‘When she visited, would she always be on her own?’
‘I believe so.’
‘And she never seemed anxious?’
‘No.’
‘Never said anything about feeling she was in danger?’
There was a pause. Then Pooley said, in a careful voice, ‘She bought things from me. I don’t think she ever came here expecting to share her secrets. I only knew her well enough to exchange pleasantries. I knew what she liked to collect and sometimes I acquired things with her in mind, but our connection was purely aesthetic.’
Caffery looked at the human-hair whip. At the butt plugs. ‘Aesthetic?’
Pooley curled a nostril, as if Caffery smelt bad. ‘I shared her taste in collectibles, Mr Caffery.’ He snapped the box shut. ‘Her taste in the bedroom? Well, please – she was a customer.’
‘She bought paperweights from you too.’
‘That was her other interest.’ He went back to the cabinet, replaced the box and took out a pair of paperweights, both a deep, cerulean blue, holding them in his palms like two fat plums. ‘Pretty, aren’t they? I got them from a shop in Andover – these parochial outlets, they haven’t a clue what they’ve got half the time. These are French. From the Clichy factory. Quite old. I got them with her in mind. I thought she’d like the colour especially.’ He put them on the desk. Then, tongue between his teeth, he returned to the cabinet, walked his hands delicately over the other objects in it, selected a few and brought them across. ‘I had her in mind with these too.’
He put out three paperweights, two filled with a riot of oranges and reds, the third a plain white, its top surface nipped and stretched upwards as if the glass was reaching for the sky. ‘They’re not my thing, to be honest, too contemporary, but I think Ms Mahoney liked them. I always meant to suggest to her she took them. See? You could line them up like this. Maybe on a windowsill.’ He sat down and steepled his hands, making a tall, narrow shape with them. ‘If there was something out of the window you wanted to draw attention to, for example.’
‘The items she bought from you?’ Caffery wondered what it was about the one in the centre that was making his head tick. ‘Would you have a record of that somewhere? Sales dockets?’
‘Sales dockets. Yes, I…’ Pooley paused. He collected himself and gave a calm smile. ‘I keep most of my invoices at home. Can I get back to you on that? I could bring them to you.’
Caffery reached into his pocket for his wallet, taking time to do it because he was thinking, trying to decide if there was something else, something more he should have asked. But just as the answer was about to pop into his head, his phone rang in his pocket. He pulled it out. Beatrice Foxton’s number was flashing on the screen.
‘What’re you doing?’ Her voice was echoey. He guessed she was in the mortuary. ‘Where are you?’
‘Brislington.’ Caffery pushed back the chair and stood. He fumbled a business card out and put in on the desk in front of Pooley. ‘Call me,’ he mouthed. ‘Why, Beatrice? Where do you want me to be?’
‘ Southmead Hospital. Like now.’
40
Fester and Lurch, the morticians, were tidying up the body when Caffery arrived. He left his coat in the office and was pulling on the little white wellies the mortuary provided when Beatrice met him in the doorway, mask below her chin, a glass laboratory beaker in her hand. ‘Hello, Jack.’ She shook the beaker in his face, sloshing the contents around. He got a sharp whiff of vomit. ‘Glad you could make it.’
‘Thanks.’ He turned his head away, felt in his pockets for the Airwaves gum and squinted sideways at the beaker. ‘Stomach contents?’
‘Coca-Cola, salad, bits of something I think must have been a pizza, coffee and about eight half-digested temazepam tablets. Like Lucy Mahoney.’
‘Oh, Christ,’ Caffery said dully, putting his hand on the beaker and pushing it away from his face. ‘This is not what I need to hear.’ He looked over her shoulder into the dissection room where Lurch, in mask and a sunny yellow tunic, was stitching up the long Y incision in the body on the table. ‘What’ve you got, then?’
‘A suicide. Or, rather, a death that’s supposed to look like suicide. Come on.’
Tipping two gum lozenges into his mouth Caffery followed her into the room. The woman lying on the block in life had been plump, with pale skin and fair pubic hair. She had a tattoo of a swallow on her right breast, but her face and hair weren’t visible. A second mortician stood at her head and was using both gloved hands to peel her face gently up and over the skull. Beatrice would have made an incision at the back of the skull and pulled the skin and hair down over the front of the head, letting it gather in folds under the chin. Now the autopsy was over it was Lurch’s job to peel it back up, flatten it and make it presentable for the relatives. Beyond him a man wearing a navy blue raincoat stood with his side to them, a mobile glued to his ear. A divisional DI, Caffery guessed.
‘She’s not long dead?’ Caffery walked around the table, studying the body, the dark stitching burrowing deep into her flesh. The Y cut had circumvented the navel so it was attached to the left flap of stomach wall – Lurch stitched the little lump of gristle back to the opposite flap of skin. ‘Not in rigor yet.’
‘We think it probably happened yesterday evening some time before midnight. Her name’s Susan Hopkins.’
Beatrice put her hand out to the CSI man, who passed her a sheaf of photos. She gave them to Caffery. They showed Susan Hopkins in belted jeans and a black-and-white floral-print blouse, lying on the floor of a garage, a dark pool of blood around her. She was young, quite pretty, with a flat face and a small nose. Her blonde hair was worn short. Neat, not showy.
‘She was a nurse in a private clinic out near Yate. She’d done an early shift and was supposed to be meeting her friend at seven for a drink – they were going to celebrate because her boyfriend was coming off the rigs in Aberdeen after three weeks apart. She never showed for the drink. The police found her this morning at three in her own garage. No sexual assault, no underwear disturbed. No robbery. The parents – poor bastards – are on holiday in Croatia. Someone’s trying to find them now.’
‘And you’re not convinced she pulled the plug because…?’
Beatrice glanced at the DI to make sure he wasn’t listening. ‘She was lying down,’ she murmured. ‘On her back. Just as you see her now. The same way Mahoney was.’
‘And?’
‘Most suicides are in a sitting position. Or half propped up. You never seen that? If they arrive when they’re still in rigor it’s like trying to fit a chair on the table – legs sticking out everywhere. But no. I don’t break bones to get them to lie flat in case that’s what you’ve heard. I have other methods.’
‘So she lay down to die. That’s suspicious?’
‘All right, all right.’ Beatrice sighed. ‘Give an old lady a chance here. Of course if a suicide comes to me lying flat on their back, hands at their sides, it means nothing. It’s a little unusual, that’s all. But you add it to the big picture and… I don’t know. Maybe I’m just getting bored out here in the wilderness with the woollies. Looking for murder on every corner, eh?’
She lifted Susan’s right hand and showed Jack the inside of her wrist. It was a clumsy cut, made in the same longitudinal direction as Mahoney’s had been.
‘No experimental nicks?’
‘Just like Mahoney. They both went straight in there for the biggie. Same as the lying-down thing. You take it in isolation and it means nothing. But there are other things.’
‘What other things?’
‘She did it the same way Mahoney did. Benzos and the knife. And, just like with Mahoney, the temazepam is only half digested.’