She took herself to bed in the spare room as soon as the dishes were packed away. I paused outside her door a few minutes ago, pressing my ear against the painted wood and thought I heard her crying. I may have imagined it.
What am I going to do? I can’t investigate her mother’s death. Maybe DI Cray is right and nobody will ever know the truth.
Sitting in the study, I open my palms on the desk and watch them. My left hand is shaking uncontrollably but I don’t want to take any more medication today. My doses are already too high and the drugs become less effective over time. Vincent Ruiz’s telephone number is on the desk blotter.
Ruiz is a former detective inspector with the London Metropolitan Police. Five years ago he arrested me on suspicion of murder after a former patient of mine had been found stabbed to death beside the Grand Union Canal in London. My name was in her diary. It’s a long story. Let’s call it history.
Ever since then, Ruiz has been one of those peripheral characters that drift in and out of my life, adding brightness to the beige. Before he retired, he used to invite himself to dinner, flirt with Julianne and pick my brain about his latest murder investigation. He’d tickle the girls, drink too much wine and spend the night on our sofa.
Julianne’s soft spot for Ruiz is bigger than the man’s liver, which says something about his drinking and her ability to attract strays.
It takes me three attempts to punch Ruiz’s number on the phone. I hear it ringing.
‘Hi, Vincent.’
‘Hey, hey, if it isn’t my favourite shrink.’
He has a voice that matches his body, hard on the inside and fleshy on the outside- gravel coated in phlegm.
‘I saw you on one of those reality TV shows the other night,’ he says. ‘I think they call it the News at Ten. You were tossing a woman off a bridge.’
‘She jumped.’
‘No shit,’ he laughs. ‘No wonder you have all those letters after your name. How is your gorgeous wife?’
‘She’s in Moscow.’
‘Alone?’
‘With her boss.’
‘Why can’t I be her boss?’
‘Because you know nothing about high finance and your idea of up-sizing is to buy a bigger pair of trousers.’
‘That’s harsh but true.’
I hear ice clinking in a glass.
‘Fancy a few days in the West Country?’
‘Nope. I’m allergic to sheep.’
‘I need your help.’
‘Say it like you mean it, baby.’
I tell him about Christine Wheeler and Darcy, describing the past twelve hours in a series of bullet points that ex-coppers regard as almost a second language. Ruiz knows how to fill in the gaps. Without my even mentioning DI Cray he predicts exactly how she reacted to my request.
‘Are you sure about this?’
‘As sure as I can be for now.’
‘What do you need?’
‘Christine Wheeler was talking to someone on her mobile before she fell. Is it possible to trace the call?’
‘They recover the phone?’
‘It’s at the bottom of the Avon Gorge.’
‘Do you know the lady’s number?’
‘Darcy does.’
He is silent for a moment. ‘I know a guy who works for British Telecom. He’s a security consultant. He was our go-to man when we were tapping phones or tracing calls- all above board, of course.’
‘Of course.’
I can hear him taking notes. I can even picture the marbled notebook that he carries everywhere, bulging with business cards and scraps of paper, held together with a rubber band.
Another rattle of ice in a glass.
‘So if I do come down to Somerset can I sleep with your wife?’
‘No.’
‘I thought country folk were supposed to be hospitable.’
‘The house is sort of full. You can stay in the pub.’
‘Well, that’s almost as good.’
The call ends and I slip Ruiz’s number into a drawer. There’s a tap on the door. Charlie wanders in and slumps sideways in a perfectly good armchair, dangling her legs over the armrest.
‘Hi, Dad.’
‘Hi.’
‘What’s up?’
‘Nothing much, what’s up with you?’
‘I got a history test tomorrow.’
‘You been studying?’
‘Yep. Did you know when they embalmed pharaohs in ancient Egypt they used to take out their brains through their left nostril with a hook?’
‘I didn’t know that.’
‘Then they used to put the body on a bed of salt to dry it out.’
‘Is that so?’
‘Yep.’
Charlie has a question, but needs a moment to frame it. She’s like that, very precise with no ums and ahs or long pauses.
‘Why is she here?’
She means Darcy.
‘She needed somewhere to stay.’
‘Does Mum know?’
‘Not yet.’
‘What should I tell her if she calls?’
‘Leave that to me.’
Charlie stares at her knees. She thinks about things far more deeply than I ever remember doing. Sometimes she will mull over something for days, formulating a theory or an opinion and then deliver it out of the blue, long after everyone else has stopped thinking about it or forgotten the original discussion.
‘The woman on the news the other night: the one who jumped.’
‘What about her?’
‘It was Darcy’s mum.’
‘Yes.’
‘Should I say something to her? I mean, I don’t know whether to avoid the subject or pretend nothing’s wrong.’
‘If Darcy doesn’t want to talk about it, she’ll tell you.’
Charlie nods in agreement. ‘Will there be a funeral or something like that?’
‘In a few days.’
‘So where is her mum now?’
‘At the morgue- it’s a place where they…’
‘I know,’ she answers, sounding very grown up. There’s another long pause. ‘Did you see Darcy’s trainers?’
‘What about them?’
‘I want a pair just like them.’
‘OK. Anything else?’
‘Nope.’
Charlie tosses her ponytail over one shoulder and exits with a kick of her heels.
I am left alone. A pile of household bills and invoices has to be sorted, paid or filed. Julianne has separated her work receipts and bundled them in an envelope.
As I close the drawer I notice a partially crumpled receipt on the floor. I pick it up and flatten it on the blotter. The name of the hotel is written in elaborate script across the top. It is a room service bill for breakfast, including champagne, bacon, eggs, fruit and pastries. Julianne really went to town. She normally has just muesli or fruit salad.
I screw the bill into a ball and motion to throw it away. I don’t know what stops me- a question mark: a tinge of disquiet. The sensation scrambles and disappears. It’s too quiet outside. I don’t want to hear myself think.
11
To pick a lock requires a supreme sense of touch and sound. First I picture the inner mechanism in my mind and project my senses within. All the senses are important- not just sound and touch. Sight to identify the make and model. Smell to tell if the lock has been lubricated recently. Taste to identify the lubricant.
Each lock has a personality. Time and weather will change its characteristics. Temperature. Humidity. Condensation. Once the pick is inside, I close my eyes. Listen. Feel. As the pick bounces up and down over the pins, I must apply a fixed amount of pressure, measuring their resistance. This requires sensitivity, dexterity, concentration and analytical thinking. It is fluid- but there are rules.
This one is a 437-rated high security lock. It has six pins, some of which are mushroom-shaped. The keyhole is paracentric, like a misshapen lightning bolt. Insurance underwriters consider it a twenty-minute pick job because of its degree of difficulty. I can open it in twenty-three seconds. It takes practise. Hours. Days. Weeks.
I can remember the first time I entered a house. It was in Osnabruck, Germany, fifty miles north of Dortmund. The house belonged to an army chaplain who was counselling my wife, visiting her while I was away. I left his dog in the freezer and the bath and the washing machine.