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Heart thudding she found the lever, flicked it down and went for another breath. Her ribs tried. Wouldn’t inflate. Quickly she snapped the lever back down.

Nothing.

Up. Nothing.

‘Sarge?’ Wellard sounded panicky. ‘What’s going on? What’s happening?’

But there was no air in her lungs to answer. Her arms were aching. Her head was pounding as if it had swollen to twice its size. Someone could have been standing on her chest. Her head jerked back, her mouth gaped. She groped for the switch block on the side of her vest. Tried to get her air supply to transfer to the Scuba bail-out system.

‘Sarge? I’ve opened all my valves but there’s air haemorrhaging from somewhere. Have you got pressure?’

She knew what would be happening up there. The standby diver would be fumbling himself into his equipment, getting his fingers tangled in the mask spiders in his panic, forgetting everything. Legs like jelly. He wouldn’t be in time for her. She had seconds left, not minutes.

Numbly she batted at the switchblock again. Couldn’t find it. Her head swelled harder and tighter now. Her limbs were tingling.

‘I’m going to have to pull you out, Sarge – having to make assumptions here.’

She’d stopped listening. Time had slowed and it was in a different world – on a distant planet – that Wellard was pulling frantically at the lifeline, dragging her out. She knew her limp body was jerking backwards in the water. She felt her fingers lose their grip on the torch, felt it bump lazily against her leg as it sank. She didn’t try to stop it.

In the gloom, about ten metres away, something that looked like a white jellyfish had appeared. Not the same thing she’d hallucinated earlier, but something else, something that billowed, moving up and down in eerie corkscrew shapes, like a cloud of hair. It seemed to hover, buffeted by unseen currents, as if it had been on its way somewhere – to the bottom maybe – but had stopped its descent to watch her. As if it was interested in what was happening. Interested in her struggle.

The top of the shape lifted, seemed to lengthen and slip out into long, tendril-like hair and now she knew what she was looking at.

Mum.

Mum, who had been for dead two years. The long blonde hair that she’d always kept in a knot at the back of her neck lifted and wallowed in the gloom, wafting around her face.

‘Wake up, Flea. Look after yourself.’

Flea didn’t answer. She wasn’t capable. In the real world her body had tilted on to its side and was twitching like a fish with a broken swim bladder.

‘Look after yourself.’

Mum turned in the water, her small white hands propelling her body around so her head was facing Flea’s, her hair floating in a cloud around her, her thin white legs trailing like wisps. She came forward until her sweet, pale face was close up to Flea’s, her hands on her shoulders. ‘Listen.’ Her voice was sharp. ‘Wake up. Now. Look after yourself.’

She shook her, and when Flea didn’t respond, she closed her fingers around her hand, moved her fingers across and flicked the lever on the switching block to SCUBA.

Air flooded the mask. Her lungs inflated in one blast and her head shot back. Light poured into her eyes. Another breath. She threw her arms out and coughed, the air dry in her parched lungs. Another breath, panicky, feeling her heart beat again, feeling blood hammer in her temples. And another. Flailing blindly, the equipment gauges, the emergency sports valve bobbing around her like tentacles as she righted herself in the water. In Wellard’s panic he’d pulled her along the bottom. Silt had come up and was billowing around her like smoke. She hung limply in the milky water, letting him bump her along the wall.

Mum?

But the water rushed past her and all she could hear was Wellard’s frantic voice screaming into the communications panel. ‘Are you there, Sarge? Answer me, for Christ’s sake.’

‘I’m OK.’ She coughed. ‘You can stop dragging me now.’

He let go the tension on the line abruptly and she came to a halt. She floated face down, still holding the bail-out toggle, staring into the place where Mum had been. The water was empty. It had been another hallucination.

She began to tremble. She’d been close. She’d broken the HSE’s rules, she’d cocked up an emergency procedure and the whole team had heard her going into narcosis. She’d even bloody wet herself in the process. She could feel it running down the inside of her thermals.

But it didn’t matter. It really didn’t matter. She was alive. Alive. And she was going to stay that way.

3

Bristol ’s Major Crime Investigation Unit was dealing with one of the most notorious cases it had ever known. Until a few days ago Misty Kitson had been a B-list celebrity, known only to the nation as another footballer’s wife who’d put enough cocaine up her nose to destroy it from the inside out, collapsing the septum. For months the press had been scrambling to get pictures of her nose. Now they were scrambling to find out what had happened to her on the day she’d walked out of a rehab unit on the other side of Somerset, never to be seen again.

The countryside around the clinic had been searched: the police had ripped open every house, every wood, every livestock barn within a two-mile radius. It was unprecedented: the biggest land-based search the force had ever conducted and it had turned up nothing. No body. No clue. Misty Kitson seemed to have vanished into thin air.

The public were fascinated by the mystery, and by the unit handling the investigation. They pictured MCIU as an élite team: a group of dedicated, experienced men, pouring every ounce of energy into the case. They pictured the men clearing their heads and their lives for the case, dedicating themselves to the hunt. On the whole they were right: the officers on the case were one hundred per cent committed to finding Misty.

All, that was, except one.

Just one man was having problems concentrating on Misty. One man found that, no matter what he was supposed to be doing, what time he was supposed to be giving to finding Misty Kitson, the only place his head would go was backwards. Backwards to another case, one he’d worked on the previous week. A case he was supposed to have put away and moved on from.

That man was Detective Inspector Jack Caffery.

Inspector Caffery was new to MCIU, but he had almost twenty years of experience, most of it on the murder squad in London ’s Metropolitan Police. In all that time he’d never had trouble letting go of a case.

But, then, he’d never had a case that had scared him.

Not in the way Operation Norway had.

At eight-thirty a.m. on the morning after Flea’s accident, at the other side of town from quarry number eight, Caffery sat in his darkened office in the MCIU building at Kingswood. The blinds were down, the door was locked. He was watching a DVD.

It showed two men in the unlit room of a derelict squat. Both were white. Both were under thirty. One wore a zipped-up S-and-M leather hood and was naked to the waist. The camera sat steady on him as he took some time to prepare tools and show them to the camera. This man was twenty-nine. The other man was also naked to the waist, but he hadn’t chosen to be dressed like that. He was unconscious, drugged and lying strapped to a bench. He didn’t move. Not until the hooded man moved the hacksaw to his neck. Then he moved. He moved a lot. He was just nineteen.

This video was infamous throughout the force. The press knew it existed and would have done anything to get a glimpse of it. It showed the death and near decapitation of Jonah Dundas. Caffery had arrived in that room just minutes too late to save him. Most officers who’d worked Operation Norway insisted on keeping the sound turned down if they had to watch the video. Not Caffery. For Caffery the soundtrack was another place to search for answers.