"What is your name, little vulo?" asked Tup Ladletender of me.
"My master has been pleased to call me 'Dina, " I said.
"If your master has been pleased to call you 'Dina, " said Ladletender, "then you are Dina."
"Oh, yes, Master!" I said, quickly. I had not meant to imply that my name might not be 'Dina. Melina was glaring at me. "I am Dina," I said swiftly, "only Dina, the girl of my master." Those four letters, in Gorean, as in English, were my complete and only designation. Such matters lie entirely within the determination of the Master.
"Pretty Dina," said Ladletender.
"Thank you, Master," I said.
"Do you want her?" asked Melina.
"She has rough hands," said Ladletender. He pulled my small hands, bound, out from the post, and rubbed his thumbs into my palms. I shuddered. "You have rough hands, Dina," he said.
"I am a peasant's girl, Master," I said. My hands were rough from digging, and washing, and holding tools.
I felt his thumbs rotating slowly in my palms. They pressed in. I thrust myself against the post, eyes closed.
"With lotions," said he, "they may be softened, so that they would be fit to caress men."
"Yes, Master," I said. I shuddered to think what his thumbs might have felt like in my palms, had my palms been slave-girl soft.
"Make an offer for the little she-sleen," said Melina.
Ladletender touched my neck, and put his finger inside the rope collar, and pulled it Out a hit from my neck. "You wear a rope collar," he said. "It must be rough and unpleasant."
"What pleases my Master," I said, "pleases me."
"Do you lie to a free man?" he asked.
"Oh, no, Master!" I cried. To be sure, the rope collar was unpleasant, and for that reason I did not like it, but, on the other hand, I, a slave, was naturally desperately eager to please Thurnus, who was my master. It was his will to which mine must conform. It was he whom I must please, fully. There was thus a sense in which what pleased Thurnus pleased me. I was pleased to please him. Did I not please him I might be summarily slain. I was pleased to please him. To please the master is what most pleases the girl.
"She is trying to be pleasing," said Melina. "Would you not like her naked in your furs? She can be purchased cheaply."
"How cheaply?" he asked.
"Cheaply," she said.
"Does Thurnus know you are selling her off?" he asked.
"It does not matter what Thurnus knows," said Melina. "I am free and companion to Thurnus. I may do what I wish."
"Would you like, pretty Dina," said Ladletender, fingering my neck, "to have a pretty steel collar, perhaps enameled?"
I have never owned a collar," I said.
"Nor would you then," pointed out Ladletender.
"Yes, Master," I said, humbled.
It was not I who would own a collar, but I, collared, who would be owned. The collar, like myself, would belong to the master. It would be his collar. I would not own it. I would only wear it.
"This rope is rough and coarse," said Ladletender, fingering the rope collar. "Would you not like a smooth steel collar, one slender and gleaming, or perhaps ornamented and cunningly wrought, or enameled, perhaps to match your eyes and hair, one designed in color and workmanship to enhance your style of beauty, one perhaps measured or custom-fitted to the beauty of your own slave throat?"
"Whatever pleases the master," I said. I knew that a steel collar did immeasurably enhance the beauty of a girl. I had much envied Eta her collar, though it had been plain. I had seen few collars on Gor, but I had learned from Eta that there was great variety among them. They ranged from simple bands of iron, hammered about a girl's throat, her head held down on an anvil, to bejeweled, wondrously wrought, close-locking circlets befitting the preferred slave of a Ubar; such collars, whether worn by a kitchen slave or the prize beauty of a Ubar, had two things in common; they cannot be removed by the girl and they mark her as slave. In the matter of collars, as in all things, Goreans commonly exhibit good taste and aesthetic sense. Indeed, good taste and aesthetic sense, abundantly and amply displayed, harmoniously manifested, in such areas as language, architecture, dress, culture and customs, seem innately Gorean. It is a civilization informed by beauty, from the tanning and cut of a workman's sandal to the glazings intermixed and fused, sensitive to light and shadow, and the time of day, which characterize the lofty towers of her beautiful cities. The same attention, of course, which the Gorean bestows upon his own life and world, is naturally bestowed upon his slave girls. They, too, must be perfect. Just as, in our world, it is not uncommon to seek the advice of an interior decorator in obtaining and organizing the appointments of one's own dwelling, so, too, in the Gorean world, it is not uncommon to call in a trainer and beautician to appraise and improve a girl. He considers such matters as her hair, its cut, cosmetics appropriate to her, the proper type of earrings, a variety of collars and slave silks, how she walks, and speaks, and kneels, and so on, and makes his recommendations. Commonly he finds an apparently plain slave, discovers her latencies, and leaves a beauty. An apparently plain girl is a challenge to such a man. They are said to be able to work wonders. They are often employed in slave pens. A common challenge to them is to take an apparently plain free woman, recently enslaved, and transform her into a ravishing, imbonded beauty. Half the work, however, some say, is done by the collar. Some say the collar releases the beauty in a woman. Perhaps it is true. I had worn only a rope collar, but yet it seemed to me that it, even in its coarseness, made me more beautiful, more exciting. When Thurnus had tied it on my throat he had shown it to me in one of Melina's mirrors. I had almost fainted at the sight of it, so exciting it had made me appear, so sexually charged it had made me. Seeing my state, he had used me immediately, and I had, my whole body, helplessly, to my amazement, responded instantly to him. He had collared me. I dared not dream what my responsiveness would have been had the collar been not of rope, which I might cut or untie, but of true steel, in which I would be helplessly locked. In a sense I both desired and feared a true collar. Collared, how could I resist any man?
"Make an offer for her," said Melina.
Tup Ladletender rose to his feet and reached into his pouch. "Here, little vulo," he said. He took something from his pouch and thrust it in my mouth, pressing it between my teeth with his thumb, depositing it in the side of my mouth. I was startled, kneeling in the dirt at the post, my hands bound about it. "Thank you, Master," I said. It was a small, hard candy. It was sweet. I closed my eyes. It was the first sweet I had had since I had been brought to Gor. In the plain diet of a slave girl, such things are very precious. Girls would fight and tear at one another for a chocolate. Confections are commonly used by masters as rewards in the training and conditioning of their girls. Beyond this they may continue to function as control devices and incitements. Even a slave girl of many years never loses her taste for a bit of candy, for which she may have to work for hours. It is common to give the girl the candy while she is in a kneeling position, putting it in her mouth for her. On the other hand, in training, candies are commonly thrown to the girls. Sometimes, too, for the amusement of the master, candies will be thrown to the floor among several girls, to observe their struggle to obtain these prizes.