Did any of our readers ever notice the class of people, who hang about the stage-doors of our minor theatres in the daytime? You will rarely pass one of these entrances without seeing a group of three or four men conversing on the pavement, with an indescribable public-house-parlour swagger, and a kind of conscious air, peculiar to people of this description. They always seem to think they are exhibiting; the lamps are ever before them. That young fellow in the faded brown coat, and very full light green trousers, pulls down the wristbands of his check shirt, as ostentatiously as if it were of the finest linen, and cocks the white hat of the summerbefore-last as knowingly over his right eye, as if it were a purchase of yesterday. Look at the dirty white Berlin gloves, and the cheap silk handkerchief stuck in the bosom of his threadbare coat. Is it possible to see him for an instant, and not come to the conclusion that he is the walking gentleman who wears a blue surtout, clean collar, and white trousers, for half an hour, and then shrinks into his worn-out scanty clothes: who has to boast night after night of his splendid fortune, with the painful consciousness of a pound a-week and his boots to find; to talk of his father's mansion in the country, with a dreary recollection of his own two-pair back, in the New Cut; and to be envied and flattered as the favoured lover of a rich heiress, remembering all the while that the ex-dancer at home is in the family way, and out of an engagement?
Next to him, perhaps, you will see a thin pale man, with a very long face, in a suit of shining black, thoughtfully knocking that part of his boot which once had a heel, with an ash stick. He is the man who does the heavy business, such as prosy fathers, virtuous servants, curates, landlords, and so forth.
By the way, talking of fathers, we should very much like to see some piece in which all the dramatis personae were orphans. Fathers are invariably great nuisances on the stage, and always have to give the hero or heroine a long explanation of what was done before the curtain rose, usually commencing with “It is now nineteen years, my dear child, since your blessed mother (here the old villain's voice falters) confided you to my charge. You were then an infant,” &c., &c. Or else they have to discover, all of a sudden, that somebody whom they have been in constant communication with, during three long acts, without the slightest suspicion, is their own child: in which case they exclaim, “Ah! what do I see? This bracelet! That smile! These documents! Those eyes! Can I believe my senses?—It must be!—Yes—it is, it is my child!”—“My father!” exclaims the child; and they fall into each other's arms, and look over each other's shoulders, and the audience give three rounds of applause.
To return from this digression, we were about to say, that these are the sort of people whom you see talking, and attitudinising, outside the stage-doors of our minor theatres. At Astley's they are always more numerous than at any other place. There is generally a groom or two, sitting on the window-sill, and two or three dirty shabby-genteel men in checked neckerchiefs, and sallow linen, lounging about, and carrying, perhaps, under one arm, a pair of stage shoes badly wrapped up in a piece of old newspaper. Some years ago we used to stand looking, open-mouthed, at these men, with a feeling of mysterious curiosity, the very recollection of which provokes a smile at the moment we are writing. We could not believe that the beings of light and elegance, in milk-white tunics, salmon-coloured legs, and blue scarfs, who flitted on sleek cream-coloured horses before our eyes at night, with all the aid of lights, music, and artificial flowers, could be the pale, dissipated-looking creatures we beheld by day.
We can hardly believe it now. Of the lower class of actors we have seen something, and it requires no great exercise of imagination to identify the walking gentleman with the “dirty swell,” the comic singer with the public-house chairman, or the leading tragedian with drunkenness and distress; but these other men are mysterious beings, never seen out of the ring, never beheld but in the costume of gods and sylphs. With the exception of Ducrow, who can scarcely be classed among them, who ever knew a rider at Astley's, or saw him but on horseback? Can our friend in the military uniform ever appear in threadbare attire, or descend to the comparatively unwadded costume of every-day life? Impossible! We cannot—we will not—believe it.
CHAPTER XII
GREENWICH FAIR
If the Parks be “the lungs of London,” we wonder what Greenwich Fair is—a periodical breaking out, we suppose, a sort of springrash: a three days” fever, which cools the blood for six months afterwards, and at the expiration of which London is restored to its old habits of plodding industry, as suddenly and completely as if nothing had ever happened to disturb them.
In our earlier days, we were a constant frequenter of Greenwich Fair, for years. We have proceeded to, and returned from it, in almost every description of vehicle. We cannot conscientiously deny the charge of having once made the passage in a spring-van, accompanied by thirteen gentlemen, fourteen ladies, an unlimited number of children, and a barrel of beer; and we have a vague recollection of having, in later days, found ourself the eighth outside, on the top of a hackney-coach, at something past four o'clock in the morning, with a rather confused idea of our own name, or place of residence. We have grown older since then, and quiet, and steady: liking nothing better than to spend our Easter, and all our other holidays, in some quiet nook, with people of whom we shall never tire; but we think we still remember something of Greenwich Fair, and of those who resort to it. At all events we will try.
The road to Greenwich during the whole of Easter Monday, is in a state of perpetual bustle and noise. Cabs, hackney-coaches, “shay” carts, coal-waggons, stages, omnibuses, sociables, gigs, donkeychaises—all crammed with people (for the question never is, what the horse can draw, but what the vehicle will hold), roll along at their utmost speed; the dust flies in clouds, ginger-beer corks go off in volleys, the balcony of every public-house is crowded with people, smoking and drinking, half the private houses are turned into tea-shops, fiddles are in great request, every little fruitshop displays its stall of gilt gingerbread and penny toys; turnpike men are in despair; horses won't go on, and wheels will come off; ladies in “carawans” scream with fright at every fresh concussion, and their admirers find it necessary to sit remarkably close to them, by way of encouragement; servants-of-all-work, who are not allowed to have followers, and have got a holiday for the day, make the most of their time with the faithful admirer who waits for a stolen interview at the corner of the street every night, when they go to fetch the beer—apprentices grow sentimental, and straw-bonnet makers kind. Everybody is anxious to get on, and actuated by the common wish to be at the fair, or in the park, as soon as possible.
Pedestrians linger in groups at the roadside, unable to resist the allurements of the stout proprietress of the “Jack-in-the-box, three shies a penny,” or the more splendid offers of the man with three thimbles and a pea on a little round board, who astonishes the bewildered crowd with some such address as, “Here's the sort o” game to make you laugh seven years arter you're dead, and turn ev'ry air on your ed gray vith delight! Three thimbles and vun little pea—with a vun, two, three, and a two, three, vun: catch him who can, look on, keep your eyes open, and niver say die! niver mind the change, and the expense: all fair and above board: them as don't play can't vin, and luck attend the ryal sportsman! Bet any gen'lm'n any sum of money, from harf-a-crown up to a suverin, as he doesn't name the thimble as kivers the pea!” Here some greenhorn whispers his friend that he distinctly saw the pea roll under the middle thimble—an impression which is immediately confirmed by a gentleman in top-boots, who is standing by, and who, in a low tone, regrets his own inability to bet, in consequence of having unfortunately left his purse at home, but strongly urges the stranger not to neglect such a golden opportunity. The “plant” is successful, the bet is made, the stranger of course loses: and the gentleman with the thimbles consoles him, as he pockets the money, with an assurance that it's “all the fortin of war! this time I vin, next time you vin: niver mind the loss of two bob and a bender! Do it up in a small parcel, and break out in a fresh place. Here's the sort o” game,” &c.—and the eloquent harangue, with such variations as the speaker's exuberant fancy suggests, is again repeated to the gaping crowd, reinforced by the accession of several new-comers.