The smartly attired waiters at McDonald's look at me suspiciously but don't shoo me away. They can't turn back a customer in Levi jeans, however scruffy he might be. I position myself close to the wooden bin, the one with the swinging flap. When no one is looking I quickly push my hand inside and take out as many of those nice brown paper bags as are within arm's reach. I exit after using the clean toilet to wash off some of the dirt and grime from my face.
My first attempt at scavenging is quite successful. I sit on a green wooden bench outside and feed contentedly on a half-eaten vegetable burger, some chicken nuggets, two almost full packets of French fries and half a cup of 7 Up. Scavenging is part of the survival gear of a street kid. I knew some boys who used to live off the leftovers found in the air-conditioned compartment of the Rajdhani Express. There were others who were addicted to the pepperoni pizza from Pizza Hut, managing to extract at least seven or eight perfect slices every evening from the bin inside the outlet. But they all agreed that the easiest way to eat a free dinner was to join a marriage procession. Salim used to be an expert at this. The only requirement is to wear neat clothes and proper shoes. You mingle with the guests and then line up at the buffet dinner. The bride's side thinks you are from the groom's family and the groom's side thinks you are from the bride's family. You get to drink ten or fifteen bottles of soft drinks, eat a lavish spread and enjoy a wide range of desserts. You can even make off with some nice stainless-steel cutlery. Salim had acquired almost a full dinner set. But he gave up the habit after an episode in Nariman Point, when he gate-crashed a marriage where the families of the bride and groom had a massive fight which degenerated into fisticuffs. Salim got beaten up by both parties.
* * *
My hunger sated, I decide to explore this unknown town. I walk through its crowded lanes, full of rickshaws, pedestrians and cows. I admire the intricate latticework on old-fashioned havelis, savour the smell of food drifting from road-side kebab shops and pure vegetarian dhabas, and wrinkle my nose at the stench coming from open drains and tanneries. I read the giant posters stuck on every empty space, urging people to see new films or vote for old politicians. I see old and wizened craftsmen sitting in derelict shops, making exquisite designs in marble, and brash young salesmen selling cellphones in air-conditioned showrooms. I discover that the rich of Agra are no different from the rich of Delhi and Mumbai, living in their marble and Plexiglas houses with guards and alarms. And that the slums of Agra are no different either. They consist of the same cluster of corrugated-iron sheets masquerading as roofs; the same naked children with pot bellies frolic in the mud with pigs, while their mothers wash utensils in sewer water.
I walk along a winding dusty road, and suddenly I see a river. It is yellowish green and muddy.
Its receding water level is a pointer to the fact that the monsoons have still not arrived. Pieces of driftwood and plastic debris float on its eddying currents. In another place I would have traced its meandering route with my eyes, bent down to see its high-water mark on the bank, craned to catch a glimpse of a dead body floating on its surface. But not here, not now. Because my eyes are transfixed by something I have seen on the opposite bank. It is a gleaming white structure which rises up from a square base like a swelling dome, with pointed arches and recessed bays. It is flanked on all four sides by spear-like minarets. It glitters in the sunlight against the turquoise sky like an ivory moon. Its beauty overpowers me.
After an eternity, I turn to the first passer-by I see, a middle-aged man carrying a tiffin box.
'Excuse me, can you tell me what that building is on the other side of the river?'
He looks at me as if I am a lunatic. 'Arrey, if you don't know that, what are you doing in Agra?
That is the Taj Mahal, idiot.'
The Taj Mahal. The Eighth Wonder of the World. I had heard about it, but never seen its picture.
I stand mesmerized by the monument as the clouds drifting in the sky cast shadows on its dome, the change of light turning the smooth marble from pale cream to ochre to alabaster. The loss of my fifty thousand rupees, the worries about where I will eat next, sleep next, the fear of being caught by the police, pale into insignificance against the purity of its perfection. I decide then and there that I must see the Taj Mahal today. From up close.
Thirty minutes of brisk walking along the embankment brings me to an enormous red-sandstone entrance gate. A large white board says: TAJ MAHAL ENTRY FEES: INDIANS RS.20 FOREIGNERS $20. MONDAYS CLOSED, FRIDAYS FREE. I look at my Kasio day-date wristwatch. It says Friday, 12 June. Looks like today is my lucky day.
I pass through the metal detector, cross the red-sandstone forecourt with its arched gateway and there, in front of me, the Taj Mahal rises in all its beauty and splendour, shimmering in the afternoon haze. I take in the landscaped garden with fountains and wide paths, the reflecting pool with a glassy image of the Taj dancing in its water, and only then do I notice the overflowing crowds. The Taj is swarming with tourists, young and old, rich and poor, Indian and foreign.
There are flashbulbs popping everywhere, a babble of voices rises in the courtyard, while stern-faced, baton-wielding policemen try to restore order.
After half an hour of aimless exploration, I notice a group of prosperous Western tourists armed with camcorders and binoculars, listening intently to an elderly guide at the base of the dome. I join them discreetly. The guide is pointing towards the marble dome and speaking in a rasping voice. 'I have explained to you the architectural features of the red-sandstone forecourt, the Chowk-i Jilo Khana, which we have just passed. Now I will tell you a little bit about the history of the Taj Mahal.
'One day in the year 1607, Prince Khurram of the royal Mughal household was strolling down Delhi's Meena Bazaar when he caught a glimpse of a girl selling silk and glass beads in a small booth. He was so entranced by her beauty that he fell in love with her then and there. But it took five years before he was finally able to marry this girl. Her real name was Arjuman Banu, but he gave her the new name of Mumtaz Mahal. She was nineteen at the time and he was twenty.
Mumtaz Begum was the niece of Noorjahan or Mehrunnisa, the wife of Jahangir, who in turn was a niece of Akbar's Persian queen, Bilgis Begum. Mumtaz and Khurram were married in the year 1612, and over the next eighteen years had fourteen children together. Mumtaz was her husband's inseparable companion on all his journeys and military expeditions. She was his comrade, his counsellor, and inspired him to acts of charity and benevolence towards the weak and the needy. She died in childbirth on the seventh of June 1630 in Burhanpur, only three years after Khurram ascended the Mughal throne as Emperor Shahjahan. It was when Mumtaz Mahal lay dying that she extracted four promises from the Emperor: first, that he erect a monument to match her beauty; second, that he should not marry again; third, that he be kind to their children; and fourth, that he visit the tomb on the anniversary of her death. Mumtaz's death left the Emperor so heartbroken that his hair is said to have turned grey overnight. But so great was the Emperor's love for his wife that he ordered the building of the most beautiful mausoleum on earth for her. Work started in 1631. It took twenty-two years and the combined effort of over twenty thousand artisans and master craftsmen from Persia, the Ottoman Empire, and even Europe, and the result is what you see before you, the Taj Mahal, described by Rabindranath Tagore as "a teardrop on the cheek of time".'
A young girl in hot pants raises her hand. 'Excuse me, who is Tagore?'
'Oh, he was a very famous Indian poet who won the Nobel Prize. He can be compared to, let's say, William Wordsworth,' the guide answers.