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Sister Gearing was making an attempt to control herself. She blew loudly into her handkerchief, replaced it in her uniform pocket, and raised a blotched face.

“I’m sorry. It’s the shock, I suppose. It’s just that it was all so horrible. Such an appalling thing to happen. And the first time I’ve taken a class tool And everyone sitting and watching it like that The other students as well. Such a horrible accident.”

“Accident Sister?” Mr. Courtney-Briggs turned from the window. He strode over to her and bent his bull-like head close to hers. His voice was harsh, contemptuous as he almost spat the words into her face. “Accident? Are you suggesting that a corrosive poison found its way into that feed by accident? Or that a girl in her right mind would choose to kill herself in that particularly horrible way? Come, come, Sister, why not be honest for once? What we’ve just witnessed was murder!”

Chapter Two

CEASE UPON THE MIDNIGHT

I

It was late in the evening of Wednesday, 28th January, sixteen days after the death of Nurse Pearce and, in the students’ sitting-room on the first floor of Nightingale House, Nurse Dakers was writing her mid-week letter to her mother. It was usual for her to finish it in time for the Wednesday evening post but, this week, she had lacked the energy and inclination to settle down to the task. Already the waste-paper basket at her feet held the screwed-up copies of the first two rejected drafts. And now she was trying again.

She was sitting at one of the twin writing-desks in front of the window, her left elbow almost brushing the heavy curtains which shut out the dank blackness of the night, her forearm curled protectively around the writing-pad. Opposite to her, the desk lamp shone on the bent head of Madeleine Goodale, so close that Nurse Dakers could see the clean white scalp at the hair parting and smell the almost imperceptible antiseptic tang of shampoo. Two textbooks were open before Goodale and she was making notes. Nothing, thought Nurse Dakers with resentful envy, was worrying her; nothing in the room or beyond it could disturb her quiet concentration. The admirable and secure Goodale was making sure that the John Carpendar Gold Medal for top marks in the final examination would eventually be pinned on her immaculate apron.

Frightened by the strength of this sudden and shaming antagonism, which she felt must communicate itself to Goodale, Nurse Dakers slid her eyes from the bent head so disconcertingly close to hers and gazed around the room. It was so familiar to her after nearly three years of training that normally she hardly noticed the details of architecture or furnishing. But tonight she saw it with an unexpected clarity, as if it had nothing to do with her or with her life. It was too large to be cozy and was furnished as if it had acquired odd items over the years and taken them to itself. It must once have been an elegant drawing-room, but the walls had long since lost their paper and were now painted and scruffy, due-it was rumored-for redecoration when money allowed. The ornate fireplace of carved marble and surrounding oak was fitted with a large gas stove, old and ugly in design but still remarkably efficient, hissing a strong heat even into the dark corners of the room. The elegant mahogany table against the far wall with its jumble of magazines might have been bequeathed by John Carpendar himself. But it was scratched and dull now, dusted regularly but rarely polished, its surface scarred and ringed. To the left of the fireplace, in incongruous contrast, stood a large, modern television set, the gift of the Hospital League of Friends. In front of it was an immense cretonne-covered sofa with sagging springs, and a single matching armchair. The rest of the chairs were similar to those in the hospital out-patient department but were now too old and shabby to be tolerated for the use of patients. The arm-rests of pale wood were grubby; the colored vinyl seats were stretched and dented and now smelt unpleasantly in the heat from the fire. One of the chairs was empty. It was the red-seated one which Nurse Pearce had invariably used. Scorning the intimacy of the sofa, she would sit there, a little apart from the huddle of students around the television set, watching the screen with careful disinterest as if it were a pleasure she could easily forgo. Occasionally she would drop her eyes to a book in her lap as if the folly presented for her entertainment had become too much to bear. Her presence, thought Nurse Dakers, had always been a little unwelcome and oppressive. The atmosphere of the students’ sitting-room had always been lighter, more relaxed without that upright and censorious figure. But the empty chair, the dented seat, was almost worse. Nurse Dakers wished that she had the courage to walk over to it, to swing it into line with the other chairs around the television set and settle herself nonchalantly into its sagging curves, exorcizing once and for all that oppressive ghost She wondered if the other students felt the same. It was impossible to ask. Were the Burt twins, bunched together in the depths of the sofa, really as absorbed as they appeared by the old gangster film they were watching? They were each knitting one of the heavy sweaters which they invariably wore in winter, their fingers clicking away, their eyes never leaving the screen. Beside them Nurse Fallon lolled in the armchair, one trousered leg swung casually over the arm. It was her first day back in the school after her sick leave and she still looked pale and drawn. Was her mind really on the sleek-haired hero with his tall wide-ribboned and ridiculous trilby, his over-padded shoulders, whose raucous voice, punctuated with gunshots, filled the room? Or was she, too, morbidly conscious of that empty red chair, the dented seat, the rounded ends of the armrests polished by Pearce’s hand?

Nurse Dakers shivered. The wall clock showed that it was already after nine-thirty. Outside the wind was rising. It was going to be a wild night. In the rare intervals of quiet from the television set she could hear the creaking and sighing of the trees and could picture the last leaves falling softly on grass and path, isolating Nightingale House in a sludge of silence and decay. She forced herself to pick up her pen. She really must get on I Soon it would be time for bed and, one by one, the students would say their good nights and disappear, leaving her to brave alone the poorly-lit staircase and the dark corridor beyond. Jo Fallon would still be here of course. She never went to bed until the television program closed for the night Then she would make her lonely way upstairs to prepare her nightly hot whisky and lemon. Everyone knew Fallon’s invariable habit. But Nurse Dakers felt that, she could not face being left alone with Fallon. Hers was the last company she would choose, even in that lonely, frightening walk from the sitting-room to bed.

She began writing again.

“Now please, Mummy, don’t keep on worrying about the murder.”

The impossibility of the sentence struck her as soon as she saw the words on the paper. Somehow she must avoid the use of that emotive, blood-stained word. She tried again. “Now please, Mummy, don’t start worrying about the things you read in the papers. There really isn’t any need. I’m perfectly safe and happy and no one really believes that Pearce was deliberately killed.”

It wasn’t true of course. Some people must think that Pearce had been deliberately killed or why would the police be here? And it was ridiculous to suppose that the poison could have got into the feed by accident or that Pearce, the god-fearing, conscientious and essentially dull Pearce, would have chosen to kill herself in that agonizing and spectacular way. She wrote on: