The voice of Nature, however, cries aloud in behalf of Augustus George, my infant son. It is for him that I wish to utter a few plaintive household words. I am not at all angry; I am mild – but miserable.
I wish to know why, when my child, Augustus George, was expected in our circle, a provision of pins was made, as if the little stranger were a criminal who was to be put to the torture immediately, on his arrival, instead of a holy babe? I wish to know why haste was made to stick those pins all over his innocent form, in every direction? I wish to be informed why light and air are excluded from Augustus George, like poisons? Why, I ask, is my unoffending infant so hedged into a basket-bedstead, with dimity and calico, with miniature sheets and blankets, that I can only hear him snuffle (and no wonder!) deep down under the pink hood of a little bathing-machine, and can never peruse even so much of his lineaments as his nose?
Was I expected to be the father of a French Roll, that the brushes of All Nations were laid in, to rasp Augustus George? Am I to be told that his sensitive skin was ever intended by Nature to have rashes brought out upon it, by the premature and incessant use of those formidable little instruments?
Is my son a Nutmeg, that he is to be grated on the stiff edges of sharp frills? Am I the parent of a Muslin boy, that his yielding surface is to be crimped and small plaited? Or is my child composed of Paper or of Linen, that impressions of the finer getting-up art, practised by the laundress, are to be printed off, all over his soft arms and legs, as I constantly observe them? The starch enters his soul; who can wonder that he cries?
Was Augustus George intended to have limbs, or to be born a Torso? I presume that limbs were the intention, as they are the usual practice. Then, why are my poor child's limbs fettered and tied up? Am I to be told that there is any analogy between Augustus George Meek and Jack Sheppard?
Analyse Castor Oil at any Institution of Chemistry that may be agreed upon, and inform me what resemblance, in taste, it bears to that natural provision which it is at once the pride and duty of Maria Jane to administer to Augustus George! Yet, I charge Mrs. Prodgit (aided and abetted by Mrs. Bigby) with systematically forcing Castor Oil on my innocent son, from the first hour of his birth. When that medicine, in its efficient action, causes internal disturbance to Augustus George, I charge Mrs. Prodgit (aided and abetted by Mrs. Bigby) with insanely and inconsistently administering opium to allay the storm she has raised! What is the meaning of this?
If the days of Egyptian Mummies are past, how dare Mrs. Prodgit require, for the use of my son, an amount of flannel and linen that would carpet my humble roof? Do I wonder that she requires it? No! This morning, within an hour, I beheld this agonising sight. I beheld my son – Augustus George – in Mrs. Prodgit's hands, and on Mrs. Prodgit's knee, being dressed. He was at the moment, comparatively speaking, in a state of nature; having nothing on, but an extremely short shirt, remarkably disproportionate to the length of his usual outer garments. Trailing from Mrs. Prodgit's lap, on the floor, was a long narrow roller or bandage – I should say of several yards in extent. In this, I SAW Mrs. Prodgit tightly roll the body of my unoffending infant, turning him over and over, now presenting his unconscious face upwards, now the back of his bald head, until the unnatural feat was accomplished, and the bandage secured by a pin, which I have every reason to believe entered the body of my only child. In this tourniquet, he passes the present phase of his existence. Can I know it, and smile!
I fear I have been betrayed into expressing myself warmly, but I feel deeply. Not for myself; for Augustus George. I dare not interfere. Will any one? Will any publication? Any doctor? Any parent? Any body? I do not complain that Mrs. Prodgit (aided and abetted by Mrs. Bigby) entirely alienates Maria Jane's affections from me, and interposes an impassable barrier between us. I do not complain of being made of no account. I do not want to be of any account. But, Augustus George is a production of Nature (I cannot think otherwise), and I claim that he should be treated with some remote reference to Nature. In my opinion, Mrs. Prodgit is, from first to last, a convention and a superstition. Are all the faculty afraid of Mrs. Prodgit? If not, why don't they take her in hand and improve her?
P.S. Maria Jane's Mama boasts of her own knowledge of the subject, and says she brought up seven children besides Maria Jane. But how do I know that she might not have brought them up much better? Maria Jane herself is far from strong, and is subject to headaches, and nervous indigestion. Besides which, I learn from the statistical tables that one child in five dies within the first year of its life; and one child in three, within the fifth. That don't look as if we could never improve in these particulars, I think!
P.P.S. Augustus George is in convulsions.
AWAKE
Lying Awake
MY uncle lay with his eyes half closed, and his nightcap drawn almost down to his nose. His fancy was already wandering, and began to mingle up the present scene with the crater of Vesuvius, the French Opera, the Coliseum at Rome, Dolly's Chop-house in London, and all the farrago of noted places with which the brain of a traveller is crammed; in a word, he was just falling asleep.'
Thus, that delightful writer, WASHINGTON IRVING, in his Tales of a Traveller. But, it happened to me the other night to be lying: not with my eyes half closed, but with my eyes wide open; not with my nightcap drawn almost down to my nose, for on sanitary principles I never wear a nightcap: but with my hair pitchforked and touzled all over the pillow; not just falling asleep by any means, but glaringly, persistently, and obstinately, broad awake. Perhaps, with no scientific intention or invention, I was illustrating the theory of the Duality of the Brain; perhaps one part of my brain, being wakeful, sat up to watch the other part which was sleepy. Be that as it may, something in me was as desirous to go to sleep as it possibly could be, but something else in me WOULD NOT go to sleep, and was as obstinate as George the Third.
Thinking of George the Third – for I devote this paper to my train of thoughts as I lay awake: most people lying awake sometimes, and having some interest in the subject – put me in mind of BENJAMIN FRANKLIN, and so Benjamin Franklin's paper on the art of procuring pleasant dreams, which would seem necessarily to include the art of going to sleep, came into my head. Now, as I often used to read that paper when I was a very small boy, and as I recollect everything I read then as perfectly as I forget everything I read now, I quoted 'Get out of bed, beat up and turn your pillow, shake the bed-clothes well with at least twenty shakes, then throw the bed open and leave it to cool; in the meanwhile, continuing undrest, walk about your chamber. When you begin to feel the cold air unpleasant, then return to your bed, and you will soon fall asleep, and your sleep will be sweet and pleasant.' Not a bit of it! I performed the whole ceremony, and if it were possible for me to be more saucer-eyed than I was before, that was the only result that came of it.
Except Niagara. The two quotations from Washington Irving and Benjamin Franklin may have put it in my head by an American association of ideas; but there I was, and the Horse-shoe Fall was thundering and tumbling in my eyes and ears, and the very rainbows that I left upon the spray when I really did last look upon it, were beautiful to see. The night-light being quite as plain, however, and sleep seeming to be many thousand miles further off than Niagara, I made up my mind to think a little about Sleep; which I no sooner did than I whirled off in spite of myself to Drury Lane Theatre, and there saw a great actor and dear friend of mine (whom I had been thinking of in the day) playing Macbeth, and heard him apostrophising 'the death of each day's life,' as I have heard him many a time, in the days that are gone.