"...what prevents your play from being mechanical and predictable is your astonishing audacity, but even that flair is tainted with the unhuman. You play only against the situation on the board; you deny the importance—the existence even—of your opponent. Have you not yourself told me that when you are in one of your mystic transports, from which you gamer rest and strength, you play without reference to your adversary? There is something devilish in this. Something cruelly superior. Arrogant, even. And at odds with your goal of shibumi. I do not bring this to your attention for your correction and improvement, Nikko. These qualities are in your bones and unchangeable. And I am not even sure I would have you change if you could; for these that are your flaws are also your strengths."
"Do we speak of Gô only, Teacher?"
"We speak in terms of Gô." Otake-san slipped his hands into his kimono and pressed the palm against his stomach while he took another mint drop. "For all your brilliance, dear student, you have vulnerabilities. There is your lack of experience, for instance. You waste concentration thinking your way through problems that a more experienced player reacts to by habit and memory. But this is not a significant weakness. You can gain experience, if you are careful to avoid empty redundancy. Do not fall into the error of the artisan who boasts of twenty years experience in his craft while in fact he has had only one year of experience—twenty times. And never resent the advantage of experience your elders have. Recall that they have paid for this experience in the coin of life and have emptied a purse that cannot be refilled." Otake-san smiled faintly. "Recall also that the old must make much of their experience. It is all they have left."
For a time, Otake-san's eyes were dull with inner focus as he gazed upon the drab garden, its features disintegrating in the mist. With an effort he pulled his mind from eternal things to continue his last lesson. "No, it is not your lack of experience that is your greatest flaw. It is your disdain. Your defeats will not come from those more brilliant than you. They will come from the patient, the plodding, the mediocre."
Nicholai frowned. This was consonant with what Kishikawa-san had told him as they walked along the cherry trees of the Kajikawa.
"Your scorn for mediocrity blinds you to its vast primitive power. You stand in the glare of your own brilliance, unable to see into the dim corners of the room, to dilate your eyes and see the potential dangers of the mass, the wad of humanity. Even as I tell you this, dear student, you cannot quite believe that lesser men, in whatever numbers, can really defeat you. But we are in the age of the mediocre man. He is dull, colorless, boring—but inevitably victorious. The amoeba outlives the tiger because it divides and continues in its immortal monotony. The masses are the final tyrants. See how, in the arts, Kabuki wanes and Nô withers while popular novels of violence and mindless action swamp the mind of the mass reader. And even in that timid genre, no author dares to produce a genuinely superior man as his hero, for in his rage of shame the mass man will send his yojimbo, the critic, to defend him. The roar of the plodders is inarticulate, but deafening. They have no brain, but they have a thousand arms to grasp and clutch at you, drag you down."
"Do we still speak of Gô, Teacher?"
"Yes. And of its shadow: life."
"What do you advise me to do then?"
"Avoid contact with them. Camouflage yourself with politeness. Appear dull and distant. Live apart and study shibumi. Above all, do not let him bait you into anger and aggression. Hide, Nikko."
"General Kishikawa told me almost the same thing."
"I do not doubt it. We discussed you at length his last night here. Neither of us could guess what the Westerner's attitude toward you will be, when he comes. And more than that, we fear your attitude toward him. You are a convert to our culture, and you have the fanaticism of the convert. It is a flaw in your character. And tragic flaws lead to..." Otake-san shrugged.
Nicholai nodded and lowered his eyes, waiting patiently for the teacher to dismiss him.
After a time of silence, Otake-san took another mint drop and said, "Shall I share a great secret with you, Nikko? All these years I have told people I take mint drops to ease my stomach. The fact is, I like them. But there is no dignity in an adult who munches candy in public."
"No shibumi, sir."
"Just so." Otake-san seemed to daydream for a moment. "Yes. Perhaps you are right. Perhaps the mountain mist is unhealthy. But it lends a melancholy beauty to the garden, and so we must be grateful to it."
* * *
After the cremation, Otake-san's plans for family and students were carried out. The family collected its belongings to go live with Otake's brother. The students were dispersed to their various homes. Nicholai, now over twenty, although he looked no more than fifteen, was given the money General Kishikawa had left for him and permitted to do what he chose, to go where he wanted. He experienced that thrilling social vertigo that accompanies total freedom in a context of pointlessness.
On the third day of August 1945, all the Otake household were gathered with their cases and packages on the train platform. There was neither the time nor the privacy for Nicholai to say to Mariko what he felt. But he managed to put special emphasis and gentleness into his promise to visit her as soon as possible, once he had established himself in Tokyo. He looked forward to his visit, because Mariko always spoke so glowingly of her family and friends in her home city, Hiroshima.
Washington
The First Assistant pushed back from his console and shook his head. "There's just not much to work with, sir. Fat Boy doesn't have anything firm on this Hel before he arrives in Tokyo." There was irritation in the First Assistant's tone; he was exasperated by people whose lives were so crepuscular or uneventful as to deny Fat Boy a chance to demonstrate his capacity for knowing and revealing.
"Hm-m," Mr. Diamond grunted absently, as he continued to sketch notes of his own. "Don't worry, the data will thicken up from this point on. Hel went to work for the Occupation Forces shortly after the war, and from then on he remained more or less within our scope of observation."
"Are you sure you really need this probe, sir? You seem to know all about him already."
"I can use the review. Look, something just occurred to me. All we have tying Nicholai Hel to the Munich Five and this Hannah Stern is a first-generation relationship between Hel and the uncle. Let's make sure we're not flying with the wild geese. Ask Fat Boy where Hel is living now." He pressed a buzzer at the side-of his desk.
"Yes, sir," the First Assistant said, turning back to his console.
Miss Swivven entered the work area in response to Diamond's buzzer. "Sir?"
"Two things. First: get me all available photographs of Hel, Nicholai Alexandrovitch. Llewellyn will give you the mauve card ID code. Second: contact Mr. Able of the OPEC Interest Group and ask him to come here as soon as possible. When he arrives, bring him down here, together with the Deputy and those two idiots who screwed up. You'll have to escort them down; they don't have access to the Sixteenth Floor."
"Yes, sir." Upon leaving, Miss Swivven closed the door to the wirephoto room just a bit too firmly, and Diamond looked up, wondering what on earth had gotten into her.
Fat Boy was responding to interrogation. His answer clattering up on the First Assistant's machine. "Ah... it seems this Nicholai Hel has several residences. There's an apartment in Paris, a place on the Dalmatian coast, a summer villa in Morocco, an apartment in New York, another in London—ah! Here we are. Last known residence equals a château in the bleeding village of Etchebar. This appears to be his principal residence, considering the amount of time he has spent there during the last fifteen years."