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A man came in with Anna Sergeevna and sat down next to her, a young man with little side-whiskers, very tall, stooping; he nodded his head at every step, and it seemed he was perpetually bowing. This was probably her husband, whom she, in an outburst of bitter feeling that time in Yalta, had called a lackey. And indeed, in his long figure, his side-whiskers, his little bald spot, there was something of lackeyish modesty; he had a sweet smile, and the badge of some learned society gleamed in his buttonhole, like the badge of a lackey.

During the first intermission the husband went to smoke; she remained in her seat. Gurov, who was also sitting in the stalls, went up to her and said in a trembling voice and with a forced smile:

“How do you do?”

She looked at him and paled, then looked again in horror, not believing her eyes, and tightly clutched her fan and lorgnette in her hand, obviously struggling with herself to keep from fainting. Both were silent. She sat, he stood, alarmed at her confusion, not venturing to sit down next to her. The tuning-up violins and flutes sang out, it suddenly became frightening, it seemed that people were gazing at them from all the boxes. But then she got up and quickly walked to the exit, he followed her, and they both went confusedly through corridors and stairways, going up, then down, and the uniforms of the courts, the schools, and the imperial estates flashed before them, all with badges; ladies flashed by, fur coats on hangers, a drafty wind blew, drenching them with the smell of cigar stubs. And Gurov, whose heart was pounding, thought: “Oh, Lord! Why these people, this orchestra …”

And just then he suddenly recalled how, at the station in the evening after he had seen Anna Sergeevna off, he had said to himself that everything was over and they would never see each other again. But how far it still was from being over!

On a narrow, dark stairway with the sign “To the Amphitheater,” she stopped.

“How you frightened me!” she said, breathing heavily, still pale, stunned. “Oh, how you frightened me! I’m barely alive. Why did you come? Why?”

“But understand, Anna, understand …” he said in a low voice, hurrying. “I beg you to understand …”

She looked at him with fear, with entreaty, with love, looked at him intently, the better to keep his features in her memory.

“I’ve been suffering so!” she went on, not listening to him. “I think only of you all the time, I’ve lived by my thoughts of you. And I’ve tried to forget, to forget, but why, why did you come?”

Further up, on the landing, two high-school boys were smoking and looking down, but Gurov did not care, he drew Anna Sergeevna to him and began kissing her face, her cheeks, her hands.

“What are you doing, what are you doing!” she repeated in horror, pushing him away from her. “We’ve both lost our minds. Leave today, leave at once … I adjure you by all that’s holy, I implore you … Somebody’s coming!”

Someone was climbing the stairs.

“You must leave …” Anna Sergeevna went on in a whisper. “Do you hear, Dmitri Dmitrich? I’ll come to you in Moscow. I’ve never been happy, I’m unhappy now, and I’ll never, never be happy, never! Don’t make me suffer still more! I swear I’ll come to Moscow. But we must part now! My dear one, my good one, my darling, we must part!”

She pressed his hand and quickly began going downstairs, turning back to look at him, and it was clear from her eyes that she was indeed not happy … Gurov stood for a little while, listened, then, when everything was quiet, found his coat and left the theater.

IV

And Anna Sergeevna began coming to see him in Moscow. Once every two or three months she left S., and told her husband she was going to consult a professor about her female disorder—and her husband did and did not believe her. Arriving in Moscow, she stayed at the Slavyansky Bazaar3 and at once sent a man in a red hat to Gurov. Gurov came to see her, and nobody in Moscow knew of it.

Once he was going to see her in that way on a winter morning (the messenger had come the previous evening but had not found him in). With him was his daughter, whom he wanted to see off to school, which was on the way. Big, wet snow was falling.

“It’s now three degrees above freezing, and yet it’s snowing,” Gurov said to his daughter. “But it’s warm only near the surface of the earth, while in the upper layers of the atmosphere the temperature is quite different.”

“And why is there no thunder in winter, papa?”

He explained that, too. He spoke and thought that here he was going to a rendezvous, and not a single soul knew of it or probably would ever know. He had two lives: an apparent one, seen and known by all who needed it, filled with conventional truth and conventional deceit, which perfectly resembled the lives of his acquaintances and friends, and another that went on in secret. And by some strange coincidence, perhaps an accidental one, everything that he found important, interesting, necessary, in which he was sincere and did not deceive himself, which constituted the core of his life, occurred in secret from others, while everything that made up his lie, his shell, in which he hid in order to conceal the truth— for instance, his work at the bank, his arguments at the club, his “inferior race,” his attending official celebrations with his wife—all this was in full view. And he judged others by himself, did not believe what he saw, and always supposed that every man led his own real and very interesting life under the cover of secrecy, as under the cover of night. Every personal existence was upheld by a secret, and it was perhaps partly for that reason that every cultivated man took such anxious care that his personal secret should be respected.

After taking his daughter to school, Gurov went to the Slavyansky Bazaar. He took his fur coat off downstairs, went up, and knocked softly at the door. Anna Sergeevna, wearing his favorite gray dress, tired from the trip and the expectation, had been waiting for him since the previous evening; she was pale, looked at him and did not smile, and he had barely come in when she was already leaning on his chest. Their kiss was long, lingering, as if they had not seen each other for two years.

“Well, how is your life there?” he asked. “What’s new?”

“Wait, I’ll tell you … I can’t.”

She could not speak because she was crying. She turned away from him and pressed a handkerchief to her eyes.

“Well, let her cry a little, and meanwhile I’ll sit down,” he thought, and sat down in an armchair.

Then he rang and ordered tea; and then, while he drank tea, she went on standing with her face turned to the window… She was crying from anxiety, from a sorrowful awareness that their life had turned out so sadly; they only saw each other in secret, they hid from people like thieves! Was their life not broken?

“Well, stop now,” he said.

For him it was obvious that this love of theirs would not end soon, that there was no knowing when. Anna Sergeevna’s attachment to him grew ever stronger, she adored him, and it would have been unthinkable to tell her that it all really had to end at some point; and she would not have believed it.

He went up to her and took her by the shoulders to caress her, to make a joke, and at that moment he saw himself in the mirror.

His head was beginning to turn gray. And it seemed strange to him that he had aged so much in those last years, had lost so much of his good looks. The shoulders on which his hands lay were warm and trembled. He felt compassion for this life, still so warm and beautiful, but probably already near the point where it would begin to fade and wither, like his own life. Why did she love him so? Women had always taken him to be other than he was, and they had loved in him, not himself, but a man their imagination had created, whom they had greedily sought all their lives; and then, when they had noticed their mistake, they had still loved him. And not one of them had been happy with him. Time passed, he met women, became intimate, parted, but not once did he love; there was anything else, but not love.