She looked around her at the place where the woman slept. The woman dressed as other women did, and liked the amenities that other women liked, but there was too much of everything, and it all seemed a little bit off. It seemed to Jane that it was like the room of a man impersonating a woman: transvestites never seemed to wear an oversized sweatshirt and blue jeans. She remembered the weights in the exercise room: maybe she had stumbled on the truth. She took a pair of slacks out of the closet and measured the ratio of the hips to the waist. No, the clothes would not have fit on a body that had not been born female.
But everything in the house was wrong. The kitchen was not a place where anything was cooked. It was a hoard of appliances and glossy surfaces. The living room looked as though no one ever sat in it. The furniture was all too well matched to have been bought any way but at once, and it was spatially arranged to be neither attractive nor comfortable, just placed so that there would be room for a lot of it. She looked at the bed. It was king-sized, too big for one person, but she could not imagine the people who had lived here doing anything so human and comprehensible as sleeping on it together.
Jane opened the second closet and found the boxes of wigs. The woman had good ones, all genuine human hair. There were short ones, falls to take on and off, curly ones and straight ones. Jane took a quick inventory. The woman had light brown, dark brown, red, black, auburn, even gray. The only kind missing was blond.
Jane pushed aside some clothes and saw the door of a gun cabinet. It was built like a safe, with a five-digit combination lock. There was no hope of looking inside, but Jane decided that she had seen enough of Earl’s arsenal already: what she wanted would be on paper. But the gun cabinet struck her as part of the impersonation. The room was so aggressively, insistently feminine, so exclusively the domain of a woman, that it was a perfect place for a cache of weapons.
She still had rooms to account for. She closed the closet and left the bedroom, then walked down the hall into an office. It had two desks, two telephones, two computers. There were no photographs here, either.
The filing cabinets were full of records of payments—some made by Earl Bliss, some made by Northridge Detectives—but no records of receipts, no notations relating to income, no lists of clients. Whatever useful information existed, it was probably in the computers. She searched the desk drawers. At first she found only office supplies, but the deep one on the right side of the second desk was full of electronic gear. There was a box of tiny short-range audio transmitters for hiding inside household objects, more powerful ones with prongs for plugging into wall sockets, even one that had been disguised as a night-light for a child’s room. There were receivers and long-range microphones. She closed the drawer.
The place had once been a bedroom, so there was a closet here, too. She opened it, and the sight made her shiver. There was a handyman’s pegboard. On it hung handcuffs like the police used, thumbcuffs with jagged inner edges that could do terrible damage if a prisoner struggled, a two-foot coil of piano wire with handles on both ends, a couple of long spikes like skewers. She lifted a small box from the shelf and took off the top. There were hypodermic needles and bottles. She read the labels and she could see they had been stolen from a hospitaclass="underline" anectine for stopping the heart, insulin for inducing shock, heroin for an overdose the L.A. coroner would find familiar and explicable. She put the box back and found the little press.
She looked at it without understanding until she opened the box beside it. Inside was a stack of blank gold plastic cards, all bearing the symbols of Visa and MasterCard. The machine was a die for pressing names and numbers into fake credit cards. Her breath caught in her throat. Maybe some of the blanks had the woman’s picture on them. She shuffled through them eagerly, but found no picture. Her eyes passed across the little press. There was still type clamped in the die. She read it backward: Susan Preston Haynes. Of course it was a false name, or the woman wouldn’t have needed to make the credit card at home. Knowing a false name was not going to get Jane any closer to the woman.
She looked around her at the room. The malevolence of the house was strongest here. The perverse eagerness to hurt, to render human beings into money made her sick. She glanced at the computers. Without codes and passwords, they were locked as tightly as the gun cabinet.
Jane sat at the nearest desk and tried to defeat the sick, nervous feeling in her stomach. Her mind had been calmly, logically working its way toward the conclusion that she had to wait as long as it took for this woman to come in the door, and then kill her. It was simple, practical, rational, and utterly wrong. She had just shot two men. But there was an immense difference between shooting back at a killer and crouching in this horrible place with the lights out, waiting for the door to open so she could bring a knife across a person’s throat. She was not going to do it.
She looked around her, and her eyes rested on a small sheet of paper that said Federal Express. It was a receipt, the carbon copy of the mailing label on an overnight package. The date on it was two weeks ago. She picked it up and looked at it closely. The address box said, “Susan Haynes, Meadowgreen Suites, Orchard Park, New York 14127.” Orchard Park was seven or eight miles from Buffalo, no more than fifteen from Amherst.
Jane found herself standing. She had to stop herself from dashing outside and running for the car. She looked around her at the walls that enclosed her. This house seemed as much of a threat as though it were alive. The computers were probably full of information about Hatcher and about Jane, but there were undoubtedly backup disks hidden somewhere else in the building. The building was full of hiding places, locks, and secrets that she could never hope to break. There were probably photographs of Hatcher, and maybe of her too. There might even be electronic equipment that was running right now, taking videotapes of Jane’s visit.
She stepped to the kitchen, where she remembered seeing books of matches with the names of restaurants on them. Then she went outside, sliced off five feet of the garden hose attached to the house, went into the garage and syphoned gasoline out of the tank of the Mercedes into a bucket.
Jane poured the gasoline liberally around the office and on the computers, in the two bedrooms, in the closets. She filled the bucket again, then poured gasoline along the inner walls of the living room, the exercise room, the bathrooms. She poured another bucketful along the baseboards and carpets at the outer walls of each room.
She dribbled a trail of gasoline down the hallway, across the living room rug, and through the kitchen to the back door. She poured gasoline on the kennel and along the walls of the garage. Finally, she poured a stream of gasoline from the kitchen steps to the garage, to the kennel.
Jane climbed back over the chain-link fence, lit a match, and tossed it on the back lawn. The vapor ignited with a poof! and a flash before the match could land, and bright yellow and blue flames raced in three directions. Jane hurried to her car. She saw the bright flare-up when the fire reached the kitchen floor, the flames licking up the kitchen walls.
As she started her car and backed out of the driveway, she saw the quick, purifying flames lighting up one window after another. When she reached the first turn in the road, she glanced in the rearview mirror and saw flames billowing out of the front windows, illuminating the clouds of black smoke that rose into the night sky.