As he climbed up to the shrine, it began to flow with banners of light. He stepped into the light, and the regulator followed him.
Ys was suddenly spread below him. On one side the sun was falling behind the Rim Mountains; on the other, the Great River was painted with golden light on which the black motes of thousands of boats and ships were sharply drawn, as if by the most exquisite calligraphy. The river was fuller than Yama remembered it, lapping at the margin of the city, covering the shore where in the near future there would be wide mud flats and a scurf of shanty towns. And between mountains and river was the immemorial city. Ys: the endless grid of her streets and avenues sprawled wantonly beneath a brown haze of air pollution, sending up a shuddering roar in which the brazen clash of the gongs of one of her many temples and the shrill song of a ship’s siren emerged as sharply as points of light.
Wind plucked at Yama’s silvery cloak; a warm wind, redolent of smoke and decay.
The shrine was set on a high peak of the roof of the Palace of the Memory of the People. A sheer cliff dropped to a long slope of patchwork fields studded with temples and sanctuaries. A raven floated half a league below, black wings widespread, primaries fingering the air. A bell was tolling somewhere. In the distance, the slim, silvery mooring towers rose up from cluttered streets, soaring toward their vanishing points high above the atmosphere. The towers were the ancient port of Ys, from which, in the Golden Age when the Sirdar had ruled Confluence, ships had departed for other worlds. Although abandoned an age past, they had served one last task, for Yama had dreamed of standing in their shadow when he had been a child in the little city of Aeolis, and so they had drawn him to Ys and to the beginning of his adventures. And would do so again.
A narrow flight of steps, small and close-set, wound down the steep side of the peak toward a distant courtyard which was enclosed on three sides by high rock walls. There was a scree slope beneath the open side of the courtyard, and a wind-bent tree not quite dead stood amongst the loose stones, a few scraps of green showing at the very ends of its warped branches.
Down there was the cell in which Yama had been—would be—imprisoned after the assassination attempt in the corridors of the Department of Indigenous Affairs, and from which he would escape, cloaked in the hell-hound. Down there, buried in the dirt floor of the cell by the round window, was the coin first he and then Pandaras had carried half the length of the world. He would need a working coin soon enough—what if he took that one? His future self would not find it, would not be able to call upon the hell-hound, would not be able to escape. In how many time-lines had that happened? In how many others had he failed to arrive here?
“We must not linger, master,” the regulator said. “You must stop dreaming. You are in the world again.”
She led the way down the stairs, brisk and matter-of-fact, clutching the baby tight to her flat breasts. Yama followed, dizzy with visions of forking paths. What if this world did not contain his own history after all?
The bell was still tolling steadily in the distance, and now another answered it close by, ringing out with brisk urgency. A moment later, the regulator turned to Yama. She pressed the baby into his arms and bounded away down the steps, her swollen claw crooked above her head for balance.
There was only a pentad of guards, four inexperienced youngsters led by a one-armed veteran who had been drinking steadily all day. It was a rotten, dull assignment. The old shrine, known as the Shrine of Stars, had been unused for ten thousand years, and its only visitor was an old priest who, once a year, muttered a brief prayer and placed an offering of ivy and delicate white arching sprays of starbright at its base. With nothing else to do, the guards spent their time gambling, drinking and taking potshots at the crows and ravens which occasionally floated past the unglazed slit windows of the guardhouse. They were unprepared for trouble, half-unbuttoned, weapons slung on their backs. The regulator killed the first two easily, disemboweling one with her claw, grabbing the other and shaking him until his neck snapped. Two others ran, but the veteran stood his ground. His first shot struck the regulator in the chest; as she fell forward, his second took off the back of her head.
A moment later, a burning figure appeared on the steps above, clothed in a thousand fireflies. The veteran fled from this spectral figure even as it bent to the dead, silver-skinned woman. It called down two flying discs, laid the dead woman on one and stepped onto the other. By the time reinforcements arrived, it was gone.
Yama came to the chamber of the mirror people by the secret ways of the palace within the Palace of the Memory of the People. He had dismissed the fireflies. The mirror people gathered around him, curious and excited, plucking at his cloak, at the baby (who laughed at their painted faces), asking who he was and how he knew about this place. He told them that he was a friend, and that he had come here with a message for their king.
“There is a dead woman at the entrance to this place,” he added. “Bring her here.”
Three clowns scurried off. Yama sat down to wait for them to return. He refused offers of water and raw fungus. The baby fretted, pissed into the pad the regulator had bound between its legs, fell asleep.
Lupe came through the tall oval frame an hour later. Perhaps the skin was not as loose on his mottled arms; perhaps the wrinkles which mazed his face were fewer and less deep, but otherwise he was much as Yama remembered him. He was supported on either side by two beautiful girls, and clad in a long black dress whose train was held up by a third. As before, his lips were stained bright red, and the sockets of his blind eyes were painted with broad swipes of blue. His gray hair was piled up on his head, woven through with golden threads and fake pearls.
He was at once absurd and hierophantic, a burlesque of monarchy in his ruined finery, yet commanding in his bearing.
“Who is it,” he demanded. “Who is it that disturbs us?”
There was an excited babble as a hundred mirror people tried to explain, but everyone fell silent when Lupe held up his hand. The baby had begun to cry, alarmed by the noise. As Yama tried to hush it, Lupe turned to him and said, “Why, here he is. Let him speak.”
Lupe listened carefully as Yama explained that he had come with a prophecy about someone who would change and raise up the mirror people, so that they would become the very thing that they imitated: they would become fully human.
“Come here,” Lupe commanded, and Yama endured the spidery touch of his long fingernails on his face, his hair, his beard.
A fakir with skewers pushed bloodily through his painted cheeks mumbled that this man had come by the secret ways. Lupe nodded gravely, and said to Yama, “You know our corridors and you know the hope we have harbored since we left the river and crept into the Palace. Who are you?”
“A friend. One who speaks truly of what you have yearned for in your secret songs.”
Lupe nodded again. “We sing many songs, but some we sing only for ourselves. And yet you know of them.”
An acrobat swung upside down on a wire overhead and said, “He brings a baby and a dead woman, and we’ve never seen his like before. He brings trouble, Lupe.”
A murmur spread through the crowd of mirror people, dying away when Lupe held up a hand. He said to Yama, “You bring a message, but do we know it is true?”
“In seventeen years, someone of my bloodline will come here. Watch out for him. He will need help, and when you help him he will change a baby no older than the baby I carry. As for me, I need a boat. I must travel downriver.”
Lupe said, “It is well known that we have many things. Gifts from patrons. Siftings from the leavings of enlightened races. So many things that we do not know what we have.”