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Gurov was a Muscovite. He returned to Moscow on a fine, frosty day, and when he put on his fur coat and warm gloves and strolled down Petrovka, and when on Saturday evening he heard the bells ringing, his recent trip and the places he had visited lost all their charm for him. He gradually became immersed in Moscow life, now greedily read three newspapers a day and said that he never read the Moscow newspapers on principle. He was drawn to restaurants, clubs, to dinner parties, celebrations, and felt flattered that he had famous lawyers and actors among his clients, and that at the Doctors’ Club he played cards with a professor. He could eat a whole portion of selyanka from the pan2

A month would pass and Anna Sergeevna, as it seemed to him, would be covered by mist in his memory and would only appear to him in dreams with a touching smile, as other women did. But more than a month passed, deep winter came, and yet everything was as clear in his memory as if he had parted with Anna Sergeevna only the day before. And the memories burned brighter and brighter. Whether from the voices of his children doing their homework, which reached him in his study in the evening quiet, or from hearing a romance, or an organ in a restaurant, or the blizzard howling in the chimney, everything would suddenly rise up in his memory: what had happened on the jetty, and the early morning with mist on the mountains, and the steamer from Feodosia, and the kisses. He would pace the room for a long time, and remember, and smile, and then his memories would turn to reveries, and in his imagination the past would mingle with what was still to be. Anna Sergeevna was not a dream, she followed him everywhere like a shadow and watched him. Closing his eyes, he saw her as if alive, and she seemed younger, more beautiful, more tender than she was; and he also seemed better to himself than he had been then, in Yalta. In the evenings she gazed at him from the bookcase, the fireplace, the corner, he could hear her breathing, the gentle rustle of her skirts. In the street he followed women with his eyes, looking for one who resembled her …

And he was tormented now by a strong desire to tell someone his memories. But at home it was impossible to talk of his love, and away from home there was no one to talk with. Certainly not among his tenants nor at the bank. And what was there to say? Had he been in love then? Was there anything beautiful, poetic, or instructive, or merely interesting, in his relations with Anna Sergeevna? And he found himself speaking vaguely of love, of women, and no one could guess what it was about, and only his wife raised her dark eyebrows and said:

“You know, Dimitri, the role of fop doesn’t suit you at all.”

One night, as he was leaving the Doctors’ Club together with his partner, an official, he could not help himself and said:

“If you only knew what a charming woman I met in Yalta!”

The official got into a sleigh and drove off, but suddenly turned around and called out:

“Dmitri Dmitrich!”

“What?”

“You were right earlier: the sturgeon was a bit off!”

Those words, so very ordinary, for some reason suddenly made Gurov indignant, struck him as humiliating, impure. Such savage manners, such faces! These senseless nights, and such uninteresting, unremarkable days! Frenzied card-playing, gluttony, drunkenness, constant talk about the same thing. Useless matters and conversations about the same thing took for their share the best part of one’s time, the best of one’s powers, and what was left in the end was some sort of curtailed, wingless life, some sort of nonsense, and it was impossible to get away or flee, as if you were sitting in a madhouse or a prison camp!

Gurov did not sleep all night and felt indignant, and as a result had a headache all the next day. And the following nights he slept poorly, sitting up in bed all the time and thinking, or pacing up and down. He was sick of the children, sick of the bank, did not want to go anywhere or talk about anything.

In December, during the holidays, he got ready to travel and told his wife he was leaving for Petersburg to solicit for a certain young man—and went to S. Why? He did not know very well himself. He wanted to see Anna Sergeevna and talk with her, to arrange a meeting, if he could.

He arrived at S. in the morning and took the best room in the hotel, where the whole floor was covered with gray army flannel and there was an inkstand on the table, gray with dust, with a horseback rider, who held his hat in his raised hand, but whose head was broken off. The hall porter gave him the necessary information: von Dideritz lives in his own house on Staro-Goncharnaya Street, not far from the hotel; he has a good life, is wealthy, keeps his own horses, everybody in town knows him. The porter pronounced it “Dridiritz.”

Gurov walked unhurriedly to Staro-Goncharnaya Street, found the house. Just opposite the house stretched a fence, long, gray, with spikes.

“You could flee from such a fence,” thought Gurov, looking now at the windows, now at the fence.

He reflected: today was not a workday, and the husband was probably at home. And anyhow it would be tactless to go in and cause embarrassment. If he sent a message, it might fall into the husband’s hands, and that would ruin everything. It would be best to trust to chance. And he kept pacing up and down the street and near the fence and waited for his chance. He saw a beggar go in the gates and saw the dogs attack him, then, an hour later, he heard someone playing a piano, and the sounds reached him faintly, indistinctly. It must have been Anna Sergeevna playing. The front door suddenly opened and some old woman came out, the familiar white spitz running after her. Gurov wanted to call the dog, but his heart suddenly throbbed, and in his excitement he was unable to remember the spitz’s name.

He paced up and down, and hated the gray fence more and more, and now he thought with vexation that Anna Sergeevna had forgotten him, and was perhaps amusing herself with another man, and that that was so natural in the situation of a young woman who had to look at this cursed fence from morning till evening. He went back to his hotel room and sat on the sofa for a long time, not knowing what to do, then had dinner, then took a long nap.

“How stupid and upsetting this all is,” he thought, when he woke up and looked at the dark windows: it was already evening. “So I’ve had my sleep. Now what am I to do for the night?”

He sat on the bed, which was covered with a cheap, gray, hospital-like blanket, and taunted himself in vexation:

“Here’s the lady with the little dog for you … Here’s an adventure for you … Yes, here you sit.”

That morning, at the train station, a poster with very big lettering had caught his eye: it was the opening night of The Geisha. He remembered it and went to the theater.

“It’s very likely that she goes to opening nights,” he thought.

The theater was full. And here, too, as in all provincial theaters generally, a haze hung over the chandeliers, the gallery stirred noisily; the local dandies stood in the front row before the performance started, their hands behind their backs; and here, too, in the governor’s box, the governor’s daughter sat in front, wearing a boa, while the governor himself modestly hid behind the portière, and only his hands could be seen; the curtain swayed, the orchestra spent a long time tuning up. All the while the public came in and took their seats, Gurov kept searching greedily with his eyes.

Anna Sergeevna came in. She sat in the third row, and when Gurov looked at her, his heart was wrung, and he realized clearly that there was now no person closer, dearer, or more important for him in the whole world; this small woman, lost in the provincial crowd, not remarkable for anything, with a vulgar lorgnette in her hand, now filled his whole life, was his grief, his joy, the only happiness he now wished for himself; and to the sounds of the bad orchestra, with its trashy local violins, he thought how beautiful she was. He thought and dreamed.