Grey turned to Van Dine. “He just threatened me, right?”
Van Dine nodded. “That’s right.”
“That’s what I thought.”
Grey raised his fist. It was time to use that leverage, but fast.
“I’ll give you the script.”
“Wait!” Van Dine snapped.
Grey unclenched his fist and backed off. He looked disappointed.
“I’m glad you’ve decided to be reasonable, Mr. Menace,” Van Dine said. “Now tell me-where is it?”
I licked my lips. I was about to see how much leverage I had. “I’ll do better than tell you. I’ll show you. If you untie me and let me out of this rat-hole.”
That got a good chuckle out of Van Dine. “What kind of fool do you take me for? I don’t even know for certain that you really have a copy of the script and I’m supposed to let you walk out of here and stir up who knows what kind of trouble? I think not.”
“I think so. I’m guessing you sent your primate playmate here over to Smith’s bungalow to grab the script. But Mighty Joe Young didn’t get the job done. He left a copy of Smith’s script behind.”
“Awww, applesauce!” Grey broke in. “There wasn’t no other copy. I looked all over.”
I graced Grey with a pitying smile. “But you didn’t look in the right place, Cheetah. This copy wasn’t sitting around, nice and neat, double-spaced on white paper. It was inside the typewriter.”
“Phooey!” Grey spat. “This is a buncha bunk.”
“Shut up, you oaf,” Van Dine snapped. His oily confidence was dripping away before my eyes. “You’re talking about the ribbon,” he said to me.
I nodded. “That’s right. Everything John Smith has typed for the last week or two or even three, who knows? It all hit that ribbon. And it’s still there, just waiting for someone with the time and the patience to get it. In fact, I’ve got a friend-a friend with very bad eyes and very, very sensitive fingers-who’s going over that ribbon right now. I gave it to him just before I came here. I’ll bet he’s half-way through the script by now.”
Van Dine stared at me. Or, more accurately, he stared through me. I could practically see the wheels in his mind turning, spinning faster and faster like pinwheels. And then they stopped.
“You have failed me, Mr. Grey.”
“What? Don’t tell me you believe this two-bit gumshoe,” Grey protested, crooking a thumb at me.
“You know the penalty for failure,” Van Dine replied coldly. His left hand slipped down toward one of the big silk pockets of his smoking jacket.
Fear twisted the thick flesh of Grey’s face. “No! Don’t!” he cried. “Please!”
“I’m afraid you leave me no choice.”
Van Dine pulled out his hand slowly. In it was a slip of thick paper.
“No screening pass for you this weekend,” he said. “If you want to see-” He glanced at the paper, then began tearing it up. “-Bedtime for Bonzo, you’ll just have to wait a month and pay your fifty cents like the rest of the little people.”
Grey’s whimper turned to a snarl as he whipped around to face me. “This is your fault, shamus! I’m gonna-”
“Untie him,” Van Dine broke in.
“But-”
“I said untie him!”
Grey glared at Van Dine for a moment before moving his bulky body behind me and fumbling with the ropes. My hands came free first. Within seconds, they were stinging with the pain of a thousand needlepricks as the bloodflow returned. A moment later, my feet felt the same way.
“Smart move, Van Dine,” I said, buying time while my hands and feet recovered. “You’re playing this the right way.”
“If he double-crosses us, kill him,” Van Dine said to Grey.
Grey leaned in close to my ear. “With pleasure,” he said.
But the pleasure was all mine. Grey was a sloppy man. He’d done a sloppy job searching Smith’s bungalow, and now he’d done a sloppy job untying me. He’d merely loosened the rope around my hands without bothering to take it away. And when he stuck his big ape head next to mine, it was simplicity itself to take that rope and wrap it around his neck.
It took all my strength to stand and take three steps forward, dragging Grey behind me. He toppled over the back of the chair. The chair pitched forward, and Grey came with it. The chair came down with a crash. Grey came down with a snap. His body went limp.
I turned my attention to Van Dine-but he was gone. For the first time, I got a good look at the room around me. Several black monoliths loomed in the darkness. At first, I thought they were bookshelves. But as my eyes adjusted to the gloom, I could see that they were loaded with bottles, not books. I was in Van Dine’s wine cellar.
I heard a quick shuffle-step behind me. I whirled around just in time to see Van Dine rushing me, a champagne bottle clutched in his hand.
I wanted to meet him on equal terms, but there was no time to go looking for a bottle of vodka. So I ducked. The champagne bottle cut through the air just above my head. Van Dine’s momentum carried him forward, and I gave him a good shove as he moved past. He stumbled, off balance, and slammed into the nearest wine rack. He hit the ground amid a shower of mid-range cabernets.
“Defeated by the trappings of your own decadence,” I said, shaking my head. “Clifford Odets would pay me twenty bucks for a metaphor like this.”
Van Dine groaned from beneath the pile of bottles. I gave him a moment to reflect on his predicament before I grabbed a foot and gave it a twist. Van Dine’s groans turned into a yowl. I pulled the foot-and the rest of the body it was attached to-out to the center of the tiny room.
“I want to thank you, Mr. Van Dine. You’ve given me the perfect set-up.”
I twisted the foot again. Van Dine howled again and kicked at me feebly. I twisted harder, then let go.
“I’ve been tied up. Beaten. Tortured. I’ve got the wounds to prove it.” I walked around Van Dine’s cowering form until I was just a step from his head. I placed the heel of one shoe on his face and gave it just a little bit of pressure. “So anything that happens now is purely self-defense. Because I’ll be the only one left to tell the story. Get me?”
Van Dine was panting so hard I could barely make out his words.
“What was that?”
“I said, ‘I get you,’ ” he rasped.
“Good. Now I want you to tell me what happened to John Smith.” I put just a little more pressure on Van Dine’s face. I could feel the cartilage of his nose bending almost to the snapping point. “And I don’t want any fibs.”
Van Dine talked. When he was through, I slipped the rope from around Son of Kong’s throat. I left Van Dine lying face down, his hands tied behind him, in a puddle of cabernet and champagne. That wasn’t very nice, I know. But if he got depressed waiting for the police to arrive, he could always slurp his cares away. Anyway, I could’ve left him in a puddle of blood.
Upstairs, I ran into Miss Shapely. She gaped at me, stunned, from a sofa. A copy of Film World Exposé slipped through her suddenly slack fingers. I didn’t have to be Criswell the Mind-Reader to know what thoughts were flying through her platinum-plated skull.
“Yeah, that’s right, honey. All that screaming and yelling was your boss, not me.”
“I…I…I didn’t…”
“Save the smooth talk for the cops, glamour-puss.” I went to the nearest phone-one of those old-fashioned gold-leaf and pearl jobs you always see Bette Davis gabbing on in the pictures-and asked the operator to give me police headquarters. Some lucky desk jockey was about to get the anonymous tip of a lifetime.
While I was waiting for the connection to go through, Miss Shapely jumped off the couch and made a beeline for the front door. I took mercy on a poor working girl and let her go.
IT WAS DARK by the time I got back to my office. That was fine. It fit my mood.
I’d been settled behind my desk all of five minutes when my client came through the door. My heart went pitter-pat. My head told my heart to get lost.