Sixty-Five Short Stories

'He always was,' interrupted Bateman, 'on other people's money.'

'I've found him a very good friend. Is it unnatural that I should take a man as I find him?'

'The result is that you lose the distinction between right and wrong.'

'No, they remain just as clearly divided in my mind as before, but what has become a little confused in me is the distinction between the bad man and the good one. Is Arnold Jackson a bad man who does good things or a good man who does bad things? It's a difficult question to answer. Perhaps we make too much of the difference between one man and another. Perhaps even the best of us are sinners and the worst of us are saints. Who knows?'

'You will never persuade me that white is black and that black is white,' said Bateman.

'I'm sure I shan't, Bateman.'

Bateman could not understand why the flicker of a smile crossed Edward's lips when he thus agreed with him. Edward was silent for a minute.

'When I saw you this morning, Bateman,' he said then, 'I seemed to see myself as I was two years ago. The same collar, and the same shoes, the same blue suit, the same energy. The same determination. By God, I was energetic. The sleepy methods of this place made my blood tingle. I went about and everywhere I saw possibilities for development and enterprise. There were fortunes to be made here. It seemed to me absurd that the copra should be taken away from here in sacks and the oil extracted in America. It would be far more economical to do all that on the spot, with cheap labour, and save freight, and I saw already the vast factories springing up on the island. Then the way they extracted it from the coconut seemed to me hopelessly inadequate and I invented a machine which divided the nut and scooped out the meat at the rate of two hundred and forty an hour. The harbour was not large enough. I made plans to enlarge it, then to form a syndicate to buy land, put up two or three large hotels, and bungalows for occasional residents; I had a scheme for improving the steamer service in order to attract visitors from California. In twenty years, instead of this half-French, lazy little town of Papeete I saw a great American city with ten-storey buildings and street-cars, a theatre and an opera house, a stock exchange and a mayor.'

'But go ahead, Edward,' cried Bateman, springing up from the chair in excitement. 'You've got the ideas and the capacity. Why, you'll become the richest man between Australia and the States.'

Edward chuckled softly.

'But I don't want to,' he said.

'Do you mean to say you don't want money, big money, money running into millions? Do you know what you can do with it? Do you know the power it brings? And if you don't care about it for yourself think what you can do, opening new channels for human enterprise, giving occupation to thousands. My brain reels at the visions your words have conjured up.'

'Sit down, then, my dear Bateman,' laughed Edward. 'My machine for cutting the coconuts will always remain unused, and so far as I'm concerned street-cars shall never run in the idle streets of Papeete.'

Bateman sank heavily into his chair.

'I don't understand you,' he said.

'It came upon me little by little. I came to like the life here, with its ease and its leisure, and the people, with their good nature and their happy smiling faces. I began to think. I'd never had time to do that before. I began to read.'

'You always read.'

'I read for examinations. I read in order to be able to hold my own in conversation. I read for instruction. Here I learned to read for pleasure. I learned to talk. Do you know that conversation is one of the greatest pleasures in life? But it wants leisure. I'd always been too busy before. And gradually all the life that had seemed so important to me began to seem rather trivial and vulgar. What is the use of all this hustle and this constant striving? I think of Chicago now and I see a dark, grey city, all stone-it is like a prison-and a ceaseless turmoil. And what does all that activity amount to? Does one get there the best out of life? Is that what we come into the world for, to hurry to an office, and work hour after hour till night, then hurry home and dine and go to a theatre? Is that how I must spend my youth? Youth lasts so short a time, Bateman. And when I am old, what have I to look forward to? To hurry from my home in the morning to my office and work hour after hour till night, and then hurry home again, and dine and go to a theatre? That may be worth while if you make a fortune; I don't know, it depends on your nature; but if you don't, is it worth while then? I want to make more out of my life than that, Bateman.'

'What do you value in life then?'

'I'm afraid you'll laugh at me. Beauty, truth, and goodness.'

'Don't you think you can have those in Chicago?'

'Some men can, perhaps, but not I.' Edward sprang up now. 'I tell you when I think of the life I led in the old days I am filled with horror,' he cried violently. 'I tremble with fear when I think of the danger I have escaped. I never knew I had a soul till I found it here. If I had remained a rich man I might have lost it for good and all.'

'I don't know how you can say that,' cried Bateman indignantly. 'We often used to have discussions about it.'

'Yes, I know. They were about as effectual as the discussions of deaf mutes about harmony. I shall never come back to Chicago, Bateman.'

'And what about Isabel?'

Edward walked to the edge of the veranda and leaning over looked intently at the blue magic of the night. There was a slight smile on his face when he turned back to Bateman.

'Isabel is infinitely too good for me. I admire her more than any woman I have ever known. She has a wonderful brain and she's as good as she's beautiful. I respect her energy and her ambition. She was born to make a success of life. I am entirely unworthy of her.'

'She doesn't think so.'

'But you must tell her so, Bateman.'

'I?' cried Bateman. 'I'm the last person who could ever do that.'

Edward had his back to the vivid light of the moon and his face could not be seen. Is it possible that he smiled again?

'It's no good your trying to conceal anything from her, Bateman. With her quick intelligence she'll turn you inside out in five minutes. You'd better make a clean breast of it right away.'

'I don't know what you mean. Of course I shall tell her I've seen you.' Bateman spoke in some agitation. 'Honestly I don't know what to say to her.'

'Tell her that I haven't made good. Tell her that I'm not only poor, but that I'm content to be poor. Tell her I was fired from my job because I was idle and inattentive. Tell her all you've seen tonight and all I've told you.'

The idea which on a sudden flashed through Bateman's brain brought him to his feet and in uncontrollable perturbation he faced Edward.

'Man alive, don't you want to marry her?'

Edward looked at him gravely.

'I can never ask her to release me. If she wishes to hold me to my word I will do my best to make her a good and loving husband.'

'Do you wish me to give her that message, Edward? Oh, I can't. It's terrible. It's never dawned on her for a moment that you don't want to marry her. She loves you. How can I inflict such a mortification on her?'

Edward smiled again.

'Why don't you marry her yourself, Bateman? You've been in love with her for ages. You're perfectly suited to one another. You'll make her very happy.'

'Don't talk to me like that. I can't bear it.'

'I resign in your favour, Bateman. You are the better man.'

There was something in Edward's tone that made Bateman look up quickly, but Edward's eyes were grave and unsmiling. Bateman did not know what to say. He was disconcerted. He wondered whether Edward could possibly suspect that he had come to Tahiti on a special errand. And though he knew it was horrible he could not prevent the exultation in his heart.

'What will you do if Isabel writes and puts an end to her engagement with you?' he said, slowly.