The driver of the rented bridal limousine was J's man. So was the helmeted, rain caped "Bobby" making his slow patrol near the church steps. One of J's cars half blocked the end of the narrow street. The far end was a cul de sac.
J himself was one of the guests. He was in the church now. When the throng began to bubble out of the church, tossing rice and old shoes and generally effusing, J would have to bubble and effuse with them. Blade wondered how J had wangled his invitation.
A taxi came down the street at the same moment the crowd spilled from the church. Blade stepped down into the area again and peered through the spiked iron grille. This was the essence of J's plan. A third Richard Blade! J was offering them a decoy and hoping they would bite.
The taxi halted just short of the church. The crowd, perhaps sixty-odd men and women, surged down the steps, broke around the tall figure of J's Bobby and formed two roughly equal groups flanking the lane down which would come the happy couple.
Blade watched the taxi.
The man who got out and paid the driver, refused his change, and stared in a sullen, hurt manner at the church doors, was an excellent actor. J's makeup people had labored for hours. The result, the real Blade admitted now, was astounding. For a short time, in bad light, the man could pass for Richard Blade. Now he stood, swaying a little, scowling, hands in pockets, waiting for a last look at the girl he had lost. The actor had been coached by J in person.
J came out of the church, moving a bit out from the crowd and remaining at the top of the steps. He was carrying a bouquet and a large paper sack of rice. Blade grinned. J was a thorough man.
J did not expect the Russians to make an attempt at snatching Blade on the church site, or even near it. What J did expect was that the Russians - provided they showed up at all - would pick up the actor - Blade and tail him away from the wedding after he had run through the histrionics of a half-drunken sore loser. That was the script: the Russians would tail the actor - Blade and J's men would tail the Russians. At the proper time J and his men would pounce. And, since the Russian Blade had not put in an appearance - neither Blade nor J had really thought he would - the captured agents would be taken to a certain old house in Hampstead Heath and, in J's parlance, 'questioned a bit.' When J's men questioned you, you usually talked.
It did not work out that way. Not at all.
The florist truck came down the street and passed the church. Traveling slowly, it went on up the street, reversed in a drive, and came back down the street. As it neared the church and the little crowd it slowed to a bare crawl. Blade, concealed in the area-way, watched the truck with a little tic of unease. Still - what more natural than a florist truck, late because of weather and traffic, delivering flowers to a church? J's men guarding the end of the street had no orders to keep anyone out. This was supposed to be a trap - you had to let the quarry in.
A riffle of sound arose from the crowd, a melange of shouts and laughter and old jokes and flung rice and shoes. The happy couple were coming down the church steps arm in arm.
It was a tribute to Blade's professionalism that he took one look at Zoe's face, remembered her body for a last time, and then kept his eyes on the actor - Blade. That talented gentleman, under orders to make a discreet scene and call attention to himself, was trying to push through the throng and get to the newlyweds. He was having rough going. The crowd was small, but tightly knit, and it took the actor a couple of minutes to make it through the last clot of friends and well-wishers. Then, of course, the ham in the actor came out. He faced Zoe and Reggie, the latter taking a fast backward step, and, swaying drunkenly, made a wild gesture and said something. Blade was caught between laughter and pity for Zoe. She really didn't deserve this. It was just bad luck that she and Reggie, and their wedding, had to be caught up in J's machinations with the Kremlin.
Zoe thought it was the real Blade. A drunken, demented Richard Blade. She clung to Reggie as the actor pointed an accusing finger and declaimed something. The babble of the crowd died as they sensed something unusual. Reggie, by neat footwork, managed to remain behind his bride.
Richard Blade, fascinated as he was by the absurd little tableau, was still to blame. He should have been more alert than he was. But Blade was man, not superman, and at the moment he was empathic with poor Zoe. His gorge rose and yet he was near laughter as she in turn pointed a finger at the man she thought was Blade and began to tell him off.
Blade wrote his own dialog for the scene: "Have you gone mad, Richard? This is not like you. Not at all like you! And drunk in the bargain! Oh, Richard, Richard, how could you come here like this and - "
The florist truck nosed to a stop behind the wedding limousine. The back doors flew open and four burly men leaped out. They carried coshes and brass knuckles and used them expertly as they smashed a path through the little crowd.
All of J's plans were knocked into a cocked hat. The Russians, eschewing subtlety, were going after Blade in the most direct manner. Knock down and drag out!
The real Blade had his orders. Stay out of it. J had not even wanted him along. He clutched the area railing, fretting, wanting to get into it and smash about a bit.
J, seeing his plans go wrong, put a silver whistle to his lips and shrilled a warning. The Bobby leaped into the melee. The driver of the limousine came running around his car brandishing a blackjack. J's car at the end of the block spun its wheels, burning rubber, and came tearing down to the church. Women screamed and men cursed.
The four men got to the actor - Blade, smashed him over the head with a cosh and began dragging him down the steps toward the florist truck. J, his whistle trilling all the while, fought to get down through the mob. The Bobby grappled with the men and was knocked aside, went down, was kicked. The limousine driver dove into the fracas, brought one of the toughs down in a superb tackle. The two men wrestled about in the gutter. J's car screeched to a gut-chilling halt, tires smoking, skidding in to block off the florist truck, and four of J's men spilled out eager for combat.
That, the real Blade thought with regret, should do it. The odds were with J's people now. Too bad. He had been looking for an excuse to get into it.
Just too late he heard the oily snuck of a door opening behind him. A door he had tried when he had first taken up his position in the areaway and found locked.
There were four or five of them, he was never sure, and they were silent and swift and sure. Blade spun his elbow in a face, kicked one man in the knee, got in a flurry of straight punches. He tried to yell and a leather sleeved arm choked off the sound. Something smashed behind his ear and he went to his knees, still fighting, smashing at the first crotch available and hearing a yelp of pain. Lightning skewered his skull as he fought to get to his feet. They were sapping the hell out of him - one - two - one - two -
Someone said: "Not too hard! Don't kill him!"
They stabbed him. He felt the sting of the long needle as it jammed cruelly through trenchcoat, jacket, shirt and into his hard muscled shoulder. Blade cursed and struck out again, feeling the strength flow out of him, seeing the wet trash strewn concrete of the area-way floor come up to meet him as his knees buckled and he went off the high board into deep, deep darkness.
Chapter Four
Richard Blade found that by concentrating on the oriel window at the far end of the long barren room, and by trying to count the acanthus leaves twining on the supporting corbel, he could in some measure resist the milder of the two drugs he was given. During the long hours he came to regard that oriel window as the eye of Cyclops, of God or the Devil, even as a possible orifice of escape should he get the chance. There did not seem much likelihood of this.