It is true she still felt with pain that the life which made Miss Ainley happy could not make her happy. Pure and active as it was, in her heart she deemed it deeply dreary, because it was so loveless – to her ideas, so forlorn. Yet, doubtless, she reflected, it needed only habit to make it practicable and agreeable to anyone. It was despicable, she felt, to pine sentimentally, to cherish secret griefs, vain memories, to be inert, to waste youth in aching languor, to grow old doing nothing.
“I will bestir myself,” was her resolution, “and try to be wise if I cannot be good.”
She proceeded to make inquiry of Miss Ainley if she could help her in anything. Miss Ainley, glad of an assistant, told her that she could, and indicated some poor families in Briarfield that it was desirable she should visit, giving her likewise, at her further request, some work to do for certain poor women who had many children, and who were unskilled in using the needle for themselves.
Caroline went home, laid her plans, and took a resolve not to swerve from them. She allotted a certain portion of her time for her various studies, and a certain portion for doing anything Miss Ainley might direct her to do. The remainder was to be spent in exercise; not a moment was to be left for the indulgence of such fevered thoughts as had poisoned last Sunday evening.
To do her justice, she executed her plans conscientiously, perseveringly. It was very hard work at first – it was even hard work to the end – but it helped her to stem and keep down anguish; it forced her to be employed; it forbade her to brood; and gleams of satisfaction chequered her gray life here and there when she found she had done good, imparted pleasure, or allayed suffering.
Yet I must speak truth. These efforts brought her neither health of body nor continued peace of mind. With them all she wasted, grew more joyless and more wan; with them all her memory kept harping on the name of Robert Moore; an elegy over the past still rung constantly in her ear; a funereal inward cry haunted and harassed her; the heaviness of a broken spirit, and of pining and palsying faculties, settled slow on her buoyant youth. Winter seemed conquering her spring; the mind’s soil and its treasures were freezing gradually to barren stagnation.
Chapter XI Fieldhead
Yet Caroline refused tamely to succumb. She had native strength in her girl’s heart, and she used it. Men and women never struggle so hard as when they struggle alone, without witness, counsellor, or confidant, unencouraged, unadvised, and unpitied.
Miss Helstone was in this position. Her sufferings were her only spur, and being very real and sharp, they roused her spirit keenly. Bent on victory over a mortal pain, she did her best to quell it. Never had she been seen so busy, so studious, and, above all, so active. She took walks in all weathers, long walks in solitary directions. Day by day she came back in the evening, pale and wearied-looking, yet seemingly not fatigued; for still, as soon as she had thrown off her bonnet and shawl, she would, instead of resting, begin to pace her apartment. Sometimes she would not sit down till she was literally faint. She said she did this to tire herself well, that she might sleep soundly at night. But if that was her aim it was unattained; for at night, when others slumbered, she was tossing on her pillow, or sitting at the foot of her couch in the darkness, forgetful, apparently, of the necessity of seeking repose. Often, unhappy girl! she was crying – crying in a sort of intolerable despair, which, when it rushed over her, smote down her strength, and reduced her to childlike helplessness.
When thus prostrate, temptations besieged her. Weak suggestions whispered in her weary heart to write to Robert, and say that she was unhappy because she was forbidden to see him and Hortense, and that she feared he would withdraw his friendship (not love) from her, and forget her entirely, and begging him to remember her, and sometimes to write to her. One or two such letters she actually indited, but she never sent them: shame and good sense forbade.
At last the life she led reached the point when it seemed she could bear it no longer, that she must seek and find a change somehow, or her heart and head would fail under the pressure which strained them. She longed to leave Briarfield, to go to some very distant place. She longed for something else – the deep, secret, anxious yearning to discover and know her mother strengthened daily; but with the desire was coupled a doubt, a dread – if she knew her, could she love her? There was cause for hesitation, for apprehension on this point. Never in her life had she heard that mother praised; whoever mentioned her mentioned her coolly. Her uncle seemed to regard his sister-in-law with a sort of tacit antipathy; an old servant, who had lived with Mrs. James Helstone for a short time after her marriage, whenever she referred to her former mistress, spoke with chilling reserve – sometimes she called her “queer,” sometimes she said she did not understand her. These expressions were ice to the daughter’s heart; they suggested the conclusion that it was perhaps better never to know her parent than to know her and not like her.
But one project could she frame whose execution seemed likely to bring her a hope of relief: it was to take a situation, to be a governess; she could do nothing else. A little incident brought her to the point, when she found courage to break her design to her uncle.
Her long and late walks lay always, as has been said, on lonely roads; but in whatever direction she had rambled – whether along the drear skirts of Stilbro’ Moor or over the sunny stretch of Nunnely Common – her homeward path was still so contrived as to lead her near the Hollow. She rarely descended the den, but she visited its brink at twilight almost as regularly as the stars rose over the hillcrests. Her resting-place was at a certain stile under a certain old thorn. Thence she could look down on the cottage, the mill, the dewy garden-ground, the still, deep dam; thence was visible the well-known counting house window, from whose panes at a fixed hour shot, suddenly bright, the ray of the well-known lamp. Her errand was to watch for this ray, her reward to catch it, sometimes sparkling bright in clear air, sometimes shimmering dim through mist, and anon flashing broken between slant lines of rain – for she came in all weathers.
There were nights when it failed to appear. She knew then that Robert was from home, and went away doubly sad; whereas its kindling rendered her elate, as though she saw in it the promise of some indefinite hope. If, while she gazed, a shadow bent between the light and lattice, her heart leaped. That eclipse was Robert; she had seen him. She would return home comforted, carrying in her mind a clearer vision of his aspect, a distincter recollection of his voice, his smile, his bearing; and blent with these impressions was often a sweet persuasion that, if she could get near him, his heart might welcome her presence yet, that at this moment he might be willing to extend his hand and draw her to him, and shelter her at his side as he used to do. That night, though she might weep as usual, she would fancy her tears less scalding; the pillow they watered seemed a little softer; the temples pressed to that pillow ached less.
The shortest path from the Hollow to the rectory wound near a certain mansion, the same under whose lone walls Malone passed on that night-journey mentioned in an early chapter of this work – the old and tenantless dwelling yclept Fieldhead. Tenantless by the proprietor it had been for ten years, but it was no ruin. Mr. Yorke had seen it kept in good repair, and an old gardener and his wife had lived in it, cultivated the grounds, and maintained the house in habitable condition.
If Fieldhead had few other merits as a building, it might at least be termed picturesque. Its regular architecture, and the gray and mossy colouring communicated by time, gave it a just claim to this epithet. The old latticed windows, the stone porch, the walls, the roof, the chimney stacks, were rich in crayon touches and sepia lights and shades. The trees behind were fine, bold, and spreading; the cedar on the lawn in front was grand; and the granite urns on the garden wall, the fretted arch of the gateway, were, for an artist, as the very desire of the eye.