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"Them bunions gettin' too big girl."

Neon signs along O.B.T. glow through the veil of a sultry ground fog. Red and Blue lights flash across the road where cops and paramedics gather like vultures around a figure lying on the ground.

"Damn, I' m parked right there," complains Helen.

They cross the street and land on the sidewalk just as the paramedics push a gurney into the ambulance. Drooling Eyes lies on it, wrapped in bandages and tubes stuck in his arm and up his nose.

"What happened?" Debbie asks a deputy.

"Got mugged," says the deputy. "Where' re you two going this late?"

"We' re parked right there," says Helen, pointing to her beater.

"I' ll walk you to your car. Who knows where that mugger is hiding."

"Thank you sir."

They drive north on O.B.T., right through Nigger town where the black whores stand on the corners flagging cars down, and Debbie is grateful that she is not working the streets, but has a nice, legal job instead.

Hide and Seek

First thing, Tony and I would fly around the countryside in a Cub or a Champ, low and slow, put-put-put. You cannot believe the amount of shit growing out there. A forest fire would get the whole county high; I ain' t lying.

We would find the shit and then Mike would plan the snatching operation a lacommando, decked out in camies, faces painted, you know, the whole nine yards. Mike had been a Marine, one of those reckon guys, and he knows his stuff pretty well. We would get maps at the county office showing all the farmland and swamps so we knew where to go and hide, and how to get the hell out. I tell you, it was a real military operation, nasty work but fun.

Waddling in swamp water up to your armpits, watching out for water moccasins coming at your face, or a damn gator biting you in the ass, that wasn' t fun. The fun was getting to some Redneck' s pot and stealing it right from under his nose.

We got found out a couple of times, but by then we already had the shit and we were on our way out. Here we were, back in the swamp with a bale of green pot on our heads and the water around us would explode with a sharp crack, you know, fucking bullets aimed at us hitting the water. Damn, they came close. I suppose had we had antlers them rednecks wouldn' t have missed. I can picture my ugly head hanging on some shack' s wall," Yup, I got them Yankee mahself, stealin' mah pot."

We made good money selling the stuff to college students and bikers. I' m walking on money right now, two hundred and fifty dollars worth of it; these fancy snake skin boots are so damn soft they won' t stand straight when you get out of them.

It was hard and risky work, and my skin looked like a pepperoni pizza' cause I had insect bites on every square inch of my body, but when there is money in it you don' t think about stuff like that.

You want money? Forget about pot. Coke is it, but then you aren' t dealing with Bubba anymore. Stealing pot meant undercover work in the wilderness, sneaking in and sneaking out, hush-hush, you know, we looked like walking bushes. Pot was a game of cunning and smarts. But Tony and Mike decided to go after cocaine. That shit doesn' t grow in the Florida swamps. Junkies have it. Dealers have it, so they went after them. Now it' s a game of confrontation, of big guns. I don' t like it. Would you shoot some asshole for coke? No way… I just drive, and keep my head low and my fingers crossed.

Car Wash Orgy

The vacuum' s hose inhales dirt after digesting Mr. Twonbly' s two quarters; down the silver slot they went, one after the other. It' s Sunday morning; bright and deeply clear with an intense blue sky that stretches from horizon to horizon. Mr. Twonbly climbs on his minivan armed with the hose, and he twists his middle aged body between the seats and the console while wrestling with the vacuum, mechanical serpent of electrical sibilance, and he, Laocoö n of modern age.

He doesn' t like going to church in a dirty vehicle. Rise and shine, clean your soul of mortal sin, wear a good suit, eat a hearty breakfast, clean the van, because it is Sunday, the day to be good. These thoughts flash in his mind like the Fasten Seat Belts signs in an airliner.

A clump of candy wrappers ("Good for your breath," says Mrs. Twonbly), a few crumpled balls of tissue paper ("The seal lergies are killing me," says Mrs. Twonbly), and a sheet with directions to go to somebody' s home ("You' ll love meeting them, they are such a nice people," says Mrs. Twonbly), this harmless hodgepodge of trash collects in Mr. Twonbly' s small hands which carry the neat pile to the big fat barrel sitting beside the Vacuum' s steel armor. His hands part and turn face down, and the barrel swallows the paper jumble.

What' s that?

Mr. Twonbly sees a flash of color coming thorough his own trash. He parts the trash and exposes the color. Oh mighty. His eyes bounce inside his eye sockets, right and left and back. Nobody is looking. His hands roll the colorful magazine into a tight paper cylinder, and he pulls it out of the barrel in a swift motion:from barrel to under his arm to the van.

Mr. Twonbly' s van idles under the shade of an oak tree, by the Dumpster behind the car wash. His eyes dance once more in his face, and he unfolds the magazine, or what' s left of it.

A naked blond with two faces tattooed on her right shoulder, one sad and one happy, is on her fours with her genitalia staring at Mr. Twonbly' s taut face. The same blond is now on her back, her shaved slit exposed with a caption under the picture that reads "Diana likes it hot in Atlanta." If Mr. Twonbly could take his eyes off her crotch, and stop fantasizing about Mrs. Lubkemann own' s (the choir lady), he, perhaps, would notice the blonde' s cute dimples above her smile of thin lips.

Daytona Beach Night

Ken circles around the block in Tony' s car, his fingers sticky around the steering wheel. A cold sweat slithers between his back and the worn out vinyl seat cover. He is not used to this kind of sweat. He goes around once, twice, three times, every time in a different direction, never approaching through the same street. The house sits at the corner, light green, cinder block with an open carport sheltering a black Trans Am. Lights are on. Is that good or bad? Damn, where are they?

On the fifth pass, Ken sees Tony and Mike walking on the side of the street like two guys going out for a night stroll. He stops the car, doors open and they hop in. Before the doors close Ken hits the gas. Easy… take it easy. They drive by the green house where normality doesn' t seem bothered. Nobody speaks.

"How did it go?" Ken asks, unable to contain his curiosity any longer.

"Fine," says Tony. His burly figure shifts on the passenger seat as he opens his coat. A small package comes out in his big hand. "About half a kilo."

"Let me see," says Mike from the back seat. Mike leans forward to grab the package. Ken can see the glitter of Mike' s glasses inside the frame of the rear view mirror. Tony opens his coat again and pulls a black revolver that looks huge in his big hand. He opens the glove compartment and throws the revolver in.

"I tell you what," Tony says. "The bigger the piece, the less shit those mother fuckers give you." Tony laughs in short snorts, and Ken feels Tony' s weight pushing on the bench seat as his chest heaves.

From the back seat Mike speaks," That bitch got hysterical when you put that thing in her face. I was ready to whack her on the head. Jesus, screaming like that."