Caffery held his eyes.
‘Is it?’
Caffery cleared his throat and nodded at the gloves. ‘Can you put those on?’
‘Why? The place has been searched. Has something changed?’
‘Put them on, please.’
Mahoney did what he was told. Caffery sat down opposite him. ‘Mr Mahoney, I’ve got some more questions for you.’
‘I gathered.’
‘Do you think Lucy was the sort to kill herself?’
‘Of course not. I’ve been saying it all along. Haven’t you got this in your notes?’
‘Like I said, I’m reviewing the case. It’s come to me cold. First thing I knew about it was Friday morning. Did she know the Strawberry Line? Did she know the area well?’
‘She knew it was there, but I’ve never known her go over there.’
‘Didn’t have any friends in the area?’
‘Not that I know of.’
‘What about the quarries over at Elf’s Grotto? Quarry number eight? They call it the suicide quarry.’
‘I’m not even sure why you searched it.’
‘Her car was found near by. Half a mile away. But you’re telling me she never went to the quarries?’
‘No. Odd, isn’t it, that she parked up near them? And she definitely would never have taken Benjy there either. She never took him near water. Didn’t like him getting wet.’
‘There was a Stanley knife.’
‘So they tell me.’
‘Do you know where it came from?’
‘Upstairs. Her studio. She used it for her framing work.’
‘That’s the door that’s locked.’
‘Yes.’
‘Why locked?’
He shrugged. ‘She didn’t like people in there. It’s got all her paintings in it. She was sensitive about them. She didn’t mind me seeing them but hated anyone else in the studio. Once the search team had come through I locked it.’
‘Can we get into it?’
‘The key’s at my mother’s. It’s an hour’s drive there and back.’
‘But the knife’s definitely missing?’
‘Yes. I checked the other night, after they’d found her.’
Caffery looked around the room. At the paperweights catching the light. All clean and sparkling. ‘You last saw Lucy on Sunday?’
‘I was here. We had coffee together. I left at five thirty.’
‘And she seemed OK to you then?’
‘Absolutely fine. Very relaxed.’
‘She didn’t tell you she was anxious about anything? Depressed?’
‘Not at all.’
‘Any of her friends say anything about her being depressed?’
‘No. The police went through her address book and interviewed them all and no one could come up with anything. Everyone feels the same way I do. Everyone feels…’ He trailed off and Caffery saw the look in his eye. He saw it and he saw his mother again – saw her screaming in the kitchen, holding on to a police officer in the hallway, begging him, ‘Find my little boy. Just do it – go out there now and find my little boy.’
Caffery closed his eyes. Then he opened them. ‘It’s clean in here. Did you clean it?’
‘No. This is how she left it.’
‘Was it normal for the house to be this clean?’
‘No. To be this clean was unusual. Lucy had…’ he hesitated ‘… priorities. And, as you can see, she had tastes. Some I don’t share.’
Caffery picked up the paperweight on the coffee-table and turned it over, idly studying the bottom. ‘The Emporium’ was printed on a gold lozenge-shaped sticker. ‘We never found her phone.’ He replaced the paperweight and picked up another. The same sticker on the bottom. ‘I was at Wells and I went through all the possessions she had on her. I was looking for bills but the officer in charge tells me he left them here. He said it was a bugger of a job because most of the bank statements and bills were missing. In fact, he said there were hardly any records of any sort in the house.’
‘I know. I was told they’d got a warrant out. I was told Orange were supposed to be releasing the missing bills.’
Mahoney was right. But here again the system had favoured people like Misty Kitson whose phone records had come back in hours. When Caffery’d checked he’d found Lucy Mahoney’s records had never arrived. They were jammed in the system somewhere and now her body had turned up no one would bother to chase them. Caffery had Turnbull chasing another warrant to track them down, but it’d be days before they had access to them, days before they learnt what had really happened to Lucy Mahoney in her last hours.
‘Didn’t she have somewhere she kept her paperwork?’
Mahoney pointed to a box file next to the computer. ‘Over there.’
Caffery put down the paperweight, went to the desk and opened the box. It contained four phone bills, mostly from last year. Only one from this year – January. There were twelve electricity bills, two council-tax bills and ten bank statements, all dating from more than two years ago. He turned round and held out the file to Mahoney. ‘Like this, was it? When you first came in.’
‘Exactly like this.’
‘Do you know why she’d keep statements for these months and not for others?’
‘She was secretive, that’s all I can say. When the police questioned her friends they couldn’t find out anything about her. It was like that even when we were married. I never knew what she was thinking.’
Caffery gazed around at the walls, the higgledy-piggledy furniture. ‘I can see how she lived, but I’ve got no idea what she looked like. No photos.’
Mahoney got up. He went to the computer, switched it on, pulled out a small stool and held out his hand. ‘Help yourself. It’s all in here.’
Caffery sat down. The computer was the newest thing in the place. It was good, fast, a 2.9-gig processor. He took a quick look through her documents. Nothing of interest. The search team would have gone through them with a fine tooth-comb. He opened her email account – two new emails. Both junk. Clicked on to Explorer and dropped down the search-history file. The terms were Pot Plants, Hollyoaks, Mascara, Body Toning, Crystals. Nothing very interesting. He opened her video folder and chose one at random.
The clip opened in a field. It was some time in the summer because the grass was green, the trees thick with leaves. A tall, heavy woman in a calf-length black dress stood in the middle distance. Her arms were stretched out, trying to catch the legs of a slight girl in pink shorts who was hopping around throwing wobbly handstands. The woman was laughing. She had very short auburn hair. Her face was ruddy, heavy-boned. It was a jump to link her to the blackened pile on the table in the mortuary.
‘I filmed that one.’ Mahoney came to stand behind him. ‘That was three summers ago. The year Daisy decided Nastia Liukin had competition.’
‘Daisy? Your daughter?’
‘She’s staying with my mum. Broken-hearted, of course.’
Daisy threw another handstand. This time Lucy caught her legs. There was a long, precarious moment while Daisy tried to hold the position. Then her arms buckled. Lucy tried to maintain it but Daisy rolled on to the ground and lay on her back, her hands on her stomach, giggling. The camera zoomed in on Lucy. She was laughing too, but when she saw she was being filmed, the smile faded. ‘Oh, no!’ She shook her head and held up a hand to block the camera’s view. ‘Don’t. Please. You’re making me blush now. Leave me alone.’
The camera swung away. There were a few frames of a lawn and the fumbling noise of the camera being switched off. The screen went blank.
‘“Don’t make me blush.”’ Mahoney went back and sat on the sofa. ‘Yes. That was Lucy all over. Everything embarrassed her.’
‘She loved Daisy.’
‘Everyone loves Daisy.’
Caffery opened another file. This one was dated just three months ago. It showed a small room, dull daylight coming through the window. A woman was standing side on to the camera, looking at an easel with a canvas on it. Lucy. Her red hair straggled down her back – it was much longer – and her clothes were different, colourful. She wore a red waistcoat over a sapphire blue shirt with a flowered bandanna tied in a knot at the front of her head. She was holding a paintbrush in one hand; the other fiddled with the shirt. She was thinner here. Much thinner. In three years she’d developed a waistline.