Occasionally, the countess left off her sorting to look with fondness at a young girl of fifteen seated cross-legged on the floor, much to the detriment of her voluminous blue silk skirt and white lace petticoat that spilled around her in layers of folds and frills. The girl rested her elbows on the floor with the easy elasticity of youth. Her chin in her hands, she was studying a large and colorful map of the world of Aeronne. The girl’s rich chestnut hair had begun the day beautifully curled and coifed by her maids, but a romp in the hall with her spaniel had brought the curls tumbling around her face. The spaniel, a small version of the breed, with long ears and big brown melting eyes, was named Bandit, because he was fond of stealing petit fours. The dog now lay curled up asleep on the hem of the girl’s blue dress.
Her Royal Highness Princess Amelia Louisa Sophia, known as Sophia, was the third child and only daughter of King Alaric and Queen Annmarie. The king’s two sons, both in their twenties, were now serving in the military. The king was pleased to have produced two male heirs to the throne and thus began and ended the extent of his interest in them. He had shipped them off to seminary school when they were little. After that, they had attended University and then gone into the military. The elder, Prince Alaric II, was now Admiral of the Royal Navy’s fleet in the north. The younger, Alessandro, was captain of his own airship. Neither was exceptional, though the elder had a bad reputation among the sailors for being something of a martinet.
Sophia, the unexpected child, the late child, was the child the king adored. Alaric doted on her, gave her everything she wanted and much that she didn’t. The queen, her mother, a vain and vapid woman, cared nothing for the girl herself, but only for the wealthy and prestigious match she would make for her daughter. With this end in mind, the queen was always trying to improve her daughter’s looks. Her Majesty primped, curled, and fussed over Sophia’s hair, rouged her cheeks and painted her lips, and laced her into corsets in an effort to plump up her small breasts.
Sophia was required to take dancing lessons and etiquette lessons. She learned to paint and to do fancy embroidery. She was not taught to read or to write for these were skills considered by her illiterate mother to be of no importance to a woman. The queen scolded Sophia when she caught her wasting time with a book, telling her daughter that men did not want clever wives.
Between the king and queen, they might have utterly ruined their daughter. Sophia’s naturally sweet nature, a passion for music, an extraordinary talent as a magical crafter, and the countess’ tutelage saved the princess from turning out to be a spoiled and empty-headed porcelain doll.
Early in life, Sophia had developed an attachment to the Countess de Marjolaine. No one in court could understand the attraction. The cold, cunning, devious countess and the sensitive, shy Sophia seemed an unlikely match. Their relationship had begun the day when the countess entered her music room to find the little girl of five teaching herself to play the pianoforte. The countess had recognized the child’s talent and had given her lessons. Discovering that Sophia could neither read nor write, the countess had expanded those lessons to include these skills.
The countess did not relax her cold, dispassionate demeanor around the girl, never exhibited any affection toward her. On the contrary, the countess was often a stern and difficult taskmaster. Sophia knew the value of what she was learning and enjoyed her studies. She came to love the countess, though she was wise enough to keep her affection a secret. Sophia had learned at an early age that her mother, the queen, hated the Countess de Marjolaine, though it would be many more years before Sophia would come to understand the jealousy that prompted this hatred. All Sophia knew was that when she was with the countess, she was free to be Sophia, not Papa’s “pet” or Mama’s “darling.”
As for the countess, she found that teaching the girl brought her a deep satisfaction she had never before experienced. She felt something akin to happiness when Sophia was with her, a feeling she had once thought she would never know again. The countess would not admit her affection for the girl. She told herself it was her duty to see to it that a princess of Rosia should be an educated and well-informed woman. The child would certainly not learn anything from her mother, who had all the intellect of an eggplant, or her father, a man of low cunning, but no particular intelligence.
The countess was attempting to concentrate on sorting her correspondence, but her gaze often left the letters and reports to fix upon Sophia, admiring her delicate beauty and wondering irritably, not for the first time, how the queen could ever refer to her daughter as “homely and plain.”
Sophia felt the countess’ eyes upon her and lifted her head to smile at her. Sophia’s face-minus the rouge, which she invariably rubbed off when she was out of her mother’s sight-was sweet and winsome and pale, too pale; the pallor of illness, not of fashion.
Sophia had long suffered from severe headaches. The headaches had been mild when she was young, but they were growing more frequent and more severe. The king had brought in physicians and healers from around the world to treat her. She had been examined by the best, but no one could find a cause for her ailment. Sophia did not have poor eyesight. Her vision was perfect. She had never suffered a head injury. She did not exhibit symptoms of a brain disease; no seizures, no bleeding from the nose or ears.
The physicians and healers had tried numerous remedies, everything from bleeding to leeches to potions that made her throw up. None helped. When the attacks came, her screams could be heard in distant halls and corridors. The pain was so bad the servants often had to lash her arms and feet to her bedposts to keep her from thrashing about and hurting herself.
Both parents suffered almost as much as Sophia; the king because he truly cared about his daughter and the queen because she did not know how she was ever going to find a husband for her afflicted child.
“I am glad you are feeling better today, Your Highness,” the countess said with her customary cool politeness, as she continued to glance through her correspondence. “I heard you were ill last night. Was the pain very bad this time?”
Sophia flushed, pleased that the countess was taking an interest in her. She spoke somberly, yet rapidly, as though glad to talk about it. “The pain was horrible. It felt like someone had stabbed a hot, burning knife into my skull. When it comes, I can’t think about anything except the pain and trying to make it stop. Mama wanted me to take that bitter medicine the latest physician gave me, but I hate the way it makes me feel, as though I’m wrapped in a thick woolly blanket, and, anyway, medicine doesn’t help. I know the pain is still there, beneath the blanket, and that makes it worse. I drank the medicine to please Mama, but I spit it out after she left the room.”
Sophia started to say something, then bit her lip and fell silent.
“Yes, Your Highness, what it is?” prompted the countess.
“The medicine makes me sleep, but it doesn’t stop the bad dreams. I think sometimes the dreams are worse than the pain.”
The countess stopped sorting to look with concern at her young friend.
“Was it the same dream, Your Highness?”
“Yes, my lady. I am in a cave lit by torches. The cave is cold. I can see my breath and I’m not wearing anything except my shift. Something is chasing me and I’m running away and the cold air makes my chest hurt. I stop because I can’t breathe and hide behind a boulder, but I keep hearing the booming footsteps coming after me. I can sense its hunger. It wants me. I start running again, and the footsteps keep coming: boom, boom, boom.”
Sophia’s voice dropped. “What is most horrible is that it knows my name. It calls out to me, and when it does, I wake up.”