They kissed and parted, and at eleven she returned to the room. She told him what a delightful evening it had been, and bragged a little of her own success.
The nurse told her that he had been more cheerful that evening than for many nights.
So every day the farce was played for him. One day it was to a luncheon that she went, in a costume by Redfern; the next night to a ball, in a frock direct from Paris; again to an "At Home," or concert, or dinner-party. Loafers and passers-by would stop to stare at a haggard, red-eyed woman, dressed as for a drawing-room, slipping thief-like in and out of her own door.
I heard them talking of her one afternoon, at a house where I called, and I joined the group to listen.
"I always thought her heartless, but I gave her credit for sense," a woman was saying. "One doesn't expect a woman to be fond of her husband, but she needn't make a parade of ignoring him when he is dying."
I pleaded absence from town to inquire what was meant, and from all lips I heard the same account. One had noticed her carriage at the door two or three evenings in succession. Another had seen her returning home. A third had seen her coming out, and so on.
I could not fit the fact in with my knowledge of her, so the next evening I called. The door was opened instantly by herself.
"I saw you from the window," she said. "Come in here; don't speak."
I followed her, and she closed the door behind her. She was dressed in a magnificent costume, her hair sparkling with diamonds, and I looked my questions.
She laughed bitterly.
"I am supposed to be at the opera to-night," she explained. "Sit down, if you have a few minutes to spare."
I said it was for a talk that I had come; and there, in the dark room, lighted only by the street lamp without, she told me all. And at the end she dropped her head on her bare arms; and I turned away and looked out of the window for a while.
"I feel so ridiculous," she said, rising and coming towards me. "I sit here all the evening dressed like this. I'm afraid I don't act my part very well; but, fortunately, dear Billy never was much of a judge of art, and it is good enough for him. I tell him the most awful lies about what everybody has said to me, and what I've said to everybody, and how my gowns were admired. What do you think of this one?"
For answer I took the privilege of a friend.
"I'm glad you think well of me," she said. "Billy has such a high opinion of you. You will hear some funny tales. I'm glad you know."
I had to leave London again, and Billy died before I returned. I heard that she had to be fetched from a ball, and was only just in time to touch his lips before they were cold. But her friends excused her by saying that the end had come very suddenly.
I called on her a little later, and before I left I hinted to her what people were saying, and asked her if I had not better tell them the truth.
"I would rather you didn't," she answered. "It seems like making public the secret side of one's life."
"But," I urged, "they will think—"
She interrupted me.
"Does it matter very much what they think?"
Which struck me as a very remarkable sentiment, coming from the Hon. Mrs. Drayton, nee the elder Miss Lovell.
THE CHOICE OF CYRIL HARJOHN
Between a junior resident master of twenty-one, and a backward lad of fifteen, there yawns an impassable gulf. Between a struggling journalist of one-and-thirty, and an M.D. of twenty-five, with a brilliant record behind him, and a career of exceptional promise before him, a close friendship is however permissible.
My introduction to Cyril Harjohn was through the Rev. Charles Fauerberg.
"Our young friend," said the Rev. Mr. Fauerberg, standing in the most approved tutorial attitude, with his hand upon his pupil's shoulder, "our young friend has been somewhat neglected, but I see in him possibilities warranting hope—warranting, I may say, very great hope. For the present he will be under my especial care, and you will not therefore concern yourself with his studies. He will sleep with Milling and the others in dormitory number two."
The lad formed a liking for me, and I think, and hope, I rendered his sojourn at "Alpha House" less irksome than otherwise it might have been. The Reverend Charles' method with the backward was on all fours with that adopted for the bringing on of geese; he cooped them up and crammed them. The process is profitable to the trainer, but painful to the goose.
Young Harjohn and myself left "Alpha House" at the end of the same term; he bound for Brasenose, I for Bloomsbury. He made a point of never coming up to London without calling on me, when we would dine together in one of Soho's many dingy, garlic-scented restaurants, and afterwards, over our bottle of cheap Beaune, discuss the coming of our lives; and when he entered Guy's I left John Street, and took chambers close to his in Staple Inn. Those were pleasant days. Childhood is an over-rated period, fuller of sorrow than of joy. I would not take my childhood back, were it a gift, but I would give the rest of my life to live the twenties over again.
To Cyril I was the man of the world, and he looked to me for wisdom, not seeing always, I fear, that he got it; while from him I gathered enthusiasm, and learnt the profit that comes to a man from the keeping of ideals.
Often as we have talked, I have felt as though a visible light came from him, framing his face as with the halo of some pictured saint. Nature had wasted him, putting him into this nineteenth century of ours. Her victories are accomplished. Her army of heroes, the few sung, the many forgotten, is disbanded. The long peace won by their blood and pain is settled on the land. She had fashioned Cyril Harjohn for one of her soldiers. He would have been a martyr, in the days when thought led to the stake, a fighter for the truth, when to speak one's mind meant death. To lead some forlorn hope for Civilisation would have been his true work; Fate had condemned him to sentry duty in a well-ordered barrack.
But there is work to be done in the world, though the labour lies now in the vineyard, not on the battlefield. A small but sufficient fortune purchased for him freedom. To most men an assured income is the grave of ambition; to Cyril it was the foundation of desire. Relieved from the necessity of working to live, he could afford the luxury of living to work. His profession was to him a passion; he regarded it, not with the cold curiosity of the scholar, but with the imaginative devotion of the disciple. To help to push its frontiers forward, to carry its flag farther into the untravelled desert that ever lies beyond the moving boundary of human knowledge, was his dream.
One summer evening, I remember, we were sitting in his rooms, and during a silence there came to us through the open window the moaning of the city, as of a tired child. He rose and stretched his arms out towards the darkening streets, as if he would gather to him all the toiling men and women and comfort them.
"Oh, that I could help you!" he cried, "my brothers and my sisters. Take my life, oh God, and spend it for me among your people."
The speech sounds theatrical, as I read it, written down, but to the young such words are not ridiculous, as to us older men.
In the natural order of events, he fell in love, and with just the woman one would expect him to be attracted by. Elspeth Grant was of the type from which the world, by instinct rather than by convention, has drawn its Madonnas and its saints. To describe a woman in words is impossible. Her beauty was not a possession to be catalogued, but herself. One felt it as one feels the beauty of a summer's dawn breaking the shadows of a sleeping city, but one cannot set it down. I often met her, and, when talking to her, I knew myself—I, hack-journalist, frequenter of Fleet Street bars, retailer of smoke-room stories—a great gentleman, incapable of meanness, fit for all noble deeds.