‘I don’t have a problem saying I’m interested in you, Judith.’
‘Listen, Gerd, of course I see you as a man, and I like you as a man. It never went far enough for me to make the first move. And certainly not in the past few weeks. But what sort of agonized first move is this, or isn’t it one? “I don’t have a problem saying I’m interested in you” when you obviously have an enormous problem just squeezing that roundabout, cautious sentence out. Come on, let’s get going.’ She wrapped the started pullover sleeve round the needles and wound more wool round it.
My mind went blank. I felt humiliated. We didn’t exchange a word all the way to Olten.
Judith had found Dvořák’s Cello Concerto on the radio and was knitting.
What had actually humiliated me? Judith had only hit me around the head with what I’d felt myself in recent months: the lack of clarity in my feelings towards her. But she’d done it so unkindly by quoting myself back at me that I felt exposed and skewered. I told her so near Zofingen.
She let her knitting sink to her lap and stared out in front of her at the road for a long while.
‘When I was an executive assistant I so often encountered men who wanted something from me, but didn’t put themselves on the line. They’d like to have something going with me, but at the same time they’d pretend they didn’t. They’d arrange things so they could immediately retreat without getting really involved. It seemed to me that was the lie of the land with you, as well. You make the first move, but perhaps it isn’t really one, a gesture that costs you nothing and has no risk attached. You talk about humiliation… I didn’t want to humiliate you. Oh, shit, why are the only little wounds you notice your own?’ She turned her head away. It sounded as if she was crying. But I couldn’t see.
By Lucerne it was getting dark. When we reached Wassen I didn’t want to drive any further. The autobahn was cleared, but it had started snowing. I knew the Hotel des Alpes from earlier Adriatic expeditions. There, still, in Reception was the cage with the Indian mynah bird. When it saw us, it squawked, ‘Stop thief, stop thief.’
At dinner we had the creamy Zürcher Geschnetzeltes and diced roast potatoes. During the drive we had started to argue about whether success inevitably leads an artist to despise his audience. Röschen had once told me about a concert of Serge Gainsbourg’s in Paris where the more contemptuously Gainsbourg treated the audience, the more appreciatively they applauded. Since then this question has preoccupied me, and expanded in my mind into the larger problem of whether one can grow old without despising people either. Judith put up a lengthy resistance to this argument about the link between artistic success and scorn of others. Over the third glass of Fendant she gave in. ‘You’re right, Beethoven went deaf, after all. Deafness is the perfect expression of contempt for one’s environment.’
In my monastic single room I slept a sound, deep sleep. We set off early for Locarno. When we drove out of the Gotthard tunnel, winter was over.
11 Suite in B minor
We arrived toward midday, took rooms in a hotel by the lake, and lunched in the glassed-in veranda, looking out at the colourful boats. The sun beat warmly through the panes. I was nervous thinking about tea at Tyberg’s house. From Locarno a blue cable car goes up to Monti. At the halfway point, where the ascending cabin meets the descending one, there’s a station, Madonna del Sasso, a famous pilgrimage church, not beautiful to look at, but in a beautiful location. We walked that far on the Way of the Cross, strewn with large round pebbles. And then we took the cable car to save ourselves the rest of the climb.
We followed the curving street to Tyberg’s house on the small square with the post office. We were standing in front of a wall at least three metres high that came down to the street, with cast-iron railings running along it. The pavilion on the corner, and the trees and bushes behind the railings, underscored the elevated situation of the house and garden. We rang the bell, opened the heavy door, went up the steps to the front garden, and there facing us was a simple, red-painted, two-level house. Next to the entrance we saw a garden table and chairs, like the ones in beer-gardens. The table was awash with books and manuscripts. Tyberg unwrapped himself from a camel-hair blanket and came towards us, tall, with a slightly bent forward gait, a full head of white hair, a neat, short-trimmed grey beard, and bushy eyebrows. He was wearing a pair of half-spectacles, over the top of which he was now looking at us with curious brown eyes.
‘Dear Frau Buchendorff, lovely that you thought of me. And this is your good uncle. You are also welcome to Villa Sempreverde. We’ve met before, your niece tells me. No, wait,’ he deflected me as I was about to start talking, ‘I’ll work it out on my own. I’m working on my memoirs at the moment,’ he indicated the table, ‘and like to practise jogging my memory.’
He led us through the house to the back garden. ‘Shall we walk a little? The butler will make tea.’
The garden path followed the mountain upwards. Tyberg enquired after Judith’s health, her plans, her work at the RCW. He had a quiet, pleasant manner of putting his questions, and showing his interest to Judith by small observations. Nonetheless I was amazed at how openly Judith, albeit not mentioning my name or role in it all, recounted her departure from the RCW. And just as amazed at Tyberg’s reaction. He was neither sceptical regarding Judith’s picture of events, nor enraged by any of the participants, from Mischkey to Korten, nor did he express condolence or regret. He simply registered Judith’s account attentively.
With tea the butler brought us pastries. We sat in a large chamber with a grand piano that Tyberg referred to as the music room. Discussion had turned to the economic situation. Judith juggled with capital and labour, input and output, the balance of trade, and the gross national product. Tyberg and I connected over the notion of the Balkanization of the Federal Republic of Germany. He agreed so swiftly that to begin with I feared he’d misunderstood me and thought I meant there were too many Turks. But his mind, too, was on the decrease in the number of trains and in their punctuality, and how the post office worked less and continuously less reliably, and the police were getting more shameless by the day.
‘Yes,’ he said thoughtfully. ‘Also there are so many regulations that not even the bureaucrats themselves take them seriously any more, instead they apply them either rigidly or sloppily entirely by whim, and sometimes don’t apply them at all. I often wonder what sort of industrial society is going to grow out of all this. Post-democratic feudal bureaucracy?’
I love discussions like this. Unfortunately, although he may read a book now and again, Philipp’s sole interest is women, and Eberhard’s horizon doesn’t go beyond the sixty-four squares. Willy had thought in grand evolutionary perspectives and toyed with the idea that the world, or what humans leave of it, will be taken over by birds in the next millennium.
Tyberg scrutinized me for a long time. ‘Of course. Being Frau Buchendorff’s uncle doesn’t mean you have to be called Buchendorff. You are the retired public prosecutor Doctor Self.’
‘Not retired, dropped out in nineteen forty-five.’
‘Made to drop out, I bet,’ said Tyberg.
I didn’t want to explain myself. Judith noticed and jumped in. ‘Just leaving doesn’t mean much. Most of them went back. Uncle Gerd didn’t, not because he couldn’t, but because he no longer wanted to.’
Tyberg continued to look at me probingly. I felt ill at ease. What do you say to someone sitting opposite you whom you almost sent to the gallows due to an erroneous investigation? Tyberg wanted to know more. ‘So you didn’t want to remain a public prosecutor after nineteen forty-five. That’s interesting. What were your reasons?’