Every one noticed the change in Miss Helstone’s appearance, and most people said she was going to die. She never thought so herself. She felt in no dying case; she had neither pain nor sickness. Her appetite was diminished; she knew the reason. It was because she wept so much at night. Her strength was lessened; she could account for it. Sleep was coy and hard to be won; dreams were distressing and baleful. In the far future she still seemed to anticipate a time when this passage of misery should be got over, and when she should once more be calm, though perhaps never again happy.
Meanwhile her uncle urged her to visit, to comply with the frequent invitations of their acquaintance. This she evaded doing. She could not be cheerful in company; she felt she was observed there with more curiosity than sympathy. Old ladies were always offering her their advice, recommending this or that nostrum; young ladies looked at her in a way she understood, and from which she shrank. Their eyes said they knew she had been “disappointed,” as custom phrases it; by whom, they were not certain.
Commonplace young ladies can be quite as hard as commonplace young gentlemen – quite as worldly and selfish. Those who suffer should always avoid them. Grief and calamity they despise; they seem to regard them as the judgments of God on the lowly. With them, to “love” is merely to contrive a scheme for achieving a good match; to be “disappointed” is to have their scheme seen through and frustrated. They think the feelings and projects of others on the subject of love similar to their own, and judge them accordingly.
All this Caroline knew, partly by instinct, partly by observation. She regulated her conduct by her knowledge, keeping her pale face and wasted figure as much out of sight as she could. Living thus in complete seclusion, she ceased to receive intelligence of the little transactions of the neighbourhood.
One morning her uncle came into the parlour, where she sat endeavouring to find some pleasure in painting a little group of wild flowers, gathered under a hedge at the top of the Hollow fields, and said to her in his abrupt manner, “Come, child, you are always stooping over palette, or book, or sampler; leave that tinting work. By-the-bye, do you put your pencil to your lips when you paint?”
“Sometimes, uncle, when I forget.”
“Then it is that which is poisoning you. The paints are deleterious, child. There is white lead and red lead, and verdigris, and gamboge, and twenty other poisons in those colour cakes. Lock them up! lock them up! Get your bonnet on. I want you to make a call with me.”
“With you, uncle?”
This question was asked in a tone of surprise. She was not accustomed to make calls with her uncle. She never rode or walked out with him on any occasion.
“Quick! quick! I am always busy, you know. I have no time to lose.”
She hurriedly gathered up her materials, asking, meantime, where they were going.
“To Fieldhead.”
“Fieldhead! What! to see old James Booth, the gardener? Is he ill?”
“We are going to see Miss Shirley Keeldar.”
“Miss Keeldar! Is she coming to Yorkshire? Is she at Fieldhead?”
“She is. She has been there a week. I met her at a party last night – that party to which you would not go. I was pleased with her. I choose that you shall make her acquaintance. It will do you good.”
“She is now come of age, I suppose?”
“She is come of age, and will reside for a time on her property. I lectured her on the subject; I showed her her duty. She is not intractable. She is rather a fine girl; she will teach you what it is to have a sprightly spirit. Nothing lackadaisical about her.”
“I don’t think she will want to see me, or to have me introduced to her. What good can I do her? How can I amuse her?”
“Pshaw! Put your bonnet on.”
“Is she proud, uncle?”
“Don’t know. You hardly imagine she would show her pride to me, I suppose? A chit like that would scarcely presume to give herself airs with the rector of her parish, however rich she might be.”
“No. But how did she behave to other people?”
“Didn’t observe. She holds her head high, and probably can be saucy enough where she dare. She wouldn’t be a woman otherwise. There! Away now for your bonnet at once!”
Not naturally very confident, a failure of physical strength and a depression of spirits had not tended to increase Caroline’s presence of mind and ease of manner, or to give her additional courage to face strangers, and she quailed, in spite of self-remonstrance, as she and her uncle walked up the broad, paved approach leading from the gateway of Fieldhead to its porch. She followed Mr. Helstone reluctantly through that porch into the sombre old vestibule beyond.
Very sombre it was – long, vast, and dark; one latticed window lit it but dimly. The wide old chimney contained now no fire, for the present warm weather needed it not; it was filled instead with willow boughs. The gallery on high, opposite the entrance, was seen but in outline, so shadowy became this hall towards its ceiling. Carved stags’ heads, with real antlers, looked down grotesquely from the walls. This was neither a grand nor a comfortable house; within as without it was antique, rambling, and incommodious. A property of a thousand a year belonged to it, which property had descended, for lack of male heirs, on a female. There were mercantile families in the district boasting twice the income, but the Keeldars, by virtue of their antiquity, and their distinction of lords of the manor, took the precedence of all.
Mr. and Miss Helstone were ushered into a parlour. Of course, as was to be expected in such a Gothic old barrack, this parlour was lined with oak: fine, dark, glossy panels compassed the walls gloomily and grandly. Very handsome, reader, these shining brown panels are, very mellow in colouring and tasteful in effect, but – if you know what a “spring clean” is – very execrable and inhuman. Whoever, having the bowels of humanity, has seen servants scrubbing at these polished wooden walls with beeswaxed cloths on a warm May day must allow that they are “intolerable and not to be endured;” and I cannot but secretly applaud the benevolent barbarian who had painted another and larger apartment of Fieldhead – the drawing room, to wit, formerly also an oak-room – of a delicate pinky white, thereby earning for himself the character of a Hun, but mightily enhancing the cheerfulness of that portion of his abode, and saving future housemaids a world of toil.
The brown-panelled parlour was furnished all in old style, and with real old furniture. On each side of the high mantelpiece stood two antique chairs of oak, solid as silvan thrones, and in one of these sat a lady. But if this were Miss Keeldar, she must have come of age at least some twenty years ago. She was of matronly form, and though she wore no cap, and possessed hair of quite an undimmed auburn, shading small and naturally young-looking features, she had no youthful aspect, nor apparently the wish to assume it. You could have wished her attire of a newer fashion. In a well-cut, well-made gown hers would have been no uncomely presence. It puzzled you to guess why a garment of handsome materials should be arranged in such scanty folds, and devised after such an obsolete mode. You felt disposed to set down the wearer as somewhat eccentric at once.
This lady received the visitors with a mixture of ceremony and diffidence quite English. No middle-aged matron who was not an Englishwoman could evince precisely the same manner – a manner so uncertain of herself, of her own merits, of her power to please, and yet so anxious to be proper, and, if possible, rather agreeable than otherwise. In the present instance, however, more embarrassment was shown than is usual even with diffident Englishwomen. Miss Helstone felt this, sympathized with the stranger, and knowing by experience what was good for the timid, took a seat quietly near her, and began to talk to her with a gentle ease, communicated for the moment by the presence of one less self-possessed than herself.