There was a kennel in the back yard with a pen and a long exercise run, but she knew that the dogs were far past barking, so she skirted close to it and studied the house. It was a five- or six-bedroom one-story ranch structure coated with white stucco. She walked around it, looking for motion sensors, automatic lights, indications of the sort of alarm system it had. There were no security company’s signs anywhere on the property, no stickers on any of the windows. Most of the windows were dark, but she could see two with dim lights glowing behind them. She cautiously approached the first and peered inside. Through the curtain, she could just see a lamp on a desk. She moved to the other side of the window and looked at the place where the cord led to the electrical outlet. She could see the little plastic box and the circular dial. The light was on a timer.
She walked to the other lighted window and saw another lamp on a timer. She considered. The timers meant that nobody was home. There were no signs of an alarm system. It made sense that a professional killer would not want to have his house wired with devices whose sole purpose was to summon the police. And most of the time, the dogs would have warned him long before any intruder came close enough to enter the building where he slept.
She decided to take the chance. Earl and the second man were dead, but there was a strong likelihood that they had left some notes, some information about Pete Hatcher that could give a new set of killers a start. And there was still the woman who had trapped Pete in Denver. The woman might not be the sort who would come after Pete alone, but unless Jane found out who she was, there would be no way to predict anything about her.
Jane walked to the kitchen door, swung her tire iron to shatter the upper pane of glass, reached inside, unlocked the door, and entered. There was no noise, and there was no electrical contact in the frame that could have set off a silent alarm when the door opened.
She felt for the light switch and turned it on. The kitchen was modern and very expensive—a professional-size Wolf stove, Sub-Zero refrigerator, vast surfaces of green marble, the dull gleam of stainless steel—but when she looked in the drawers and cupboards there were few containers or implements to indicate that much cooking went on here.
She walked into the living room. There was electronic equipment, all small modular boxes piled up into towers and banks along one wall. Some of it she recognized—television monitors, VCRs, speakers, compact disc players, cable TV descrambler, tape recorders of various kinds—but among them were other boxes and monitors that seemed to belong to computers. To her it appeared that the man who lived here simply bought things. It occurred to her that each item in this house probably represented some person’s life. People had been changed into leather couches and marble counters and electronic gadgets.
She moved up the hallway and found Earl’s bedroom. Her nostrils picked up the faint scent she remembered smelling when his body had fallen on her, a mixture of sweat and gun oil and some kind of hair tonic. She waited for the wave of nausea it induced to pass, then began her search by the telephone, but she found no paper in the room for writing down numbers or messages.
She opened the sliding door beside her and found a custom-built closet with drawers and racks and hanging clothes. It was the hat rack that caught her eye first. There were a dozen baseball caps with the logos of teams and manufacturers of trucks and farm machinery, but others that said FBI, POLICE, or SWAT TEAM. In a bottom drawer she found two black ski masks with eye and mouth holes and a wide selection of gloves. He didn’t wear those in southern California to keep warm.
She stepped to the rack of hanging clothes and confirmed the impression that had been building in her mind. There were clothes of all kinds—conservative suits and moth-eaten wool hunting shirts, a tuxedo beside an army field jacket that was in a plastic bag because it was covered with dirt. Earl had uniforms. There were the midnight-blue shirt and pants of the Los Angeles Police Department beside the hot-weather version with short sleeves, a khaki Highway Patrol uniform, a blue windbreaker with the word POLICE in bold reflective letters like the ones plainclothes cops slipped on for raids. There were work clothes for the Department of Water and Power, Southern California Gas, Pacific Bell. Earl had been able to impersonate virtually anyone.
She left the bedroom and went up the hall to see what Earl had kept in the other rooms. She reached the door on the end, turned on the light, and drew in a breath.
It was a woman’s bedroom. Earl had not lived in the house alone. It was inconceivable that a man like Earl would have one woman who lived in a house with his collection of police uniforms but asked no questions and a second who went out with him to kill people. This was almost certainly the woman who had ambushed Pete Hatcher in Denver. Jane opened the nearest closet. The clothes on the hangers were like everything else in the house: they bore very expensive labels without being especially appealing or tasteful choices, and all of them seemed too recent. There was such a profusion of new clothes that Jane wondered how anybody could spend so much time shopping. She tried to focus her mind on the immediate need to use her time efficiently. If the woman lived here, then there was a strong possibility that she could show up without warning. She had been in Denver, but Jane had seen no sign of a woman in Montana.
Jane spent ten minutes searching for framed photographs, albums, anything that might tell her what the woman looked like, but she found nothing. She looked more closely at the clothes in the hope that they would help her form an image of the woman’s size and shape, but it was a pointless exercise. It seemed to Jane that every woman she had seen in California was a size eight, between five feet six and five feet eight.
She kept searching. The woman was vain and a bit self-indulgent. The room beside this one was a dressing room with a huge lighted mirror. The cosmetics, creams, perfumes, and oils in tiny jars and bottles were all brands so expensive that most women would not have recognized them.
She went into the bathroom connected with the bedroom and found it to be the same. There was a glass shower with marble walls that would have held five people and complicated fixtures for spraying water at different intensities and different angles. There was a sunken bathtub with Jacuzzi jets, a steam machine for facials, and here, too, the same profusion of unguents and lotions and oils, enough to last several lifetimes.
The door on the far side of the bathroom opened into the exercise room. There was a stationary bike, a treadmill, a Nautilus machine, weights, padded benches, step-stairs, pulley contraptions. The whole inner wall was one immense mirror with a ballet barre. Jane tried to understand this woman. The size of her clothes indicated that she took care of herself, but the equipment in this room was not of the quality or variety that most people put in their homes. It was all the industrial-grade gear that gyms bought. She lifted the bar of the exercise machine. If the setting was for the woman, then she was a specimen, Jane thought. Maybe Earl had used the equipment too. Through the French door on the outer wall, Jane could see a thin strip of moonlight on water—a pool, too, right at the woman’s doorstep. But it wasn’t the pretty kind, or the sort where people had fun swimming together. It was a single-lane lap pool. It reminded Jane of the dogs’ exercise run by the kennel.
Jane moved back into the woman’s bedroom. The whole house made her uncomfortable, vaguely afraid. She was fascinated and repelled by the mundane details, the fixtures of the man and woman’s daily life here. She could not get herself to set aside the thought that each extravagance looked like a single spree, as though one day they must have come home from killing someone and used the money to buy a room full of exercise equipment. Another day they would come home and hire a contractor to remodel the woman’s bedroom. She wondered if they thought about the people afterward: this room was cutting John Smith’s throat, and this one was shooting Bob and Betty Johnson through their heads in their sleep.