When in the evening, after a long drive, I reached Mannheim, I had a backache but no answers. All I knew was where I wanted to search for those answers. The phone book listed Peschkalek's apartment and studio in the Bäckstrasse. I called Brigitte, told her I was still on the road and would be at her place by eight, and asked her to invite Peschkalek for dinner at eight, too. Then I parked my car in good time outside his place in the Bäckstrasse. Shortly before eight he came out, got into his VW Golf, and drove off. He didn't look right or left. I read the names on the buzzers and went inside.
The hallway was narrow and gloomy. After a few steps it widened out on the left into a stairwell. Straight ahead it led to a backyard. Peschkalek's buzzer was on a board with six others. When I got used to the dark, I could make out a sign with his name on it and an arrow pointing to the back.
In the yard were an old elm tree and a two-story wooden shack leaning on the firewall of the building next door. Next to the outside staircase that led to the second floor was another sign, ATELIER PESCHKALEK. I climbed the stairs following the arrow. The landing was wide enough for Peschkalek to put a table and two recliners on it and use it as a balcony. The door had only a peephole, and the window that looked out onto the landing was secured with a grille. I reached into my bag, snapped open the large key ring that had a good hundred different keys on it, and tried them one by one. It was quiet in the yard. The wind rustled in the elm tree.
It took a long time for me to find the key that released the pin tumblers and turned the lock. The door opened into a large room. The back wall showed the unplastered firewall of the neighboring building. To the right were three doors, leading into a tiny bedroom, a kitchen that was no larger than a closet, and a bathroom that also served as a darkroom, in which the necessities of personal hygiene had surrendered to the developing of film. On the left I could look out into the neighbor's yard through two large windows. A gap in the buildings of the Hafenstrasse even offered a narrow vista of the warehouses and cranes of the harbor and the red strip that the setting sun had left behind on the pale sky.
Dusk was setting in, and I had to hurry. His place was filled with lamps that could have made the interior bright as day, and there were also black blinds on the windows-but one of the blinds was stuck. So I had to look things over as best as I could and take as close a look as possible at anything interesting in the windowless bathroom.
Despite the tangle of lamps, curtains, and folding screens, the Venetian chair, piano stool, grandfather clock, Styrofoam column, and fake jukebox, I soon realized that Peschkalek had an eye for order. In one desk drawer he kept stationery with a letterhead, in another stationery without, in the second drawer envelopes arranged by size, and in the last drawer supplies ranging from punchers to scissors. His unanswered mail and unpaid bills lay in a little basket on his desk. Everything that didn't have to be dealt with right away must have been in the binders lining the right-hand wall between the doors. They didn't have labels, but were numbered from 1.1 to 1.7, and under fourteen heading numbers there were between two and eleven further numbers. The heading numbers stood for topics such as portraits, nudes, fashion, politics, and commercials, and the further numbers stood for single big projects and also the small projects of a given year. It was quite straightforward. Under the heading number 15, Peschkalek had filed away his big features, the first about Italian contrabass makers, the second about closed steelworks in Lorraine, and the next three about football, alpine-horn blowing, and child prostitution in Germany. Binder number 15.6 was dedicated to the Viernheim attack.
Before I sat down on the toilet in his bathroom with the binder, I called Brigitte and told her about traffic jams and construction. “Is Ingo there yet? I won't make it before ten- don't wait for me with dinner.”
They had finished the soup already and were about to start on the monkfish. “We'll keep a plate warm for you.”
As in the other binders, in this one, too, were pictures first and then the text. It took a while till I realized what the photos showed. They were dark, and I was at the point of judging them failures. But they were night shots. A car, disguised figures in a forest, dug-up mounds of earth that the disguised figures were doing something with, uniformed figures, and an explosion with two bodies flying through the air, a fire, people running. The Viernheim attack in pictures.
The texts began with a letter to the local and regional press, in which the group After Fall Comes Winter took credit for the attack on the poison-gas depot in the Lampertheim National Forest and made threats against capitalism, colonialism, and imperialism. In a later letter, Peschkalek wrote about a terrorist who wanted out, had confided in him, and had handed him a confession and a video recording showing the Viernheim attack. Peschkalek praised the material and enclosed stills as proof of the video's quality, and excerpts from the confession. He wanted a million marks for it. The letter was to the ZDF television network. The next page in the binder listed who else he had contacted: the various broadcasting corporations, a Hamburg magazine and weekly, the serious press, the tabloids, and finally the gutter press. Then came the responses. At best they were surprised: The material looked interesting, but nothing was known about an attack on a poison-gas depot in the Viernheim Meadows. Some of the replies were curt, saying that the police knew nothing of such an attack-someone had spent time looking into it and was angry. More often than not, the replies were form letters thanking him, but unceremoniously turning him down. Finally I found in the binder the confession of the terrorist, an eighty-page manuscript, obviously printed on the same printer as Peschkalek's letters, and, in a plastic cover, the American file. I did not look at the video marked 15.6-the stills were enough.
I needed a breather before I could head over to Brigitte's place. I put a few photos in my bag, turned out the light in the bathroom, put the binder back, sat down in the Venetian chair, and looked out the window. On a balcony across the way three men had settled down to a game of Skat. I heard the bidding and calling of suits and sometimes a fist banging on the table along with a card. A red light blinked over the harbor, warning airplanes of a crane.
Had Lemke and Peschkalek mounted a spectacle for the media? I ought to have figured out much earlier that Lemke no longer believed in political battles or waged such battles anymore. A fanatic, a terrorist-that didn't pan out with him. He was able to slip into the role and play it convincingly. But that was all. Lemke was a player, a strategist, a gambler. He had staged a terrorist attack with a few foolish youngsters, staged it in a way that ought to have pitched the media into a feeding frenzy. There were even casualties, presumably unplanned, but heightening the worth of the spectacle and the price of the material. But nobody played along: not the Americans, not the police, not the media. None of the million marks they had intended to rake in had materialized.
25 That's strange
I didn't call Nägelsbach. I drove over to Brigitte's place, where I found her, Peschkalek, and Manu having chocolate, espresso, and sambuca over a game of Risk. I had a hard time responding to their cheerfulness. But I'd had a long drive and could plead tiredness. I ate the leftovers and watched them play.
It was a heated game. After years of living in Rio, Manu conquered and defended South America tooth and nail. His strategy was to occupy North America and Africa in order to secure South America-he didn't care about the rest of the world. Brigitte had only joined in the game because she didn't want to be a wet blanket. She had captured Australia, was fantasizing about harmonious coexistence with aborigines, and was not interested in further conquests. So Peschkalek managed to capture Europe and Asia without effort. But his mission was to free Australia and South America, and unlike Brigitte or Manu he took his mission seriously, got entangled in a hopeless war on two fronts, and didn't rest until he was utterly defeated. Manu and Brigitte were overjoyed, and he laughed along with them. But he was rankled. He wasn't a good loser.