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CHAPTER

20

Bekker could count the drops, each and every one, as the shower played off his body. The ecstasy did that: two tiny pills. Gave him the power to imagine and count, to multiply outrageous feelings by ineffable emotions and come up with numbers…

He turned in the shower, letting jets of water burn into him. He no longer used the cold water at all, and the stall was choked with heat and steam, his body turning cherry red as the old skin scalded away. And as he turned, his eyes closed, his head tipped back, his hands beneath his chin, his elbows close together, on his belly, he could count all the drops, each and every one…

He stayed in the shower until the water ran cold, then, shivering, blue, annoyed, he leaped out. What time was it? He walked to the end of the room where he'd fitted a black plastic garbage bag over a barred basement window, and peeled back a corner of the plastic. Dark. Midnight. That was good. He needed the night.

Bekker walked back toward the bed, felt the stickiness on the soles of his feet and looked down. He needed to wash the floor. The sight of the dried blood on the floor reminded him of the cut. He looked at his arm, rolled it between his thumb and forefinger. The cut was painful, but the ants were gone.

He caught sight of himself in a wall mirror, his furrowed face. He went into the bathroom and washed his face, grimacing at the sight of the scars. They were in long jagged rows, raised above the soft skin around them. The gunsight cuts had been sewn closed by an emergency-room butcher, instead of a qualified plastic surgeon.

He thought of Davenport, Davenport's teeth, the eye-teeth showing, his eyes, the gun swinging, battering…

He sighed, came back, shaken, staring at his face in the mirror. He put the makeup on mechanically, but carefully. Cover Mark to hide the scars, then straight, civilian makeup. Max Factor New Definition. Cover Girl nail polish. Suave styling spritz, to pull his blond hair down to cover his jawline, which was a bit too masculine.

The lipstick was last. Lipstick the color of a prairie rose. Just a touch. He didn't want to be mistaken for a harlot… He made kisses at the mirror, smoothed the lipstick with his tongue, blotted it with toilet paper. Just right.

Satisfied, finally, he went to the chest, picked out underwear, got the prosthetic bra and sat on the bed. He'd shaved his legs the night before, and they were just getting prickly. Bekker was fair-haired, fine-haired: even if he hadn't shaved, his legs wouldn't have been a problem. But he did shave, to capture the feel. Rayon had said that was important, and Bekker understood-or he'd understood at the time. You had to live the part, feel the part. He flashed. A woman hurrying behind him, afraid of the dark parking ramp. Live the part…

The panty hose slid smoothly up his leg; he'd discovered the technique of gathering them, slipping them up piece by bit-bit-bit. When the hose were on, he stood and looked at himself in the dressing mirror; he looked like a fencer, he thought, bare chest and tights. He posed, turning sideways. A little full in the front. He reached into the panty hose and arranged his penis, pushing it down and under, tight, pulling the hose up to hold it in place. Posed again. Good.

The bra was next. He disliked it: it was cold and awkward, and cut into the muscles of his shoulders. But it gave him the right look and even the right feel. He snapped it in back, and again checked the mirror. With his soft blond hair, falling naturally now to his shoulders-no more wigs-he was a woman. Whitechurch had certainly been convinced. Bekker flashed: the look on Whitechurch's face as the realization came to him, and the gun came up…

He picked out a medium-blue blouse with a high collar and the remnants of shoulder padding, a conservative, midcalf-length pleated skirt, and dark gym shoes with thick walking soles. With the breast prosthetics and his narrow shoulders, he had the figure of a woman, but his hands and feet might yet give him away.

They were simply too big, too square: he wore size ten men's shoes. But when he wore dark women's gym shoes, the size was not so obvious. As a woman he was taller than average, but not awkwardly so. And people expected blondes to be tall. Hiding his hands was a bigger problem…

When he'd finished dressing, he looked in the mirror. Fine. Excellent. The big shoulder bag was something he might keep dressier shoes in, wearing the gym shoes to walk back and forth to the parking ramp. Yuppie. He added a necklace of synthetic pearls, picked up a bottle of Poison by Christian Dior, dabbed it along his throat, on the inside of his wrists. The perfume was too flowery, and he deliberately used too much. Perfume, Rayon told him, was a feminine, psychological thing. The odor of perfume alone might subliminally convince, in close quarters…

There. Ready. He touched himself at the pit of his throat, and remembered that he'd seen his late wife do that, touch herself there, a sort of completion. He stepped to the mirror again, to take in the whole ensemble, and spontaneously laughed with the joy of it.

Beauty was back.

Beauty stepped carefully through the weeds to the lean-to garage, careful not to snag the hose. He left the car lights out, drove it to the gate, looked up and down the street, unlocked the gate, drove through, relocked it behind himself. He sat in the car for a moment, trying to think.

The parking garage at Bellevue was locked in his brain. Bellevue. He reached across the floor to his purse, found the bag, shook out a greenie: PCP. Popped one, two. Folded the bag and dropped it back in the purse, turned left. Careful. Bellevue? The hands on the steering wheel took him there, rolling through the dimly lit streets, precisely, evenly. A woman? Yes. Women were smaller and handled more easily, after they'd been taken. He recalled the struggle with Cortese, wedging the deadweight into the backseat of the Bug.

And women, he thought with sudden clarity and some curiosity, lasted longer…

The guard nodded. He recognized the attractive blonde in the old Volkswagen Bug. She'd been there before…

Bekker took the car to the top floor, which was virtually deserted. A red Volvo sat in a corner and looked like it might have been there for a couple of days. Two other cars were widely spaced. The garage was silent. He got his bag from the passenger-side floor, with the tank of anesthetic and the stun gun.

Bekker flashed: Cortese, the first one. Bekker'd hit him with the stun gun, had ridden him like a… No image came for a moment, then a hog. A heavy, midwestern boar, a mean brute. Bekker had ridden him down in the alley behind the Plaza, then used the mask. The power…

A car door slammed somewhere else in the garage; a hollow, booming sound. An engine started. Bekker went to the elevator, pushed the down button, waited. A sign on the wall said: "REMOVE VALUABLES FROM CAR: Although this ramp is patrolled, even locked cars are easily entered. Remove all valuables."

The first hit of PCP was coming on, controlling, toughening him, giving his brain the edge of craft it needed. He glanced around. No camera. He walked slowly down the stairs past the cashier, around the corner toward the main entrance of the hospital. The sidewalk that led to the entrance was actually built as a ramp, slanting down between the parking ramp and a small hospital park. Bekker walked down the ramp, paused, then went left into the park, sat at a bench under a light.

Outside, the night was warm and humid, the smell of dirty rain and cooling bubble gum. A couple on the street were walking away from him, the man wearing a straw hat; the hat looked like an angel's halo at that distance, a golden-white oval encircling his head.

Then: A main hospital door opened and a woman walked out. Headed toward the ramp, digging in a purse for keys. Bekker got up, started after her. She paused, still digging. Bekker closed. The woman was big, he realized. As he got closer, he saw she was too big. A hundred and eighty or two hundred pounds, he thought. Moving her would be difficult.

He stopped, turned, lifted a foot so he could look at the sole of his left shoe. Watch women, Rayon had told him. Watch what they do. Bekker had seen this, the stop, the check, the look of anger or disgust, depending on whether a heel was broken or she'd simply stepped in something, and then a turn…