I checked the camera again, licked the flash bulb for better contact, made sure I had a few more bulbs ready in my pocket, listened to the night sounds of the insects and waited. About ten minutes later I saw Harry walking with that jaunty, stiff-legged, almost dancing walk of his. Joe was lumbering along as though trying to use his feet as little as possible.
Joe stopped at the bench, looked about like a ham actor, whispered, “This looks okay. Let's talk.”
“Righto,” Harry said. “I want to get this over with.”
Joe did it neater than I expected. As they both started to sit, Joe got his backside down first in a sliding motion that placed him under Harry. Harry landed in Joe's lap and Joe moved and Harry grabbed Joe's collar to keep from falling. It could be interpreted as a hug.
I squeezed the camera button and there was a split second flash that lit up the scene like a flare... I'd snafued everything! I'd put in a regular flash bulb instead of an infra-red one that wouldn't give any visible light. Or maybe I should have blamed it on the clerk in the camera store.
Joe started to say, “What do you think you're...?” as he had rehearsed and I don't know if he stopped because he realized things were wrong, or because Harry jumped off his lap like lightning, shrilled, “What the hell you pulling?”
Joe stood up, speechless, and Harry threw a punch at him. The blow didn't do anything to Joe, who seemed to shove rather than hit Harry. The push sent Harry on his back, in the bushes, and when he stood up he had a gun out, spun around, fired into the bushes. I hit the urine-soaked dirt like it was fudge and Harry fired again. It sounded like a .22, made a short bark that was lost in the sounds of the night. I heard Joe running, his heavy pounding footsteps louder than the clean sharp report of the gun.
I lay there, afraid to crawl and make any noise, Harry didn't pay any attention to Joe, but waited outside the bushes, the little lead thrower in his hand. He said hysterically, “Come out, you dirty son of a bitch: I'll kill you, I'll...!”
I tried to get the flash bulb loose and couldn't. I found a stone and threw it a few feet in the bushes. It was a corny trick, but at the noise Harry moved and I got to my feet as silently as I could. I stood there, hardly breathing, and Harry was still for a moment, then came toward me. As he passed the opening through which I'd been shooting the picture, I hit him. It was a straight right high on the head and it sent pain shooting up my arm as Harry crumpled to the sidewalk, out cold.
I moved my fingers—the bones weren't broken. I pulled Harry into the bushes, then walked—fast. Joe was waiting in his car and we took off like two thieves. I said, “That was my fault. Drive to the nearest police station, tell them Harry made 'improper' advances to you and...”
“No! I'm done with this, with any part of it! You and your crazy ideas!” His fat face was glistening with sweat.
“You dummy, don't you understand—things went wrong! The pix won't come out, we've nothing to show, to...”
“I'm done with this! Against it in the first place God, what a dirty mess!”
“The deal backfired, you know what will happen now?”
He didn't answer.
“We were going to surprise Harry—when the frame was complete. Now he knows what's up, he'll get you! Losing your job will be the smallest part of it... unless you go to the cops, act before Harry does.”
“I'm done, won't do a damn thing more. No!” He was bawling a little and I didn't argue. There was a fifty-fifty chance we'd scared the bejesus out of Harry and he'd leave Joe alone. But we also could have scared him enough to go all out for Joe. It was a mess.
We parked in front of the house and sat there for a while, waiting for Joe to stop crying. I told him to come in and he said no and I said, “Cut it, the game's over. Come in.”
Mady was listening to the radio and reading a magazine. She shut the radio off the moment she saw Joe's wet face. He sat down hard, held his head in his hands and really turned on the tears. I told her what happened and it took her a few minutes to understand what we had in mind, then she looked at me like I was something you stepped in on the street, asked, “Matt, how could you do a thing like that? Sink as low as... as... that?”
“You have to play a man's weaknesses as you find them. Now if Joe will only protect himself by going to the cops and...”
“And have the papers yell he was mixed up with a pansy!” Mady shouted.
“Want Joe to lose his job, or worse? Is that better, an out? One thing I never forgot in the ring—when the ref finishes his instructions he says, 'and protect yourself at all times.' Baby, that holds doubly true for everything in life. I was only doing this because Joe is a part of you—of us—and I want peace. Harry got in our hair, we had to comb him out—any way possible.”
“Why didn't you use a gun, it would have been cleaner!” Mady said.
“I would have—in a second—if we could have gotten away with it.”
She stared at me for a moment, shaking her head, then went over and knelt beside Joe, trying to comfort him. I was angry—with my own stupidity in not checking the bulb, and with Joe. But then I couldn't blame him—he was in a mess and scared, probably had never seen a gun before, except in the movies.
I went into the kitchen, drew the shades, set up my developing trays—maybe the regular flash hadn't been too strong for the infra-red film. I got everything ready, then turned out the lights and went to my room and took off my coat and tie, my ring, went to the bathroom and washed my hands. I was sweating a little and took my temperature, but it was normal. By leaving the lamp on in my room and the door of the kitchen partly open, enough light came in so I could see what I was doing without spoiling the film.
I'd just opened the roll of films, was taking out the negative, when the phone rang and a minute later Mady came in as I said, “Don't open the door!”
“What?” She snapped the light switch, flooding the kitchen. “What are you.... Oh.”
There was no point in cursing her, whatever chance I had of getting a picture was ruined—seemed as though that picture was never meant to be made anyway. She asked, “Did I spoil anything?”
“Nothing—now.”
“You're wanted on the phone.”
“Who is it?”
“A man. I don't know who.”
Joe was still sitting around like a living hangover and as I picked up the phone I wondered if Harry was smart enough to know where I lived. Or had he seen me in the park? Did he know I was living with Joe's sister?
Max's hoarse voice said, “Matt? Got news for you— Harry Loughlin jumped out of his office window. Few minutes ago.”
“Is he dead?”
“A 21-story fall isn't a tonic.”
“Any reason why he made like a bird?”
“Not that we know of. No notes or anything. Thought you'd want to know. I'm in his office now. I'm sure you're heartbroken.”
“Maxie, I couldn't care less.”