The bat swung again, and it hit her just below the hip. The pain splashed a red haze over her vision for an instant, then faded. The blow obliterated her disbelief, her sense that this could not be happening. She knew he was crippling her, and in another swing, she would be beyond hope. She would be immobile, and then he would kill her. He raised his bat again. She exerted a huge effort, pulled herself to her feet and tried to run, but all she could manage was a painful, limping hobble. In three steps, his strong hand grasped her arm and dragged her backward.
She tried to jerk her arm away, but his hand closed its grip on her blouse at the shoulder. He still had the bat in his other hand, but he swung her in a quick circle. The blouse tore, much of it came away in his hand, and her momentum flung her to the pavement of the driveway. This time she was in the center of a pool of light from a floodlight mounted under the eaves of the house.
The man knelt, held her down with the bat, and hit her with his free hand, delivering four quick punches to her face and shoulders. She was groggy. She tasted blood, and couldn’t seem to spit it all out, and there was more in her eyes. She was in hot, throbbing pain. Both her arms felt weak and useless.
With the glare above and behind him, she could only see him in silhouette, raising the bat again. When he brought it downward, she flinched and half-rolled away from it. The bat hit the concrete beside her head with a hollow sound, bounced up and skinned the back of her head. This time he stood with one foot on either side of her, raised the bat above his head. She could see this swing was going to crush her skull.
The world ignited and burned with new light. The man, the bat, the house behind him, the concrete beside her face were all lit as though it were daylight. The man’s face lifted to squint up the street, and he stepped out of her vision. She heard his footsteps, fast-running, going away from her. She heard the bang of a car door, and then another, and then voices.
2
JACK TILL STRAIGHTENED his necktie as he watched the paparazzi across the street. They had been calm and still for a time, glancing now and then at the hotel, but now they were up out of their cars and pacing, their eyes on the front entrance. He noticed that they devoted half of their attention to each other. They were competitors, and a photograph wasn’t worth much if the others got it, too. Till was lucky that Marina Fallows was in the hotel tonight for the charity banquet. She had stood out in small parts in a couple of big movies, and fresh faces were always the favorite prey of the tabloids. He wondered what this week’s issues would say she had been doing here.
The photographers stood still for an instant, as though they’d heard something. Then they all moved at once, a shift toward the front doors, where the doorman and parking attendants had suddenly been reinforced by a couple of dark-suited security men. In a moment a pair of dark limousines floated in from the parking lot around the corner, and veered close to the curb.
The show inside the reception room where Marina Fallows had been must be over, and now the show outside was beginning. The doors opened and the beautiful young woman appeared, dressed in a long strapless black evening gown and open-toed shoes that glinted in the light. She was accompanied by a man about her age in a dark suit who looked as though he had been chosen to look good by her side. The flashes began and Till was surprised once again by how small some actresses were in person, almost like children. The flashes became continuous like strobe lights, the photographers elbowing each other aside to get closer, shooting at the rate of three frames a second. Two of them stood in front of the lead limousine to block its path while their partners ran along beside the couple, pushing their flashing cameras into their faces until the two were inside and the door slammed.
Till kept his attention on the doorway. He saw two couples come out, then a third, all dressed in evening clothes. Till reached into his pocket, extracted a letter-sized printed sheet, studied the color picture on it for a moment, then began to walk as he put it away and then reached into the side pocket of his coat.
Till was six feet one inch tall, forty-two years old, with broad shoulders and an energetic stride. He was dressed in a dark suit that made him look as though he had attended one of the events in the hotel’s reception rooms. As he approached the front of the building, the paparazzi and the security people seemed to sense that it was in their best interest to assume that he had nothing to do with their struggles, and pretend not to see him.
Till reached the curb while the third couple waited for the parking attendant to bring their car to them. They were in their forties, the wife very thin and blond, with freckles that melted together like a tan on her bare shoulders and collarbones. The husband was tall and fit, with an open, boyish face and eyebrows that looked almost white in the reflected light of the street lamps. As the couple’s Mercedes pulled up to the curb, Till’s eyes returned to the wife’s neck.
Till took a small digital camera out of his coat pocket and snapped a picture.
The man laughed and held up his hand. “Hey! We’re not famous!”
Till said, “Sorry, my mistake,” and kept walking.
As he came abreast of the couple, he saw the woman turn away from him and whisper urgently to her husband, her hand clutching her throat. Till picked up his pace.
The husband ran after Till and tapped him on the shoulder. “I’m sorry, friend, but I’m going to have to ask you for that film.”
“I’m sorry, too,” Till said. “You can’t have it.”
“All right, I’ll pay you for it. My wife really doesn’t want to have her picture taken, and you can’t sell it, anyway. We’re not actors.” He produced a very small, soft wallet, and extracted a bill. “Will a hundred cover it?”
“No,” said Till. “You’re welcome to tell her I exposed the film or something, but I can’t take your money. I’ve got things in the camera that I want, so I can’t help you.”
“You have to.” The man lunged for Till’s hand to snatch the camera.
Till’s left hand came up so quickly, it seemed to have been in the air waiting for the man’s hand to arrive. He caught the hand and twisted it around so the man had to bend to the side.
“Let me go. Let go of my hand!”
“Okay.” Till pocketed his camera and then released him.
The man straightened and backed away. When he was a few feet off, he turned and hurried back into the hotel entrance with his wife. He already had his cell phone out, and he was talking into it with animation. Till could see through the glass doors that several other men and women in evening dress were flocking around the couple. Three of the men came out and took a few steps in Till’s direction, but they didn’t seem to be able to decide what to do. Their friend didn’t need to be saved, and Till wasn’t running away. They withdrew to the front door of the hotel to look in the glass door at their friend and then back at Till.
The police car arrived in about four minutes, veered to the curb behind the couple’s Mercedes, and rocked once on its worn shock absorbers. Two young police officers got out, one male and one female. The woman was short, with dark hair tied back in a bun, and she looked stocky in her bulletproof vest, but the man was tall and thin, like a basketball player. “Sir,” the male officer said, “are you Mr. Mason?”
“No, my name is Jack Till. George Mason is inside the door over there. The tall, blond one with the tan.”
“Officer! Officer!” George Mason rushed out of the hotel through the glass doors, followed by his wife and the rest of his party. “This man assaulted me. He took our picture, and then he twisted my wrist.”