So that was it, or part of it. Burden with his theories that the parson was a Primero relative or seeking to buy the Primero house couldn't have been more wrong. This man, whatever axe he might be grinding, was bent on whitewashing Painter.
Wexford frowned and after a moment said, "Can't be done. Painter did it all right." He set his jaw stubbornly, "If you want to quote me in your book you're quite welcome. You can say that after sixteen years Wexford still maintains that Painter was guilty beyond the shadow of a doubt."
"What book is this?" Archery inclined his handsome head courteously. His eyes were brown and now they looked bewildered. Then he laughed. It was a nice laugh and it was the first time Wexford had heard it. "I don't write books," he said. "Well, I did once contribute a chapter to a work on Abyssinian cats but that hardly..."
Abyssinian cats. Bloody great red cats, thought Wexford. Whatever next? "Why are you interested in Painter, Mr. Archery?"
Archery hesitated. The sun showed up lines on his face that Wexford had not realised were there. Funny, he thought ruefully, how dark women age slower than fair ones but the reverse was true of men.
"My reasons are very personal, Chief Inspector. I can't suppose that they would interest you. But I can assure you that there's no possibility of my publishing anything you tell me."
Well, he had promised Griswold—as to that, he didn't have much choice. Hadn't he, in any case, already resigned himself to giving up most of the afternoon to this clergyman? Weariness was at last beginning to gain a hold on him. He might be equal to reminiscing, going over past familiar words and scenes; on this hot afternoon he was quite unequal to anything more exacting. Probably the personal reasons—and he confessed mentally to an almost childish curiosity about them—would emerge in due course. There was something frank and boyish in his visitor's face which made Wexford think he would not be particularly discreet.
"What d'you want me to tell you?" he asked.
"Why you are so determined Painter was guilty. Of course I don't know any more about this sort of thing than the average layman, but it seems to me there were a good many gaps in the evidence. There were other people involved, people who had quite definite interests in Mrs. Primero's death."
Wexford said coldly, "I'm fully prepared to go over any points with you, sir."
"Now?"
"Certainly now. Have you got that transcript with you?"
Archery produced it from a very battered leather briefcase. His hands were long and thin but not womanish. They reminded Wexford of saints' hands in what he called "churchy" paintings. For five minutes or so he scanned the papers in silence, refreshing his memory on tiny points. Then he put them down and raised his eyes to Archery's face.
"We have to go back to Saturday, September 23rd," he said, "the day before the murder. Painter didn't appear with the coal at all that evening. The two old women waited until nearly eight o'clock when the fire was almost out, and Mrs. Primero said she would go to bed. Alice Flower was incensed at this and went out to get what she called 'a few lumps'."
"That was when she hurt her leg," Archery said eagerly.
"It wasn't a serious injury but it made Mrs. Primero angry and she blamed Painter. At about ten on the following morning she sent Alice down to the coach house to tell Painter she wanted to see him at eleven thirty sharp. He came up ten minutes late, Alice showed him into the drawing room and afterwards she heard him and Mrs. Primero quarrelling."
"This brings me to the first point I want to raise," Archery said. He flipped through the transcript and, putting his finger at the beginning of a paragraph, passed it to Wexford. "This, as you know, is part of Painter's own evidence. He doesn't deny the quarrel. He admits that Mrs. Primero threatened him with dismissal. He also says here that Mrs. Primero finally came round to see his point of view. She refused to give him a rise because she said that would put ideas into his head and he would only ask for another increase in a few months' time. Instead she'd give him what she understood was called a bonus."
"I remember all that well," Wexford said impatiently. "He said she told him to go upstairs and into her bedroom where he'd find a handbag in her wardrobe. He was to bring that handbag down to her and this, he said, he did. There was about two hundred pounds in the handbag and this he could have, take it away in the handbag and look upon it as a bonus on condition he was absolutely circumspect about bringing the coal at the required times." He coughed. "I never believed a word of it and neither did the jury."
"Why not?" Archery asked quietly.
God, thought Wexford, this was going to be a long session.
"Firstly, because the stairs at Victor's Piece run up between the drawing room and the kitchen. Alice Flower was in the kitchen cooking the lunch. She had remarkably good hearing for her age, but she never heard Painter go up those stairs. And, believe me, he was a big heavy lout if ever there was one." Archery winced faintly at this but Wexford went on, "Secondly, Mrs. Primero would never have sent the gardener upstairs to poke about in her bedroom. Not unless I'm very mistaken in her character. She would have got Alice to have fetched the money on some pretext or other."
"She might not have wanted Alice to know about it."
"That's for sure," Wexford retorted sharply. "She wouldn't have. I said on some pretext or other." That made the parson draw in his horns. Wexford said very confidently, "In the third place Mrs. Primero had a reputation for being rather mean. Alice had been with her for half a century but she'd never given Alice anything bar her wages and an extra pound at Christmas." He jabbed at the page. "Look, she says so here in black and white. We know Painter wanted money. The night before when he hadn't brought the coal he'd been drinking up at the Dragon with a pal of his from Stowerton. The pal had a motorbike to sell and he'd offered it to Painter for a bit less than two hundred pounds. Apparently Painter hadn't a hope of getting the money but he asked his friend to hold on to the bike for a couple of days and he'd contact him the minute anything came up. You're saying he got the money before noon on Sunday. I say he stole it after he brutally murdered his employer in the evening. If you're right, why didn't he get in touch with his friend on Sunday afternoon? There's a phone box at the bottom of the lane. We checked with the pal, he didn't move out of his house all day and the phone never rang."
It was a very tempest of fact and Archery yielded, or appeared to yield, before it. He said only: "You're saying, I think, that Painter went to the wardrobe after he'd killed Mrs. Primero in the evening. There was no blood on the inside of the wardrobe."
"For one thing he wore rubber gloves to do the deed. Anyway, the prosecution's case was that he stunned her with the flat side of the axe blade, took the money, and when he came downstairs, finished her off in a panic."
Archery gave a slight shiver. "Doesn't it strike you as odd," he then said, "that if Painter did it he should have been so transparent about it?"
"Some are. They're stupid, you see." Wexford said it derisively, his mouth curling. He still had no notion what Archery's interest in Painter might be, but that he was pro-Painter was apparent. "Stupid," he said again, intent on flicking the clergyman on the raw. Another wince from Archery rewarded him. "They think you'll believe them. All they've got to say is it must have been a tramp or a burglar and you'll go away satisfied. Painter was one of those. That old tramp thing," he said. "When did you last see a tramp? More than sixteen years ago, I'll bet."
"Let's come to the murder itself," Archery said quietly.
"By all means." Again Wexford took the transcript, gathering with a quick glance the information he needed. "Now, then," he began, "Painter said he went over to fetch the coal at half six. He remembered the time—twenty-five past six when he left the coach house—because his wife said five minutes to go before the child's bedtime. The time's not all that important, anyway. We know it was between twenty past six and seven o'clock that she was killed. Painter went over, chopped some wood and cut his finger. Or so he said. He certainly did cut his finger—cut it deliberately."