But the man with the camera on his shoulder shuffled closer, scorching the operating team with his fierce, hot light. The anesthetist, the scrub nurse, the circulating nurse, even Rudy flinched from the glare. The camera-headed man approached the table and zoomed in on the sleeping patient’s face, which was partially concealed by a plastic oxygen mask. The voice behind the camera said, “Yeah, that’s him!”
“Who?” Rudy said, rattled. “That’s Ray?”
“Reynaldo Flemm!”
The scrub nurse said: “I told you he looked familiar.”
Again Rudy asked: “Who? Reynaldo who?”
“That guy from the TV.”
“This has gone far enough,” Rudy declared, fighting panic. “You better… just get the hell out of my operating room.”
Willie pushed forward. “Ray, wake up! It’s me!”
“He can’t wake up, you asshole. He’s gassed to the gills. Now turn offthat spotlight and get lost.”
The scope of the journalistic emergency struck Willie at once. Reynaldo was unconscious. Christina was gone. The tape was rolling. The batteries were running out.
Willie thought: It’s up to me now.
The baton microphone, Ray’s favorite, the one Willie was supposed to toss to him at the moment of ambush, was tucked in Willie’s left armpit. Grunting, contorting, shifting the weight of the Betacam on his shoulder, Willie was able to retrieve the mike with his right hand. In an uncanny imitation of Reynaldo Flemm, Willie thrust it toward the face of the surgeon.
Above the surgical mask, Rudy Graveline’s eyes grew wide and fearful. He stared at the microphone as if it were the barrel of a Mauser. From behind the metallic hulk of the minicam, the voice asked: “Did you kill Victoria Barletta?”
A bullet could not have struck Rudy Graveline as savagely as those words. His spine became rigid. The pupils of his eyes shrunk to pinpricks. His muscles cramped, one by one, starting in his toes. His right hand, the one that the held the cannula, the. one buried deep in the livid folds of Reynaldo Flemm’s freshly vacuumed tummy-his right hand twisted into a spastic nerveless talon.
With panic welling in her voice, the anesthetist said: “All right, that’s it!”
“Almost done,” the surgeon said hoarsely. “No, that’s enough!”
But Dr. Rudy Graveline was determined to finish the operation. To quit would be an admission of… something. Composure-that’s what they taught you at Harvard. Above all, a physician must be composed. In times of crisis, patients and staff relied on a surgeon to be cool, calm, and composed. Even if the man lying on the operating table turned out to be… Reynaldo Flemm, the notorious undercover TV reporter! That would explain the woozy babbling while he was going under-the jerkoff wasn’t talking about Victoria Principal, the actress. He was talking about Victoria Barletta, she of the fateful nose job.
The pain of the muscle cramps was so fierce that it brought viscous tears to Rudy Graveline’s eyes. He forced himself to continue. He lowered his right shoulder into the rhythm of the liposuction, back and forth in a lumberjack motion, harder and harder.
Again, the faceless voice from behind the TV camera: “Did you kill that girl?”
The black eye of the beast peered closer, revolving clockwise in its socket-Willie, remembering Ray’s instructions to zoom tight on Rudy’s face. The surgeon stomped on the suction pedal as if he were squashing a centipede. The motor thrummed. The tube twitched. The glass jar filled.
Time to stop.
Time to stop!
But Dr. Rudy Graveline did not stop.
He kept on poking and sucking… the long hungry snout of the mechanical anteater slurping through the pit of Reynaldo’s abdomen… down, down, down through the fascia and the muscle… snorkeling past the intestines, nipping at the transverse colon… down, down, down the magic anteater burrowed.
Until it glomped the aorta.
And the plastic tube coming out of Reynaldo’s naval suddenly turned bright red.
The jar at the other end turned red.
Even the doctor’s arm turned red.
Willie watched it all through the camera’s eye. The whole place, turning red.
31
The first thing Chemo bought with Rudy’s money was a portable phone for the Bonneville. No sooner was it out of the box than Maggie Gonzalez remarked, “This stupid toy is worth more than the car.”
Chemo said, “I need a private line. You’ll see.” They were driving back to the Holiday Inn after spending the morning at the office of Dr. George Ginger, the plastic surgeon. Maggie knew Dr. Ginger from the early days as one of Rudy’s more competent underlings at the Durkos Center. She trusted George’s skill and his discretion. He could be maddeningly slow, and he had terrible breath, but technically he was about as good as cosmetic surgeons come.
Chemo had prefaced the visit to Dr. Ginger with this warning to Maggie: “If he messes up my face, I’ll kill him on the spot. And then I’ll kill you.”
The second thing that Chemo had bought with Rudy’s money was a box of bullets for the rusty colt.38. Brand-new rounds, Federals. The good stuff.
Maggie had said, “You’re going into this with the wrong attitude.”
Chemo frowned. “I’ve had rotten luck with doctors.”
“I know, I know.”
“I don’t even like this guy’s name, George Ginger. Sounds like a fag name to me.” Then he had checked the chambers on the Colt and slipped it into his pants.
“You’re hopeless,” Maggie had said. “I don’t know why I even bother.”
“Because otherwise I’ll shoot you.”
Fortunately the dermabrasion went smoothly. Dr. George Ginger had never seen a burn case quite like Chemo’s, but he wisely refrained from inquiry. Once, when Chemo wasn’t looking, the surgeon snuck a peek at the cumbersome prosthesis attached to the patient’s left arm. An avid gardener, Dr. Ginger recognized the Weed Whacker instantly, but resisted the impulse to pry.
The sanding procedure took about two hours, and Chemo endured stoically, without so much as a whimper. When it was over, he no longer looked as if someone had glued Rice Krispies all over his face. Rather, he looked as if he had been dragged for five miles behind a speeding dump truck.
His forehead, his cheeks, his nose, his chin all glowed with a raw, pink, oozing sheen. The spackled damage of the errant electrolysis needle had been scraped away forever, but now it was up to Chemo to grow a new skin. While he might never enjoy the radiant peachy complexion of, say, a Christie Brinkley, at least he would be able to stroll through an airport or a supermarket or a public park without causing small children to cringe behind their mothers’ skirts. Chemo conceded that this alone would be a vast improvement, socially.
Before leaving the office, Maggie Gonzalez had asked Dr. George Ginger to remove her sutures and inspect the progress of her New York facelift. He reported-with toxic breath-that everything was healing nicely, and gave Maggie a makeup mirror to look for herself. She was pleased by what she saw: The angry purple bruises were fading shadows under the eyes, and the incision scars had shrunk to tender rosy lines. She was especially delighted with her perky new nose.
Dr. Ginger studied the still-swollen promontory from several angles and nodded knowingly. “The Sandy Duncan.”
Maggie smiled. “Exactly!”
Popping a codeine Tylenol, Chemo said, “Who the fuck is Sandy Duncan?”
In the Bonneville, on the way back to the motel, Chemo remarked, “Three grand seems like a lot for what he did.”
“All he did was make you look human again,” Maggie said. “Three grand was a bargain, if you ask me. Besides, he even gave a professional discount-fifteen percent off because I’m a nurse.”
As he steered, Chemo kept leaning toward the middle of the seat to check himself in the rearview. It was difficult to judge the result of the dermabrasion, since his face was slathered in a glue-colored ointment. “I don’t know,” he said. “It’s still pretty broken out.”
Maggie thought: Broken out? It’s seeping, for God’s sake. “You heard what the doctor said. Give it a couple weeks to heal.” With that she leaned over and commandeered the rear-view to examine her own refurbished features.