Mr. Yorke knew every one, and was known by everyone, for miles round; yet his intimate acquaintances were very few. Himself thoroughly original, he had no taste for what was ordinary: a racy, rough character, high or low, ever found acceptance with him; a refined, insipid personage, however exalted in station, was his aversion. He would spend an hour any time in talking freely with a shrewd workman of his own, or with some queer, sagacious old woman amongst his cottagers, when he would have grudged a moment to a commonplace fine gentleman or to the most fashionable and elegant, if frivolous, lady. His preferences on these points he carried to an extreme, forgetting that there may be amiable and even admirable characters amongst those who cannot be original. Yet he made exceptions to his own rule. There was a certain order of mind, plain, ingenuous, neglecting refinement, almost devoid of intellectuality, and quite incapable of appreciating what was intellectual in him, but which, at the same time, never felt disgust at his rudeness, was not easily wounded by his sarcasm, did not closely analyze his sayings, doings, or opinions, with which he was peculiarly at ease, and, consequently, which he peculiarly preferred. He was lord amongst such characters. They, while submitting implicitly to his influence, never acknowledged, because they never reflected on, his superiority; they were quite tractable, therefore, without running the smallest danger of being servile; and their unthinking, easy, artless insensibility was as acceptable, because as convenient, to Mr. Yorke as that of the chair he sat on, or of the floor he trod.
It will have been observed that he was not quite uncordial with Mr. Moore. He had two or three reasons for entertaining a faint partiality to that gentleman. It may sound odd, but the first of these was that Moore spoke English with a foreign, and French with a perfectly pure, accent; and that his dark, thin face, with its fine though rather wasted lines, had a most anti-British and anti-Yorkshire look. These points seem frivolous, unlikely to influence a character like Yorke’s; but the fact is they recalled old, perhaps pleasurable, associations – they brought back his travelling, his youthful days. He had seen, amidst Italian cities and scenes, faces like Moore’s; he had heard, in Parisian cafés and theatres, voices like his. He was young then, and when he looked at and listened to the alien, he seemed young again.
Secondly, he had known Moore’s father, and had had dealings with him. That was a more substantial, though by no means a more agreeable tie; for as his firm had been connected with Moore’s in business, it had also, in some measure, been implicated in its losses.
Thirdly, he had found Robert himself a sharp man of business. He saw reason to anticipate that he would, in the end, by one means or another, make money; and he respected both his resolution and acuteness – perhaps, also, his hardness. A fourth circumstance which drew them together was that of Mr. Yorke being one of the guardians of the minor on whose estate Hollow’s Mill was situated; consequently Moore, in the course of his alterations and improvements, had frequent occasion to consult him.
As to the other guest now present in Mr. Yorke’s parlour, Mr. Helstone, between him and his host there existed a double antipathy – the antipathy of nature and that of circumstances. The free-thinker hated the formalist; the lover of liberty detested the disciplinarian. Besides, it was said that in former years they had been rival suitors of the same lady.
Mr. Yorke, as a general rule, was, when young, noted for his preference of sprightly and dashing women: a showy shape and air, a lively wit, a ready tongue, chiefly seemed to attract him. He never, however, proposed to any of these brilliant belles whose society he sought; and all at once he seriously fell in love with and eagerly wooed a girl who presented a complete contrast to those he had hitherto noticed – a girl with the face of a Madonna; a girl of living marble – stillness personified. No matter that, when he spoke to her, she only answered him in monosyllables; no matter that his sighs seemed unheard, that his glances were unreturned, that she never responded to his opinions, rarely smiled at his jests, paid him no respect and no attention; no matter that she seemed the opposite of everything feminine he had ever in his whole life been known to admire. For him Mary Cave was perfect, because somehow, for some reason – no doubt he had a reason – he loved her.
Mr. Helstone, at that time curate of Briarfield, loved Mary too – or, at any rate, he fancied her. Several others admired her, for she was beautiful as a monumental angel; but the clergyman was preferred for his office’s sake – that office probably investing him with some of the illusion necessary to allure to the commission of matrimony, and which Miss Cave did not find in any of the young wool-staplers, her other adorers. Mr. Helstone neither had, nor professed to have, Mr. Yorke’s absorbing passion for her. He had none of the humble reverence which seemed to subdue most of her suitors; he saw her more as she really was than the rest did. He was, consequently, more master of her and himself. She accepted him at the first offer, and they were married.
Nature never intended Mr. Helstone to make a very good husband, especially to a quiet wife. He thought so long as a woman was silent nothing ailed her, and she wanted nothing. If she did not complain of solitude, solitude, however continued, could not be irksome to her. If she did not talk and put herself forward, express a partiality for this, an aversion to that, she had no partialities or aversions, and it was useless to consult her tastes. He made no pretence of comprehending women, or comparing them with men. They were a different, probably a very inferior, order of existence. A wife could not be her husband’s companion, much less his confidante, much less his stay. His wife, after a year or two, was of no great importance to him in any shape; and when she one day, as he thought, suddenly – for he had scarcely noticed her decline – but, as others thought, gradually, took her leave of him and of life, and there was only a still, beautiful-featured mould of clay left, cold and white, in the conjugal couch, he felt his bereavement – who shall say how little? Yet, perhaps, more than he seemed to feel it; for he was not a man from whom grief easily wrung tears.
His dry-eyed and sober mourning scandalized an old housekeeper, and likewise a female attendant, who had waited upon Mrs. Helstone in her sickness, and who, perhaps, had had opportunities of learning more of the deceased lady’s nature, of her capacity for feeling and loving, than her husband knew. They gossiped together over the corpse, related anecdotes, with embellishments of her lingering decline, and its real or supposed cause. In short, they worked each other up to some indignation against the austere little man, who sat examining papers in an adjoining room, unconscious of what opprobrium he was the object.
Mrs. Helstone was hardly under the sod when rumours began to be rife in the neighbourhood that she had died of a broken heart. These magnified quickly into reports of hard usage, and, finally, details of harsh treatment on the part of her husband – reports grossly untrue, but not the less eagerly received on that account. Mr. Yorke heard them, partly believed them. Already, of course, he had no friendly feeling to his successful rival. Though himself a married man now, and united to a woman who seemed a complete contrast to Mary Cave in all respects, he could not forget the great disappointment of his life; and when he heard that what would have been so precious to him had been neglected, perhaps abused, by another, he conceived for that other a rooted and bitter animosity.