The big Irishman appeared around the side of the shrine and saw the confrontation. The big man, broader and taller than Harper, who was one of the strongest men in the army, had his fists clenched. He looked like a bulldog waiting to be unleashed, and Harper knew how to treat mad dogs. He let the volley gun slip from his shoulder. It was a curious weapon, made for the Royal Navy, and intended to be used from the deck of a ship to clear enemy marksmen from their fighting tops. Seven half-inch barrels were clustered together, fired by a single flintlock, and at sea the gun had proved too powerful, as often as not breaking the shoulder of the man who fired it, but Patrick Harper was big enough to make the seven-barrel gun look small and now he casually pointed it at the vast brute who blocked Sharpe's path. The gun was not cocked, but none of the civilians seemed to notice that. "You have trouble, sir?" Harper asked innocently.
Ferreira looked alarmed, as well he might. Harper's appearance had prompted some of the other civilians to draw pistols, and the hillside was suddenly loud as flints were clicked back. Major Ferreira, fearing a bloodbath, snapped at them to lower their guns. None obeyed until the big man, the bare-fisted brute, snarled at them and then they hurriedly lowered their flints, holstered their weapons and looked scared of the big man's disapproval. All the civilians were hard-looking rogues, reminding Sharpe of the cutthroats who ruled the streets of East London where he had spent his childhood, yet their leader, the man with the brutish face and muscled body, was the oddest and most frightening of them. He was a street fighter, that much was obvious from the broken nose and the scars on his forehead and cheeks, but he was also wealthy, for his linen shirt was of fine quality, his breeches cut from the best broadcloth and his gold-tasseled boots were made from soft expensive leather. He looked to be around forty years old, in the prime of life, confident in his sheer size. The man glanced at Harper, evidently judging the Irishman as a possible opponent, then unexpectedly smiled and picked up his coat which he brushed down before putting on. "What is in the shrine," the big man stepped towards Sharpe, "is my property." His English was heavily accented and spoken in a voice like gravel.
"And who are you?" Sharpe demanded.
"Allow me to name Senhor… " Ferreira began to answer.
"My name is Ferragus," the big man interrupted.
"Ferragus," Ferreira repeated, then introduced Sharpe. "Capitao Sharpe." He offered Ferragus a shrug as if to suggest that events were beyond his control.
Ferragus towered over Sharpe. "Your work is done here, Captain. The tower is no more, so you may go."
Sharpe stepped back out of the huge man's shadow, sideways to get around him and then went to the shrine and heard the distinctive sound of the volley gun's ratchet scraping as Harper cocked it. "Careful, now," the Irishman said, "it only takes a tremor for this bastard to go off and it would make a terrible mess of your shirt, sir." Ferragus had plainly turned to intercept Sharpe, but the huge gun checked him.
The shrine door was unlocked. Sharpe pushed it open and it took a moment for his eyes to adjust from the bright sunlight to the shrine's black shadows, but then he saw what was inside and swore.
He had expected a bare country shrine like the dozens of others he had seen, but instead the small building was heaped with sacks, so many sacks that the only space left was a narrow passage leading to a crude altar on which a blue-gowned image of the Virgin Mary was festooned with little slips of paper left by desperate peasants who came to the hilltop in search of a miracle. Now the Virgin gazed sadly on the sacks as Sharpe drew his sword and stabbed one. He was rewarded by a trickle of flour. He tried another sack further down and still more flour sifted to the bare earth floor. Ferragus had seen what Sharpe had done and harangued Ferreira who, reluctantly, came into the shrine. "The flour is here with my government's knowledge," the Major said.
"You can prove that?" Sharpe asked. "Got a piece of paper, have you?"
"It is the business of the Portuguese government," Ferreira said stiffly, and you will leave."
"I have orders," Sharpe countered. "We all have orders. There's to be no food left for the French. None." He stabbed another sack, then turned as Ferragus came into the shrine, his bulk shadowing the doorway. He moved ominously down the narrow passage between the sacks, filling it, and Sharpe suddenly coughed loudly and scuffed his feet as Ferreira squeezed into the sacks to let Ferragus past.
The huge man held out a hand to Sharpe. He was holding coins, gold coins, maybe a dozen thick gold coins, bigger than English guineas and probably adding up to three years' salary for Sharpe. "You and I can talk," Ferragus said.
"Sergeant Harper!" Sharpe called past the looming Ferragus. "What are those bloody Crapauds doing?"
"Keeping their distance, sir. Staying well off, they are."
Sharpe looked up at Ferragus. "You're not surprised there are French dragoons coming, are you? Expecting them, were you?"
"I am asking you to go," Ferragus said, moving closer to Sharpe. "I am being polite, Captain."
"Hurts, don't it?" Sharpe said. "And what if I don't go? What if I obey my orders, senhor, and get rid of this food?"
Ferragus was plainly unused to being challenged for he seemed to shiver, as if forcing himself to be calm. "I can reach into your little army, Captain," he said in his deep voice, "and I can find you, and I can make you regret today."
"Are you threatening me?" Sharpe asked in astonishment. Major Ferreira, behind Ferragus, made some soothing noises, but both men ignored him.
"Take the money," Ferragus said.
When Sharpe had coughed and scuffed his feet he had been making enough noise to smother the sound of his rifle being cocked. It hung from his right shoulder, the muzzle just behind his ear, and now he moved his right hand back to the trigger. He looked down at the coins and Ferragus must have thought he had tempted Sharpe for he thrust the gold closer, and Sharpe looked up into his eyes and pressed the trigger.
The shot slammed into the roof tiles and filled the shrine with smoke and noise. The sound deafened Sharpe and it distracted Ferragus for half a second, the half second in which Sharpe brought up his right knee into the big man's groin, following it with a thrust of his left hand, fingers rigid, into Ferragus's eyes and then his right hand, knuckles clenched, into his Adam's apple. He reckoned he had stood no chance in a fair fight, but Sharpe, like Ferragus, reckoned fair fights were for fools. He knew he had to put Ferragus down fast and hurt him so bad that the huge man could not fight back, and he had done it in a heartbeat, for the big man was bent over, filled with pain and fighting for breath, and Sharpe cleared him from the passage by dragging him into the space in front of the altar and then walked past a horrified Ferreira. "You got anything to say to me, Major?" Sharpe asked, and when Ferreira dumbly shook his head Sharpe made his way back into the sunlight. "Lieutenant Slingsby!" he called. "What are those damned dragoons doing?"
"Keeping their distance, Sharpe," Slingsby said. "What was that shot?"
"I was showing a Portuguese fellow how a rifle works," Sharpe said. "How much distance?"
"At least half a mile. Bottom of the hill."
"Watch them," Sharpe said, "and I want thirty men in here now. Mister Iliffe! Sergeant McGovern!"
He left Ensign Iliffe in nominal charge of the thirty men who were to haul the sacks out of the shrine. Once outside, the sacks were slit open and their contents scattered across the hilltop. Ferragus came limping from the shrine and his men looked confused and angry, but they were hugely outnumbered and there was nothing they could do. Ferragus had regained his breath, though he was having trouble standing upright. He spoke bitterly to Ferreira, but the Major managed to talk some sense into the big man and, at last, they all mounted their horses and, with a last resentful look at Sharpe, rode down the westwards track.