Elizabeth and Catherine settled my nerves—and drowned out the gruesome details of Lady Agnes’s terrible deeds and death—by sharing some of their early magical adventures and drawing me out about my own. Elizabeth was impressed by how I’d channeled the water from under Sarah’s orchard, pulling it into my palms drop by drop. And Catherine crowed with delight when I shared how a bow and arrow rested heavy in my hands just before the witchfire flew.
“The moon has risen,” Marjorie said, her round face pink with anticipation. The windows were sealed, but none of the other witches questioned her.
“It is time, then,” Elizabeth said briskly, all business.
Each witch went from one corner of the room to the next, breaking off a twig from her broom and placing it there. But these were not random piles. They’d arranged the twigs so as to overlap and form a pentacle, the witch’s five-pointed star.
Goody Alsop and I took up our positions at the center of the circle. Though its boundaries were invisible, that would change when the other witches took their appointed places. Once they had, Catherine murmured a spell and a curved line of fire traveled from witch to witch, binding the circle.
Power surged in its center. Goody Alsop had warned me that what we were doing this night invoked ancient magics. Soon the buffeting wave of energy was replaced by something that tingled and snapped like a thousand witchy glances.
“Look around you with your witch’s sight,” Goody Alsop said, “and tell me what you see.”
When my third eye opened, I half expected to find that the air itself had come to life, every particle charged with possibility. Instead the room was filled with filaments of magic.
“Threads,” I said, “as though the world is nothing more than a tapestry.”
Goody Alsop nodded. “To be a weaver is to be tied to the world around you and see it in strands and hues. While some ties fetter your magic, others yoke the power in your blood to the four elements and the great mysteries that lie beyond them. Weavers learn how to release the ties that bind and use the rest.”
“But I don’t know how to tell them apart.” Hundreds of strands brushed against my skirts and bodice.
“Soon you will test them, like a bird tests its wings, to discover what secrets they hold for you. Now, we will simply cut them all away, so that they can return to you unbound. As I snip the threads, you must resist the temptation to grab at the power around you. Because you are a weaver, you will want to mend the broken threads. Leave your thoughts free and your mind empty. Let the power do as it will.”
Goody Alsop released my arm and began to weave her spell with sounds that bore no resemblance to speech but were strangely familiar. With each utterance I saw the filaments fall away from me, coiling and twisting. A roaring filled my ears. My arms heeded the sound as if it were a command, rising up and stretching out until I was standing in the same T-shaped position that Matthew had placed me in at the Bishop house when I drew the water from underneath Sarah’s old orchard.
The strands of magic—all those threads of power that I could borrow but not hold—crept back toward me as if they were made of iron filings and I were a magnet. As they came to rest in my hands, I struggled against the urge to close my fists around them. The desire to do so was strong, as Goody Alsop predicted it would be, but I let them slide over my skin like the satin ribbons in the stories my mother told me when I was a child.
So far everything had happened as Goody Alsop had told me it would. But no one could predict what might occur when my powers took shape, and the witches around the circle braced themselves to meet the unknown. Goody Alsop had warned me that not all weavers shaped a familiar in their forspell, so I shouldn’t expect one to appear. But my life these past months has taught me that the unexpected was more likely than not when I was around.
The roaring intensified, and the air stirred. A swirling ball of energy hung directly over my head. It drew energy from the room but kept collapsing into its own center like a black hole. My witch’s eye closed tightly against the dizzying, roiling sight.
Something pulsed in the midst of the storm. It pulled free and took on a shadowy form. As soon as it did so, Goody Alsop fell silent. She gave me one final, long look before she left me, alone, in the center of the circle.
There was a beating of wings, the lash of a barbed tail. A hot, moist breath licked across my cheek. A transparent creature with the reptilian head of a dragon hovered in the air, bright wings striking the rafters and sending the ghosts scuttling for cover. It had only two legs, and the curved talons on its feet looked as deadly as the points along its long tail.
“How many legs does it have?” Marjorie called, unable to see clearly from her position. “Is it just a dragon?”
Just a dragon?
“It’s a firedrake,” Catherine said in wonder. She raised her arms, ready to cast a warding spell if it decided to strike. Elizabeth Jackson’s arms moved, too.
“Wait!” Goody Alsop cried, interrupting their magic. “Diana has not yet completed her weaving. Perhaps she will find a way to tame her.”
Tame her? I looked at Goody Alsop incredulously. I wasn’t even sure if the creature before me was substance or spirit. She seemed real, but I could see right through her.
“I don’t know what to do,” I said, beginning to panic. Every flap of the creature’s wings sent a shower of sparks and drops of fire into the room.
“Some spells begin with an idea, others with a question. There are many ways to think about what comes next: tying a knot, twisting a rope, even forging a chain like the one that you made between you and your wearh,” Goody Alsop said, her tone low and soothing. “Let the power move through you.”
The firedrake roared in impatience, her feet extending toward me. What did she want? A chance to pick me up and carry me from the house? A comfortable place to perch and rest her wings?
The floor underneath me creaked.
“Step aside!” Marjorie cried.
I moved just in time. A moment later a tree sprouted from the place where my feet had recently been planted. The trunk rose up, divided into two stout limbs, and branched out further. Shoots grew into green leaves at the tips, and then came white blossoms, and finally red berries. In a matter of seconds, I was standing beneath a full-grown tree, one that was flowering and fruiting at the same time.
The firedrake’s feet gripped at the tree’s uppermost branches. For a moment she seemed to rest there. A branch creaked and cracked. The firedrake lifted back into the air, a gnarled piece of the tree clutched in her talons. The firedrake’s tongue flicked out in a lash of fire, and the tree burst into flame. There were far too many flammable objects in the room—the wooden floors and furniture, the fabric that clothed the witches. All I could think was that I must stop the fire from spreading. I needed water—and lots of it.
There was a heavy weight in my right hand. I looked down, expecting to see a bucket. Instead I was holding an arrow. Witchfire. But what good was more fire?
“No, Diana! Don’t try to shape the spell!” Goody Alsop warned.
I shook myself free of thoughts of rain and rivers. As soon as I did, instinct took over and my two arms rose in front of me, my right hand drew back, and once my fingers unfurled, the arrow flew into the heart of the tree. The flames shot up high and fast, blinding me. The heat died down, and when my sight returned, I found myself atop a mountain under a vast, starry sky. A huge crescent moon hung low in the heavens.