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Sure enough, the pig moved right with me as I walked through the place. She leaned heavily against my left leg the whole way.

Venasque's home was a real surprise. Although afternoon shadows had moved in, the rooms were so full of colorful, luminous objects and furniture that it felt like there was sun everywhere. The chairs and couches were all soft and round, and covered with tropical flower/exotic bird Lily Pulitzer patterns. Mustard and lime and raspberry carpets sat lightly on the polished blond wood floors. He ate at a white rattan table in a white breakfast room. The pig stopped in that room and collapsed on the white shag carpet as if the long trip to the kitchen was too much for her. Venasque stopped and shook his head when he saw her flop down.

"Give a pig M & Ms and she gets tired halfway through the day. All that sugar goes right to her head. No more candy, Connie. I don't know why I keep letting you have them."

The pig looked at him and squeaked. He shook his head again, and started for the kitchen.

"What kind of pig is she?"

"Vietnamese. An old Vietnamese pig. Over there in Germany they call them 'Vietnamese hanging stomach' pigs. That's not a very nice name, is it? Especially not for someone as smart as her. Besides, she keeps Big Top company when I'm not around."

The kitchen was different. Unlike the frilly, feminine feel of the other rooms, this one was all tile and stainless steel. Very high-tech and "cool," but done in such an interesting, individual way, that I couldn't stop looking around at it while he assembled my sandwich.

"This is a marvelous room."

"You like it? Harry Radcliffe designed it. You know Harry?"

"The architect? Of course." I didn't know much about the subject, but Radcliffe was so famous that it would have been hard not to know who he was. Besides that, he was one of Maris's big heroes, and she had photographs of his buildings up all over her apartment.

"Yeah, well, Harry studied with me a while. Funny, funny man. After we finished, I asked him to design me a kitchen instead of paying cash. But nothing too expensive, you know? Something for an old man who likes a straight line and a clean angle." He looked at me over his shoulder and winked. "I'll tell you something interesting. Harry is one of the biggest hotshot architects in the world, right? But a tin ear on that man like you can't imagine! The only thing he had to learn was how to listen to music. So I taught him how to play the accordion. He has about three of them now. But even after he learned how, you didn't want to be in the same room with him and that instrument when he played. A great architect and a terrible musician." He smiled and went back to stacking pastrami.

"Now where's that mustard? I put it right out here on the counter. Big Top, go get me the mustard, will you?"

The bullterrier walked straight to the refrigerator and somehow, with a flick of his head (or nose), opened it. He got up on his hind legs, leaned deep into the fridge. Sticking his head forward, he put his mouth around something. A yellow tube of mustard. Jumping down, he closed the door with another head flick, and brought the tube to his master.

Venasque paid not attention. "Thanks, Big."

2.

"You want to rub your back up against my history, huh? Well, that's only fair. You told me yours."

We were sitting out on the small patio behind his house, drinking tea. January night had come and along with it, a coolness that snuck right into your bones. The tea tasted warm and good. Connie and Big Top slept on their respectively named pillows nearby. The pig never seemed to get comfortable: She kept hopping up, grunting as if something had bitten her ass, then trying to settle herself the right way.

"Walker, I'll tell you something. Honesty fades as you grow older. You get better at lying, so you do it more. Specially about yourself. But you want to know about me, okay." He scratched his head, then rubbed both hands over the top of it. "I come from the South of France, originally. My parents were German circus people. They traveled through that area once in their lives on the way to a date in Monte Carlo. They liked it so much they jumped out of their old lives right there and stayed. In the circus they'd had an animal act, which is one of my first memories – funny animals living in our house. They sold the circus caravan they'd lived in, and a couple of horses, and bought a farm out in the middle of nowhere. Do you know France? About fifteen miles from Carpentras and an hour and a half from Avignon. The place wasn't so special, but they loved it enough to work like crazy to get it going in the beginning. Then a little gift from God happened to us; my mother got interested in perfume. She cooked up some kind of special blend that only she knew how to do. That, and what we got from the farm, put us in good shape. Not great, but comfortable, and still happy to be there. Then my sister Ilonka and I were born one year after the other.

"We grew up with perfume smells, funny animals, and that French countryside. It was a heaven, Walker. When I was seven, my father taught me how to walk the tightrope. He tied a horse rope between the two olive trees right in front of our door. In the summer we went into the fields and picked lavender for my mother. Have you ever seen a lavender field blowing in the wind? We spoke German with our parents and French with our friends. When we got tired of one language, we'd switch to the other and have a whole other world of words to use." He stopped and scratched the dog with a bare foot. Big Top looked up sleepily and licked the foot. Once. "You know what I remember? Glasses full of sunlight. Having family picnics and seeing the sun in every glass we used."

My lessons began at the end of that sentence. I blinked once, thinking about his family and their picnics. The moment I closed my eyes, there was a completely different smell in the air. California night is damp and ripe; fresh-cut grass and dew, night-blooming flowers somewhere nearby. This new smell was dry and sunny, hot flowers and earth giving up their scent to two o'clock on an August afternoon. In the South of France, 1920.

When I opened my eyes, the first thing I saw was a boy riding a zebra bareback past a field of lavender. Black, white, lavender, all moving, all movement. He wore white shorts but no shirt or shoes. Both boy and animal had the same serious, thoughtful expression on their faces.

"Do you want some wine?"

A woman with brown flyaway hair and bold green eyes knelt by my side, a glass of wine in her hand. I realized I was sitting in the shifting shade of a (chestnut?) tree with giant yellow leaves as my moving roof.

"The boy knows you're watching, Walker, so he's riding like a good cadet. If you weren't here, he'd go like the devil flying through hell. Here, come on and drink this." She shoved the glass at me with one hand, and pushed the hair out of her face with the other. I took it and, still watching the boy and zebra canter back and forth, forgot to thank her.

"It's Venasque, isn't it? When he was a boy."

"He is a boy! What do you think?" His mother's voice was a challenge.

A young girl with something cupped tightly between two small hands came from behind the tree. Smiling, she held it out to us: it was ours if we wanted. She looked very much like the boy.

"Mama, regarde!"

"What now, Ilonka, another lizard? Put it down. Show us."

The girl dropped to her knees, hands still cupped. She was eight. "Ilonka" means apple tree in Hungarian. Her husband's name was . . . would be . . . Raymond. She would be shot by the Nazis when she was twenty-eight. How did I know these things?

A gray-green lizard sat still between her slowly opening hands. Before she could do anything, it shot out and right up the tree. I watched her while her happy eyes followed it up. She kept a blue flower in her dresser drawer, pretending it had been given to her by a boy she knew. Just that morning she'd put a finger in her own shit and, electric with guilt, tasted it. She'd been especially good today as contrition for having done such a wicked thing, although no one knew about it, besides the two of us. She looked at me and smiled sneakily. She knew what I was thinking.