden may be certainly disengaged and it needs a very adequate excuse to prevent your refusal from seeming churlish. You accept, and for a month the engagement hangs over you with gloomy menace. It interferes with your cherished plans. It disorganizes your life. There is really only one way to cope with the situation and that is to put yourself off at the last moment. But it is one that I have never had the courage or the want of scruple to adopt.
It was with a faint sense of resentment then that one June evening towards half past eight I left my lodging in Half Moon Street to walk round the corner to dine with the Macdonalds. I liked them. Many years ago I made up my mind not to eat the food of persons I disliked or despised, and though I have on this account enjoyed the hospitality of far fewer people than I otherwise should have done I still think the rule a good one. The Macdonalds were nice, but their parties were a toss-up. They suffered from the delusion that if they asked six persons to dine with them who had nothing in the world to say to one another the party would be a failure, but if they multiplied it by three and asked eighteen it must be a success. I arrived a little late, which is almost inevitable when you live so near the house you are going to that it is not worth while to take a taxi, and the room into which I was shown was filled with people. I knew few of them and my heart sank as I saw myself laboriously making conversation through a long dinner with two total strangers. It was a relief to me when I saw Thomas and Mary Warton come in and an unexpected pleasure when I found on going in to dinner that I had been placed next to Mary.
Thomas Warton was a portrait-painter who at one time had had considerable success, but he had never fulfilled the promise of his youth and had long ceased to be taken seriously by the critics. He made an adequate income, but at the Private View of the Royal Academy no one gave more than a passing glance at the dull but conscientious portraits of fox-hunting squires and prosperous merchants which with unfailing regularity he sent to the annual exhibition. One would have liked to admire his work because he was an amiable and kindly man. If you happened to be a writer he was so genuinely enthusiastic over anything you had done, so charmed with any success you might have had, that you wished your conscience would allow you to speak with decent warmth of his own productions. It was impossible and you were driven to the last refuge of the portrait painter's friend.
'It looks as if it were a marvellous likeness,' you said.
Mary Warton had been in her day a well-known concert singer and she had still the remains of a lovely voice. She must in her youth have been very handsome. Now, at fifty-three, she had a haggard look. Her features were rather mannish and her skin was weather-beaten; but her short grey hair was thick and curly and her fine eyes were bright with intelligence. She dressed picturesquely rather than fashionably and she had a weakness for strings of beads and fantastic ear-rings. She had a blunt manner, a quick sense of human folly, and a sharp tongue, so that many people did not like her. But no one could deny that she was clever. She was not only an accomplished musician, but she was a great reader and she was passionately interested in painting. She had a very rare feeling for art. She liked the modern, not from pose but from natural inclination, and she had bought for next to nothing the pictures of unknown painters who later became famous. You heard at her house the most recent and difficult music and no poet or novelist in Europe could offer the world something new and strange without her being ready to fight on his behalf the good fight against the philistines. You might say she was a highbrow; she was; but her taste was almost faultless, her judgement sound, and her enthusiasm honest.