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Laura slumped against the door in frustration. “Okay, dammit, I’ll talk to him. But if Rhys doesn’t want to deal with it, then I can’t be responsible for what I say.”

Saffin followed her into her office. “Speaking of which, Rhys’s office has been calling all morning. They want your edits to his speech.”

As Laura walked around her desk, she found a small Talbots bag on the chair, Saffin’s favorite spot to leave things she absolutely wanted Laura to see. Slipping her hand into the bag, she pulled out a large piece of silk folded in a neat square. She let it slide against itself to reveal a large paisley scarf in shades of red. “Oh, Saf! This is gorgeous.”

Some of the stress lines in Saffin’s face relaxed. “It’s the wrong red for me, but I thought it would look great with your hair. It was an insane deal.”

Laura gathered the fabric and slipped it loosely around her neck. “I love it. How much do I owe you?”

Saffin waved her hand. “Nothing. It’s a gift.”

Laura learned long ago not to argue when Saffin called something a gift. Part of her nature was in the giving of things, whether help or tangible items, and Saffin sometimes perceived even a courteous demurral as a failure on her part. “Thank you, Saffin. I’ll get on the speech right now.”

Saffin brightened considerably, the tautness nearly gone. “Okay. I’ll be right outside.”

Laura took her seat and adjusted the scarf. She really did like it.

She opened her email and retrieved the Guildmaster’s document. Orrin ap Rhys wrote most of his own speeches. He was good at it. In recent years, he had taken a liking to Laura’s editing suggestions, probably because they shared similar approaches to problems. She hardly ever needed to contradict him or attempt to change his position. Usually, all she did was update his language for a modern audience and let him know about current affairs that would enhance his arguments.

His Archives speech demonstrated their mutual concerns. Laura didn’t add much for most of the speech. Rhys had hit all the key points in the relationship between modern humans and the Celtic fey. In fact, he had lived through all of the last century’s interactions and been a significant player himself, even participating in the negotiation of the Treaty of London.

Near the end of the speech, though, Laura massaged the language with an eye to current politics. She brought in the achievements of a recent summit between Maeve and the Elvenking. It wasn’t a resounding success, but enough progress had been made to ensure that the process would probably continue. Except, not everyone was pleased with the idea that the Celts and the Teuts might settle their differences. Some human factions feared that an allied fey was a dangerous fey. Therein lay the difficulty for her-events had different meanings to different groups. Laura tried to keep tabs on all of them and make sure that Rhys soothed the right egos and slapped back at the politically inconsequential and the dangerous. Nuance was key.

As a commander of fairy-warrior forces, Rhys liked to talk too much about conflicts. Laura thought it undermined the message of success and unity of the recent negotiations and the benefits that they would provide the human population. She cut the troublesome material in half, wrote “too negative” in the margin, and slanted the language into a stronger message of triumph, despite the inevitable obstacles naysayers would throw in the way of progress. She made one more pass through the speech and emailed it off to Rhys.

She glanced at her watch and called out the door to Saffin. “I sent the speech, if anyone should ask, Saf. I need you to make a delivery for me.”

From within a locked drawer in her desk, she retrieved a sealed envelope. As Saffin entered, Laura wrote “Candace Burke” on the envelope and an address. Burke didn’t exist. She was a means to manipulate Saffin away from her desk by sending her on an errand outside the building. She handed the envelope to Saffin. “I probably won’t be here when you get back, but call my cell if you need me.”

Saffin read the address to herself. “Okay. Don’t forget the hearing tomorrow. Wear the yellow suit with the short skirt. Your new scarf will go perfectly, and Hornbeck will be distracted by your legs.”

Laura shook her head. “I think you know my entire wardrobe better than I do.”

Saffin shrugged. “You surprise me sometimes.”

Laura waited a few minutes, then checked the outer hall. Saffin was gone. She gathered her handbag, her briefcase and PDA, and stepped through the closet to her private room.

Dropping her things on the bed, she slipped into the chair at one of the worktables. Two tiers of plastic bins sat on the table, a collection of stones, gems, and wood-the accumulation of years of practice. She removed the chained emerald with the Janice glamour in it and hung it on a wooden stand. The monetary value of the three-carat emerald never crossed her mind. It was worth more than dollars and cents to her.

Any stone could be made to hold a glamour, but a perfect stone-a perfect stone was rare and priceless to someone who manipulated essence. Perfect stones held essence imprints that didn’t degrade quickly, and the amount of essence required to power them went down as the perfection of the crystalline structure went up. Laura had never come across a more perfect one.

She sorted through a bin of smaller emeralds. The Janice glamour was rather simple, playing off Laura’s existing features and changing her hair color. It didn’t require a perfect stone. Laura had used the stone because it was convenient-she wore it all the time-and she hadn’t expected Janice to be around for more than the one day of the raid. However, the perfect stone was more suited to the Mariel Tate glamour, so she needed to switch Janice onto a lesser stone.

She selected a serviceable one-carat emerald, threaded it onto a gold chain, and hung it from another wooden stand. Cupping the smaller stone in her hand with a thin wand of oak, she took care not to touch the stone with the wood. Brushing the tip of the wand against the perfect stone, she pulled at the glamour with a muttered cantrip. The essence-template that formed the Janice glamour tingled under her hand as it swirled through the wood. It sought the crystalline structure of the smaller stone and imprinted itself there.

Laura draped the one-carat stone around her neck, cool static chasing over her skin as the glamour settled. She examined herself in the mirror above the table. Janice Crawford stared back at her. Satisfied that the transfer hadn’t degraded the glamour, she removed the chain and put the stone aside.

Lifting the perfect stone from the stand, she dropped it in a box carved from granite and covered it with a glass lid. Sparks of essence escaped her fingertips and into the box, dancing with a blue light around the emerald. When the essence faded, she removed the stone and tested it with her sensing ability. No essence registered, the equivalent of sterile. The only glamour on the stone was its own inherent beauty.

She slipped it back around her neck and visualized Mariel Tate. Mariel was a more complicated glamour than Janice. Laura had modeled her on several classic beauties who looked nothing like her. She rarely enhanced her own looks with a glamour, but she had gone all out with Mariel. Physical attractiveness could be a useful distraction.

A mental image was the first step in creating a glamour, providing the basic blueprint. She bound the mental image of Mariel Tate with a touch of essence and pushed it into the stone. The mirror above the table reflected the shift, her true face blurring into a rudimentary version of Mariel’s features.

From experience, Laura focused first on the eyes. If the eyes weren’t right, nothing else would matter. She shifted the color of her irises from their normal green until they shone golden. The trick with Mariel’s eyes was light and depth. For ease of transition, she kept Mariel a druid, but for added effect, she had styled her as an Old One, an ancient fey who had a deep, fathomless aspect to her eyes that spoke of years of experience and survival. To look into the eyes of an Old One was to see history and power, a cool, sometimes cold, detachment of someone who had lived through decades of experience and would continue to do so. An Old One projected the power of triumphant survival. Humans felt insignificant under such a gaze. The physical difference that produced the effect was subtle but intense.