“I know this is the talk of a dreamer – of a rapt, romantic lunatic. I do dream. I will dream now and then; and if she has inspired romance into my prosaic composition, how can I help it?
“What a child she is sometimes! What an unsophisticated, untaught thing! I see her now looking up into my face, and entreating me to prevent them from smothering her, and to be sure and give her a strong narcotic. I see her confessing that she was not so self-sufficing, so independent of sympathy, as people thought. I see the secret tear drop quietly from her eyelash. She said I thought her childish, and I did. She imagined I despised her. Despised her! It was unutterably sweet to feel myself at once near her and above her – to be conscious of a natural right and power to sustain her, as a husband should sustain his wife.
“I worship her perfections; but it is her faults, or at least her foibles, that bring her near to me, that nestle her to my heart, that fold her about with my love, and that for a most selfish but deeply-natural reason. These faults are the steps by which I mount to ascendency over her. If she rose a trimmed, artificial mound, without inequality, what vantage would she offer the foot? It is the natural hill, with its mossy breaks and hollows, whose slope invites ascent, whose summit it is pleasure to gain.
“To leave metaphor. It delights my eye to look on her. She suits me. If I were a king and she the housemaid that swept my palace stairs, across all that space between us my eye would recognize her qualities; a true pulse would beat for her in my heart, though an unspanned gulf made acquaintance impossible. If I were a gentleman, and she waited on me as a servant, I could not help liking that Shirley. Take from her her education; take her ornaments, her sumptuous dress, all extrinsic advantages; take all grace, but such as the symmetry of her form renders inevitable; present her to me at a cottage door, in a stuff gown; let her offer me there a draught of water, with that smile, with that warm goodwill with which she now dispenses manorial hospitality – I should like her. I should wish to stay an hour; I should linger to talk with that rustic. I should not feel as I now do; I should find in her nothing divine; but whenever I met the young peasant, it would be with pleasure; whenever I left her, it would be with regret.
“How culpably careless in her to leave her desk open, where I know she has money! In the lock hang the keys of all her repositories, of her very jewel-casket. There is a purse in that little satin bag; I see the tassel of silver beads hanging out. That spectacle would provoke my brother Robert. All her little failings would, I know, be a source of irritation to him. If they vex me it is a most pleasurable vexation. I delight to find her at fault; and were I always resident with her, I am aware she would be no niggard in thus ministering to my enjoyment. She would just give me something to do, to rectify – a theme for my tutor lectures. I never lecture Henry, never feel disposed to do so. If he does wrong – and that is very seldom, dear, excellent lad! – a word suffices. Often I do no more than shake my head. But the moment her minois mutin meets my eye, expostulatory words crowd to my lips. From a taciturn man I believe she would transform me into a talker. Whence comes the delight I take in that talk? It puzzles myself sometimes. The more crâne, malin, taquin is her mood, consequently the clearer occasion she gives me for disapprobation, the more I seek her, the better I like her. She is never wilder than when equipped in her habit and hat, never less manageable than when she and Zoë come in fiery from a race with the wind on the hills; and I confess it – to this mute page I may confess it – I have waited an hour in the court for the chance of witnessing her return, and for the dearer chance of receiving her in my arms from the saddle. I have noticed (again it is to this page only I would make the remark) that she will never permit any man but myself to render her that assistance. I have seen her politely decline Sir Philip Nunnely’s aid. She is always mighty gentle with her young baronet, mighty tender for his feelings, forsooth, and of his very thin-skinned amour propre. I have marked her haughtily reject Sam Wynne’s. Now I know – my heart knows it, for it has felt it – that she resigns herself to me unreluctantly. Is she conscious how my strength rejoices to serve her? I myself am not her slave – I declare it – but my faculties gather to her beauty, like the genii to the glisten of the lamp. All my knowledge, all my prudence, all my calm, and all my power stand in her presence humbly waiting a task. How glad they are when a mandate comes! What joy they take in the toils she assigns! Does she know it?
“I have called her careless. It is remarkable that her carelessness never compromises her refinement. Indeed, through this very loophole of character, the reality, depth, genuineness of that refinement may be ascertained. A whole garment sometimes covers meagreness and malformation; through a rent sleeve a fair round arm may be revealed. I have seen and handled many of her possessions, because they are frequently astray. I never saw anything that did not proclaim the lady – nothing sordid, nothing soiled. In one sense she is as scrupulous as, in another, she is unthinking. As a peasant girl, she would go ever trim and cleanly. Look at the pure kid of this little glove, at the fresh, unsullied satin of the bag.
“What a difference there is between S. and that pearl C. H.! Caroline, I fancy, is the soul of conscientious punctuality and nice exactitude. She would precisely suit the domestic habits of a certain fastidious kinsman of mine – so delicate, dexterous, quaint, quick, quiet – all done to a minute, all arranged to a strawbreadth. She would suit Robert. But what could I do with anything so nearly faultless? She is my equal, poor as myself. She is certainly pretty: a little Raffaelle head hers – Raffaelle in feature, quite English in expression, all insular grace and purity; but where is there anything to alter, anything to endure, anything to reprimand, to be anxious about? There she is, a lily of the valley, untinted, needing no tint. What change could improve her? What pencil dare to paint? My sweetheart, if I ever have one, must bear nearer affinity to the rose – a sweet, lively delight guarded with prickly peril. My wife, if I ever marry, must stir my great frame with a sting now and then; she must furnish use to her husband’s vast mass of patience. I was not made so enduring to be mated with a lamb; I should find more congenial responsibility in the charge of a young lioness or leopardess. I like few things sweet but what are likewise pungent – few things bright but what are likewise hot. I like the summer day, whose sun makes fruit blush and corn blanch. Beauty is never so beautiful as when, if I tease it, it wreathes back on me with spirit. Fascination is never so imperial as when, roused and half ireful, she threatens transformation to fierceness. I fear I should tire of the mute, monotonous innocence of the lamb; I should ere long feel as burdensome the nestling dove which never stirred in my bosom; but my patience would exult in stilling the flutterings and training the energies of the restless merlin. In managing the wild instincts of the scarce manageable bête fauve my powers would revel.
“O my pupil! O Peri! too mutinous for heaven, too innocent for hell, never shall I do more than see, and worship, and wish for thee. Alas! knowing I could make thee happy, will it be my doom to see thee possessed by those who have not that power?
“However kindly the hand, if it is feeble, it cannot bend Shirley; and she must be bent. It cannot curb her; and she must be curbed.
“Beware, Sir Philip Nunnely! I never see you walking or sitting at her side, and observe her lips compressed, or her brow knit, in resolute endurance of some trait of your character which she neither admires nor likes, in determined toleration of some weakness she believes atoned for by a virtue, but which annoys her despite that belief; I never mark the grave glow of her face, the unsmiling sparkle of her eye, the slight recoil of her whole frame when you draw a little too near, and gaze a little too expressively, and whisper a little too warmly – I never witness these things but I think of the fable of Semele reversed.