SMONK
or
WIDOW TOWN
BEING THE SCABROUS ADVENTURES
OF E. O. Smonk
&
OF THE Whore Evavangeline
IN CLARKE COUNTY, ALABAMA,
EARLY IN THE LAST CENTURY… Tom Franklin
For Barry Hannah
How doth the city sit solitary, that was full of people! How is she become as a widow! She weepeth sore in the night.
—LAMENTATIONS 1:1–2
“Magnifique!” ejaculated the Countess de Coude, beneath her breath.
—EDGAR RICE BURROUGHS,
The Return of Tarzan
1 THE TRIAL
IT WAS THE EVE OF THE EVE OF HIS DEATH BY MURDER AND THERE was harmonica music on the air when E. O. Smonk rode the disputed mule over the railroad tracks and up the hill to the hotel where his trial would be. It was October the first of that year. It had been dry and dusty for six weeks and five days. The crops were dead. It was Saturday. Ten after three o’clock in the afternoon according to the shadows of the bottles on the bottle tree.
Amid the row of long nickering horsefaces at the rail Smonk slid off the mule into the sand and spat away his cigar stub and stood glaring among the animal shoulders at his full height of five and a quarter foot. He told a filthy blond boy holding a balloon to watch the mule, which had an English saddle on its back and an embroidered blanket from Bruges Belgium underneath. In a sheath stitched to the saddle stood the polished butt of the Winchester rifle with which, not half an hour earlier, Smonk had dispatched four of an Irishman’s goats in their pen because the only thing he abhorred more than an Irish was an Irish goat. By way of brand the mule had a fresh .22 bullet hole through its left ear, same as Smonk’s cows and pigs and hound dog did, even his cat.
That mule gits away, he told the boy, I’ll brand ye balloon.
He struck a match with his thumbnail and lit another cigar. He noted there were no men on the porches, downstair or up, and slid the rifle from its sock and snicked the safety off. He backhanded dust from a mare’s flank to get her the hell out of his way (they say he wouldn’t walk behind a horse) and clumped up the steps into the balcony’s shade and limped across the hotel porch, the planks groaning under his boots. The boy watched him: his immense dwarf shape, shoulders of a grizzly bear, that bushel basket of a head low and cocked, as if he was trying to determine the sex of something. His hands were wide as shovels and his fingers so long he could palm a man’s skull but his lower half was smaller, thin horseshoe legs and little feet in their brand-new calf opera boots the color of chocolate, loose denim britches tucked in the tops. He wore a clean pressed white shirt and ruffled collar, suspenders, a black string tie with a pair of dice on the end and a tan duck coat. He was uncovered as usual—hats made his head sweat—and he wore the blue-lensed eyeglasses prescribed for sufferers of syphilis, which accounted him in its numbers. On a lanyard around his neck hung a whiskey gourd stoppered with a syrup cork.
He coughed.
Along with the Winchester he carried an ivory-handled walking cane with a sword concealed in the shaft and a derringer in the handle. He had four or five revolvers in various places within his clothing and cartridges clicking in his coat pockets and a knife in his boot. There were several bullet scars in his right shoulder and one in each forearm and another in his left foot. There were a dozen buckshot pocks peppered over the hairy knoll of his back and the trail of a knife scored across his belly. His left eye was gone a few years now, replaced by a white glass ball two sizes small. He had a goiter under his beard. He had gout, he had the clap, blood-sugar, neuralgia and ague. Malaria. The silk handkerchief balled in his pants pocket was blooded from the advanced consumption the doctor had just informed him he had.
You’ll die from it, the doctor had said.
When? asked Smonk.
One of these days.
At the hotel door, he paused to collect his wind and glanced down behind him. Except for the boy slouching against a post with his balloon, an aired-up sheep stomach, there were no children to be seen, a more childless place you’d never find. Throughout town the whorish old biddies were pulling in shutters and closing doors, others hurrying across the street shadowed beneath their parasols, but every one of them peeping back over their shoulders to catch a gander at Smonk.
He pretended to tip a hat.
Then he noticed them—the two slickers standing across the road beside a buckboard wagon covered in a tarp. They were setting up the tripod legs of their camera and wore dandy-looking suits and shiny derbies.
Smonk, who could read lips, saw one say, There he is.
Inside the hotel the bailiff, who’d been blowing the harmonica, put it away and straightened his posture when he saw who it was coming and cleared his throat and announced it was no guns allowed in a courtroom.
This ain’t a courtroom, Smonk said.
It is today by God, said the bailiff.
Smonk glanced out behind him as if he might leave, the hell with the farce of justice once and for all. But instead he handed the rifle over, barrels first, and as he laid one heavy revolver and then another on the whiskey keg the bailiff had for a desk, he looked down at the gaunt barefaced Scot in his overalls and bicycle cap pulled low, sitting on a wooden crate, the sideboard behind him jumbled with firearms deposited by those already inside.
Smonk studied the bailiff. I seen ye before.
Maybe ye did, the man said. Maybe I used to work as ye agent till ye sacked me from service and my wife run off after ye and cast me in such doldrums me and my boy Willie come up losing ever thing we had—land, house, barn, corn crib, still, crick. Ever blessed thing. Open up ye coat and show me inside there.
Smonk did. You lucky I didn’t kill ye.
The bailiff pointed the rifle. That ’n too.
The one-eye licked his long red tongue over his lips and put his cigar in his teeth and unworked from his waistband a forty-one caliber Colt Navy pistol and laid it on the wood between them.
Keep these instruments safe, fellow. Maybe I’ll tip ye a penny for looking after em good.
I wouldn’t accept no tip penny from you, Mister Smonk, if it was the last penny minted in this land.
Smonk had coughed. Do what.
I said if it was to happen a copper blight over this whole county and a penny was selling for a dollar and a half and I hadn’t eat a bite of food in a month and my boy was starving, I wouldn’t take no penny from you. Not even if ye paid me a whole nother penny to take it.
But Smonk had turned away.
Angry harmonica notes preceded him as he twisted his shoulders to fit the door and stepped into the hot, smoky diningroom, cigar ash dusted down his tie like beard dander. The eating tables had been shoved against the walls and stacked surface to surface, the legs of the ones on top in the air like dead livestock. Justice of the Peace Elmer Tate and the lawyer and the banker and two or three farmers and the liveryman and that doctor from before checking his watch and Hobbs the undertaker, all deacons, looked at him. The talking had hushed, the men quiet as chairs. The nine ball flashing its number across the billiard table in the corner didn’t make its hole and ticked off the seven and stopped dead on the felt.
Smonk leaned against the wall, it gave a little. He coughed into his handkerchief and dabbed his lips and stuffed the cloth into his pocket, the conversation and game of billiards picking back up.