Tree turned away and left him there, trailing off. He went blindly across the street and strode through the town in a stiff, stunned way, not knowing where he was going, not caring. He didn’t even want to find a place to hole up and think; the last thing he wanted was to think. For it seemed clear that McKesson had to be right: no more chance of getting vengeance than of trying to fight a smallpox fever with a gun. He hated Cooley but even killing Cooley would solve nothing, would not be the answer. There was no answer, and it was that fact which stupefied him as if he had been clubbed. That, and the fact that he couldn’t put out of his head what Earp had said, so cruelly: J told you to hobble him. You didn’t, and he’s dead.
Hindsight, he thought, desperately grabbing at straws; it was no good. Neither killing Cooley nor blaming himself would bring Rafe back.
He just didn’t want to think about it.
He found in time that his steps had taken him into Poverty Row, the fringe of the tenderloin, inhabited by the dregs of Gunnison. Flimsy unpainted pine shacks under the plaid shadows of a railroad trestle. At midday Poverty Row was asleep. At first he saw no one; two blocks farther, he stopped to let a loose-bodied woman cross his path. She wore a shabby night-robe, nothing else; she padded across the dusty gulch in bare feet, carrying a bottle of cheap wine, and disappeared into a tumbledown crib with drawn curtains that had obviously been chopped from an army blanket. She hadn’t even glanced at him.
Beside him he saw the face of a Chinese girl pressed against a filthy window pane. He walked on, past a row of single-story cribs each of which had the occupant’s name painted on a removable shingle sign: Goldfield Nell, Bilious Billie, French Lil. Toward the foot of the street several of the girls sat spread-thighed on chairs in their open doors, which were overhung by the red railroad lanterns that had given red-light districts their name in the Kansas railhead towns ten years ago. The girls were sixteen-year-old soiled doves, painted ladies of the half-world. Black, Oriental, Mexican, Indian, European. They solicited halfheartedly from their doorways. It was the first time he had seen them close up; he had seen them uptown at night, when the light was poor, parading up and down the street with jangling saloon bands, stirring up business. Now, in daylight, at sixteen they looked all used up. A good many of them were probably addicted to opium and morphine, if they weren’t drunks. As he went by, three or four of them shouted raucous, obscene invitations. He shook his head without speaking and wandered on. At the heart of Poverty Row he came upon the Homestead Parlour House, which had a crescent-shaped sign painted high on its false front: GIRLS TWENTY GIRLS TWENTY GIRLS and, painted under that, Beer 5?.
Past that he came to the Bijou Union Saloon. A hand-lettered sign on packing cardboard announced that sleeping space was available on back-room billiard tables, one dollar a night.
He went inside. The place was sick-eningly rich with the aura of beer, whisky, smoke, vomit, and sweat. There were no windows and it was almost pitch dark. The bar was a row of roughhewn planks thrown across a series of barrels. There were a few half-broken tables, and packing crates which served as chairs. Knowing full well what he was doing, he bought a bottle of cheap whisky and carried it to a table in the darkest corner, sat down, leaned his back against the wall, and began to drink.
Fuzzily, he supposed it was nighttime. The place was filling up with miners. Trembling violenty, he sat hunched over the half-empty second bottle, hands pinched between his squeezed-together knees. Lamps were lit; it was brighter than it had been during the day. He felt coiling spasms in his groin and knew he had to relieve himself. He stood up-too fast: blood sank from his head and the room got darker. He leaned one hand on the wall to steady himself and tightened his gut, tensing all his muscles to build pressure until finally light came back into the room and he walked across it with shuffling, tentative steps.. He bumped into a few people and was shoved roughly away once. Finally he made his way outside and went stumbling into the alley alongside the saloon. It smelled of excrement. He unbuttoned his fly; he had to brace his hands against the wall to keep himself from falling while he urinated. Afterwards he buttoned up and lurched down the street, dimly aware he had better get back to his own part of town before he passed out; otherwise they would roll him for the few dollars in his Levi’s, and perhaps kill him for the hell of it. He kept a crafty eye out for would-be assassins but no one disturbed him in Poverty Row. A train rumbled across the trestle, showering him with soot and cinders. He staggered into Main Street in time to see an ore wagon run over a dog. The dog crawled a few feet toward the shelter of a raised porch, then lay whimpering in the street, movements slowing. By the time Tree came by, the dog was dead. He hunkered down to touch it; there was no heartbeat. As he crouched there, tears welled in his eyes and stained his cheeks.
He was violently sick in the alley beside the hotel. He dragged himself inside, ignored the clerk’s righteously arch glance, and lurched back through the corridor to his room. He had emptied himself but he still felt sick. When he opened the door, the tenpenny nail bounced off his shoulder and rattled when it hit the floor. He went inside, kicked the door shut, and sprawled facedown at an angle across the bed. He wanted to pass out, but unconsciousness eluded him crazily. The world spun. He could hear the nighttime revelry from the streets, bands playing, hoarse shoutings, some fool shooting off a gun somewhere. He lay that way in a suspension of time, with no idea how long he had been there-long enough to get cramped and feel pressure on his ribs lrom lying on them. When the dull, stunned feeling left, it unmasked sharp blades of anguish which stabbed him from all directions. He put his face in his hands.
He was lurching with sobs when someone shook his ankle. He turned his head sluggishly, ludicrously; he couldn’t turn it far enough; he had to roll over on his back; and when he did, he almost fell off the bed. He braced one arm against the floor and from that awkward drunken position saw Caroline, her curved, husky body silhouetted against the faint lamplight in the corridor beyond the open door.
The only way to get up was to get down. He rolled his legs and body off the bed, got his feet on the floor, and levered himself clumsily upright; sitting on the edge of the bed he scraped both hands down his face, wiping his eyes.
She was moving around the room. A match exploded, the lamp came alight; she walked back to the door to push it shut. When he looked up she was standing in front of him, looking down at his face.
She said, “Go ahead. I already did my crying.”
“All done.”
“You feel tougher now, Jerr?”
His mind was mired, his tongue thick; he had to think out what he said, and form the words with care. He said very slowly, “I think maybe I don’t ever want to be that tough.”
“God help you if you were.” She sat down on the bed beside him. “You’re drunk, but besides that-how are you, Jerr?”
“I’m fine.”
“You’re lying-you feel terrible.”
“Why the hell should you care?”
She opened her mouth, closed it, and began again: clearly it was not what she had meant to say. “The funeral’s in the morning, in a few hours.”
“I’ll make it.”
“I know you will.”
“He was my brother,” he mumbled, slurring thick. “Half brother anyway. God damn it I let him down, I killed him, but God damn it God damn it I loved him!”
There was a stretch of silence at the end of which, with amazing abruptness, she slapped his face.
His head rocked back; he blinked and squinted at her. “What the hell was that for?”
“Shut up about killing him. You didn’t kiU him.”
“If I’d thrown him out of town the way I should have, he’d be alive.”