Edward and Wallis were married in France on June 3, 1937, a little more than a month after her second divorce was final. As part of his wedding gift to his bride, Edward gave Wallis a diamond coronet, a poor substitute for a crown. Edward’s brother, now King George VI, gave them the honorary titles of duke and duchess of Windsor. But the royal family would snub Wallis until the end of her days, never receiving her into the family and never allowing her to be called a Royal Highness. It is likely that the bitterness of the royal family toward Wallis was intensified by their knowledge of her philandering with the car salesman. But the duke insisted that until his wife was received and allowed the title, he would stay clear of Great Britain.
Though the marriage caused a constitutional crisis for the British monarchy, Edward’s abdication saved Britain from having a supporter of Nazi Germany on the throne during World War II. Edward, a fan of all things German and fluent in the language, was frequently seen to give a limp Nazi salute on the streets of London throughout the 1930s. When Hitler heard of the abdication he groaned, “I’ve lost a friend to my cause!”8
In 1937 the newly minted duke and duchess of Windsor visited the Führer for fourteen days, greeting the crowds with “Heil Hitler!” and scandalizing George VI and the British people. There is indeed some documentation that indicates Hitler was planning, once he conquered Britain, to install Edward and Wallis as puppet king and queen, dancing to Nazi commands.
After a stint as governor of the Bahamas during World War II—where Edward had been placed to keep him as far away as possible from his Nazi friends—the duke and duchess set off on a lifetime of meaningless wandering: shopping in Paris, fashion shows in New York, August in the south of France, winters in Palm Beach. Wallis’s famed charm congealed behind a hard mask of disappointment, and the duke became more doddering than ever, playing the bagpipes drunk in the middle of the night, or speaking only German for hours at a party where no one could understand him. The desiccated pair seemed glued to each other at the hip, each holding a drink in one hand and a cigarette in the other. Like cracked and peeling portraits of their former selves, they became yellowed by tobacco, dried up by alcohol.
In Ernest Simpson, Wallis had given up a highly intelligent, hardworking husband and replaced him with a thickheaded man with nothing to do, a millstone of a mate she could only divorce to shrieks of laughter echoing across the world. At one party when the duke had left the room, his wife informed her guests, “No one will ever know how hard I work to try to make the little man feel busy!”9 At social events she would often remind him, “Don’t forget, darling, you’re not king anymore!”10
In 1972 the duke died in Paris. The duchess soon slipped into senility, drank even more heavily to calm the phantoms of the past, and was down to eighty-five pounds by 1977. And yet she lived until 1986, stubbornly clinging to life, even as her body shriveled and her mind wandered. As she lay there, immobile, was she haunted by visions of crowns and scepters? Of thrones and coronation robes and the glory that might have been?
Charles and Camilla
Nearly seventy years after Edward VIII’s decision to marry his mistress, the same weighty question hangs over the head of a controversial prince.
As a girl, Camilla Shand, the great-granddaughter of Edward VII’s last mistress, Alice Keppel, loved to hear Granny Alice stories and always laughed at her famous statement, “My job is to curtsy first… and then jump into bed!”11 Little did Camilla know that she would have her own chance to curtsy and jump.
She met Prince Charles in 1970, as a pouring rain lashed the Windsor polo fields. Wearing a pair of muddy Wellington boots, twenty-three-year-old Camilla marched up to the twenty-two-year-old prince and introduced herself. “My great-grandmother was your great-great-grandfather’s mistress,” she said. “How about it?”12
Camilla, indeed, possessed many of the qualities that had made her great-grandmother a successful royal mistress. Though neither was classically beautiful, both had a colorful personality, dry wit, kindness, and intelligence that attracted more than high cheekbones or full lips. Both were fiercely loyal to their royal lovers, reassuring, calm, capable, and—rare in a world of scepters and crowns—unpretentious. Both were described by their contemporaries as exuding a raw sex appeal that cannot be captured in photographs.
Charles was immediately intrigued. Camilla was already an experienced woman of the world with the reputation of being a sizzling sex partner; the prince was comparatively inexperienced. The two of them dated for nearly three years, Charles wanting desperately to marry her. But the royal family was not amused—though from a proper English family, Camilla was no virgin. Nor was Camilla herself very interested in living in the fishbowl of Buckingham Palace. While Charles was in the Royal Navy, Camilla married her old flame Andrew Parker-Bowles. Hearing the news, the prince locked himself in his cabin for hours and emerged red-eyed.
They remained friends, however, and became lovers once again in 1980 as Camilla’s marriage gracefully deteriorated. Camilla, always on the lookout for a potential royal bride, pushed Charles into the arms of Diana, Lady Spencer. Camilla felt Diana was young and pliable enough to mold herself to Charles and palace life. She was from a noble family and boasted that most vital prerequisite of a princess bride: an unpenetrated hymen. Charles, deeply in love with Camilla, had serious doubts; his wooing of Diana was halfhearted and lackluster. He had been raised, however, to do his duty for his country and so allowed himself to be pushed down the path to the altar.
According to the prince’s valet at the time, Stephen Barry, just before his engagement to Diana was announced Charles said, “I’m making an awful bloody mistake.”13 Days before the wedding, Barry said, “He told myself and Lord Romsey that Camilla was the only woman he had ever loved. He told us: I could never feel the same way about Diana as I do about Camilla.”14 In the eighteenth-century tradition, family friend Lord Romsey assured Charles that in time his feelings would change and he would grow to love Diana.
Diana, though only nineteen, quickly picked up on Charles’s love for Camilla and began to detest her. Though Camilla was invited to the wedding, Diana struck her name from the guest list for the wedding breakfast and the reception. A few days before the wedding, Diana found a wrapped gift from Charles to Camilla on the desk of his assistant. She opened it and found a bracelet. Diana felt it was highly inappropriate for Charles to give an old girlfriend such a gift days before his wedding. She almost canceled the wedding of the century.
Diana certainly would have canceled had she known that the night before the wedding, while she was keeping a virginal vigil, her prince was rolling in bed with Camilla. He intended to be faithful to his wife, but wanted to get in one last night with his mistress as a single man.
Charles was caught between the pincers of Baroque traditions and modern values. His marriage for dynastic purposes to a woman he did not love—no matter how beautiful—was just as much a sacrifice as Louis XIV’s to the dwarflike infanta of Spain. Diana, on the other hand, was living in the late twentieth century—not the seventeenth—fully believing Charles was marrying her for love. She had not been raised at a court where royal mistresses were an accepted convention that unloved royal wives were expected to endure with dignity. Worst of all, she had hoped that Charles was the solution to her life of aimless uncertainty and bruising loneliness.