„He asked me to choose between a bag of money and a mangy old cat. Which one would I carry out of a burning building? I picked the cat – because it was alive.“ And because that response would have pleased Helen.
„Then you didn’t get that one right either,“ said Malakhai. „The rest of us would’ve taken the money.“ He turned to the window. „It’s raining again.“
She leaned toward him. „Give Prado to me. All I need is a statement. I’ll get even for Oliver and Louisa. That’s my job, and I’m good at it.“
Better than you – twice the monster. As Emile St. John had said, she was born to do this work.
Malakhai looked at her across the expanse of the bed. „I’m trying to picture you as a baby sociopath.“ He turned away from her to pour another glass of wine. „I don’t see it.“
„I can bring Prado down. You want him to suffer? I can arrange that too.“
Was he laughing at her? She could not see his face.
Mallory crept across the bed, coming up on his blind side with a new idea for earning his absolute faith in her monsterhood. „Didn’t you think it was odd that Max never got a goodbye letter? He would’ve told you, right? He told you about his diaries. You never wondered about that?“
„No, not at all. Since Max was running away with Louisa, she wouldn’t need to say goodbye to him.“
„It wasn’t that kind of goodbye, and you know it. She didn’t think much of her chances for getting across the border alive.“ Mallory held out her glass. „Do you really believe she was planning to get Max killed, too?“
Now he was paying attention.
She knelt on the mattress beside him, very close, and he filled her glass with more wine. „Your wife sat down to write that letter after her confession in the park.“ And now, so softly, the hook. „There was only time for one letter. It was beautiful. I think Louisa worked on it for all the time she had left. Then she hid it away in the toe of a shoe. She didn’t want you to find it, not till she was across the border – or dead.“
His smile was sad and wry. „Where are you going with this?“
„Louisa was more devious than you thought.“
„You can’t possibly know – “
„Max was in love with her. It wasn’t hard to get him under the sheets. She planned it very coldly on the dancing bed – that’s what Prado called it. You knew she cheated on you before that confession in the park.“
„Don’t do this, Mallory.“
„You walked into Oliver’s room while your wife was upstairs, rolling around your bed with another man. She was rocking the whole damn floor with the sound of sex. Louisa wasn’t trying to hide it – she was announcing it. I’d bet even money she timed it so you’d catch her in the act with Max. You’re always telling me that timing is everything.“
„That’s enough.“ He grabbed her arm. „I don’t want to hear Louisa’s name in your mouth anymore.“
„But you didn’t go up there, did you, Malakhai? No, you just walked away. And you never would’ve called her on it. That’s why Louisa had to make the confession in the park. She even brought Max along as proof.“
He tightened his grip on her arm. He was hurting her, but damned if she would show it. She smiled instead. „Emile told her Paris was dangerous. Louisa couldn’t go back to the prison camp, the interrogations. When she wanted to make a run for the Spanish frontier, you told her that was suicide.“
„The border was closed down and the frontier police had her photograph.“ He pushed her away with enough force to roll her to the other side of the wide bed. „It was a suicide run.“
„But Louisa already knew that.“ Mallory crept back across the mattress for another turn at him. „Emile would’ve told her the same thing. And still, she was game to make that run.“
His hand was rising for a strike at her face. She ignored it. „But first, Louisa had to make sure you wouldn’t run after her and die with her. She had to make you bate her. So she slept with your best friend. Louisa was planning a suicide run, but she wanted you to live. That was her plan.“
Malakhai’s hand dropped away from her face. His head moved slowly from side to side, his mouth forming a silent No.
„You shot her with an arrow so she could survive. In a way, she did the same thing to you.“
He was slowly doubling over, as if Louisa had indeed shot him. He covered his face with both hands. The rain poured down the windowpane in a solid sheet, obscuring everything beyond the glass, starlight and city lights, heaven and earth – all gone.
Chapter 21
A thirty-piece orchestra joined in the applause for the man in the white tuxedo and top hat. Malakhai stood above them on the smaller stage of the platform and cast his shadow on the drawn red curtains hanging from the crossbar. High on the back wall of the Carnegie stage, a video screen made his image several times larger than life.
The audience rose to its feet in screams of „Encore! Encore!“ Feet were stamping, hands clapping.
At Malakhai’s bidding, the men and women of the orchestra stood up to accept their own bravos. The magician had come out from behind the platform curtains five times to answer his encores with a deep bow. And now the audience shouted as a single entity, amplified with three thousand voices, „Louisa, Louisa, Louisa – “
Mallory stood in the dark, watching through a narrow opening in the stage doors. The magician turned her way, one hand outstretched and beckoning.
To her? No, of course not.
„ – Louisa, Louisa – “
She stepped behind one door as the other one slowly opened and a shadow appeared on its lit surface. The edges of the dark silhouette were soft and the form was indistinct, but it moved, it even seemed to breathe, and Mallory was wary of it – wary of her.
„ – Louisa, Louisa, Louisa – “
Mallory’s eyes went everywhere, to the overhead bank of lamps and cables, then to the balcony lights, looking for the works and wires to make this happen.
The conductor’s baton was rising, and the crowd fell silent, straining to catch each note as the orchestra began to play again.
The silhouette darted onto the stage, encircled by a bright spotlight that failed to kill her dark form. The string section made light running notes as Louisa raced along the back wall. Then her shadow elongated on the platform staircase as she climbed the steps to thirteen soft strokes of the drum and rhythmic notes of oboe and cello that made her heartbeat. When she reached the top of the elevated stage, Louisa’s shadow stood beside Malakhai as she took a last bow with him. Their shadows were holding hands.
The audience was rising to a stand in waves that began in the front row and rippled toward the seats in the back of the theater, then up through the balconies to the ceiling, accompanied by the rumbling thunder of madly clapping hands – all for the dead woman.
The music shifted its shape, changing cadence away from the classical form of Louisa’s Concerto. The musicians played with only a few instruments – strings and soulful horns. So Riker had been mistaken; one could dance to this music.
Louisa did.
Malakhai turned to her and their shadows melded on the red curtain. The cheers nearly drowned out the music, as the pair turned in slow steps.