Payne Collier, J. (ed.), Memoirs of Edward Alleyn (London, 1841)
Payne Collier, J. (ed.), The Alleyn Papers (London, 1843)
Pearson, H., A Life of Shakespeare (Harmondsworth, 1942)
Perry, W. (ed.), The Plays of Nathan Field (Austin, 1950)
Picard, Liza, Elizabeth’s London (London, 2003)
Pitcher, S.M., The Case for Shakespeare’s Authorship of “The Family Histories” (New York, 1961)
Plunket Barton, (Sir) D., Links between Shakespeare and the Law (London, 1929)
Poel, W., Shakespeare in the Theatre (London, 1913)
Pollard, A. W. and Dover Wilson, J., Shakespeare’s Hand in the Play of “Sir Thomas More” (Cambridge, 1923)
Pollock, L.A., Parent-Child Relations from 1500–1900 (Cambridge, 1988)
Price, G.R., Thomas Dekker (New York, 1969)
Pringle, Roger, The Shakespeare Homes (Norwich, n.d.)
Rabkin, Norman, Shakespeare and the Common Understanding (Chicago and London, 1984)
Raleigh, W., Shakespeare (London, 1907)
Reay, B., Popular Culture in Seventeenth-Century London (London, 1985)
Rees, J., Samuel Daniel (Liverpool, 1964)
Reese, M.M., Shakespeare: His World and Hit Work (London, 1953)
Reynolds, G.F., The Staging of Elizabethan Plays at the Red Bull Theatre 1605–1625 (London, 1940)
Reynolds, G.F., On Shakespeare’s Stage (Boulder, 1967)
Ribner, I., The English History Plays (Princeton, NJ, 1957)
Riewald, J.G., “Some Later Elizabethan and Early Stuart Actors and Musicians,” in English Studies xl, no. I (Amsterdam, 1959)
Righter, A., Shakespeare and the Idea of Play (London, 1962)
Roach, J.R., The Player’s Passion (Newark, 1985)
Robertson Davies, W., Shakespeare’s Boy Actors (London, 1939)
Rolfe, W.J., Shakespeare’s Early Life (London, 1897)
Rowse, A.L., Shakespeare’s Southampton (London, 1965)
Rowse, A.L., Shakespeare the Man (Basingstoke and London, 1973)
Salgado, G., Eye-Witnesses of Shakespeare (London, 1975)
Salgado, G., The Elizabethan Underworld (London, 1977)
Salingar, L., Shakespeare and the Traditions of Comedy (Cambridge, 1974)
Salingar, L., Dramatic Form in Shakespeare and the Jacobeans (Cambridge, 1986)
Sams, E. (ed.), Shakespeare’s host Play: Edmund Ironside (London, 1985)
Sams, E., The Real Shakespeare (New Haven, CT, and London, 1995)
Sams, E. (ed.), Shakespeare’s “Edward III” (London, 1996)
Savage, R. (ed.), Minutes and Accounts of the Corporation of Stratford-upon-Avon, 1553–1620, Vols. I–V (London, Oxford and Hertford, 1921-90)
Schmidgall, G., Shakespeare and the Poet’s Life (Lexington, 1996)
Schoenbuaum, S., William Shakespeare: A Documentary Life (Oxford, 1975)
Schoenbaum, S., Shakespeare’s Lives, new edition (Oxford, 1991)
Shaheen, N., Biblical References in Shakespeare’s Tragedies (Newark, 1987)
Shaheen, N., Biblical References in Shakespeare’s History Plays (Newark, 1989)
Shaheen, N., Biblical References in Shakespeare’s Comedies (Newark, 1993)
Shakespeare Quarterly, all vols. (New York)
Shakespeare Studies, all vols. (Cincinnati)
Shakespeare Survey, all vols. (Cambridge)
Skura, H.A., Shakespeare the Actor (London, 1993)
Slater, A.D., Shakespeare the Director (Brighton, 1982)
Smart, J.S., Shakespeare: Truth and Tradition (London, 1928)
Smidt, K., Unconformities in Shakespeare’s History Plays (London and Basingstoke, 1982)
Smidt, K., Unconformities in Shakespeare’s Early Comedies (London and Basingstoke, 1986)
Smidt, K., Unconformities in Shakespeare’s Tragedies (London and Basingstoke, 1989)
Smith, B.R., Homosexual Desire in Shakespeare’s England (Chicago, 1991)
Smith, Irwin, Shakespeare’s Blackfriars Playhouse (London, 1966)
Smith, L.T. (ed.), The Itinerary of John Leland (London, 1907)
Soellner, Rolf, “Shakespeare’s Lucrece and the Garnier — Pembroke Connection,” Shakespeare Studies, XV (1982)
Sohmer, S., The Opening of the Globe Theatre 1599 (New York, 1999)
Sohmer, S., Shakespeare’s Mystery Play (Manchester, 1999)
Southworth, John, Shakespeare the Player: A Life in the Theatre (Stroud, 2000)
Spurgeon, Caroline, Shakespeare’s Imagery (Cambridge, 1935)
Steggle, M., Wars of the Theatres (Victoria, BC, 1998)
Sternfield, F.W., Music in Shakespearean Tragedy (London, 1963)
Stevenson, R., Shakespeare’s Religious Frontier (The Hague, 1958)
Stone, L., The Crisis of the Aristocracy 1558–1641 (Oxford, 1965)
Stone, L., The Family, Sex and Marriage in England, 1500–1800 (London, 1977)
Stopes, C.C., Shakespeare’s Warwickshire Contemporaries (Stratford, 1897)
Stopes, C.C., Shakespeare’s Family (London, 1901)
Stopes, C.C., The Life of Henry, 3rd Earl of Southampton (Cambridge, 1922)
Styan, J.L., Shakespeare’s Stagecraft (Cambridge, 1967)
Styles, P., The Borough of Stratford-upon-Avon (Oxford, 1946)
Taylor, G., Reinventing Shakespeare (London, 1989)
Taylor, G. and Jowett, J., Shakespeare Reshaped 1606–1623 (Oxford, 1993)
Taylor, M., Shakespeare Criticism in the Twentieth Century (Oxford, 2001)
The Elizabethan Theatre, see Elizabethan Theatre, The
Thistleton Dyer, Rev. T.F., Folk-Lore of Shakespeare (New York, 1966)
Thomson, P., Shakespeare’s Theatre (London, 1983)
Thomson, P., Shakespeare’s Professional Career (Cambridge, 1992)
Thomson, P., On Actors and Acting (Exeter, 2000)
Trotter, Stewart, Love’s Labour’s Found (Ashford, 2002)
Tucker Brooke, C.F. (ed.), The Shakespeare Apocrypha (Oxford, 1929)
Turner, R.Y., Shakespeare’s Apprenticeship (Chicago and London, 1974)
Urkowitz, S., Shakespeare’s Revision of “King Lear” (Princeton, NJ, 1980)
Van Laan, T.F., Role-Playing in Shakespeare (London, 1978)
Vendler, H., The Art of Shakespeare’s Sonnets (London, 1997)
Vickers, B. (ed.), Shakespeare: The Critical Heritage, 6 vols. (London, 1974-81)
Vickers, B., The Artistry of Shakespeare’s Prose (London, 1979)