“Maybe you should make it easier on yourself and go to an American school?”
“They all rejected me.”
“Boy you must really want to be a doctor.”
Low, sardonic laugh.
Bart Slepian may have been a wilting flower as a young boy but he had, by 1970, at age 24, hardened himself to take whatever came at him with dark humor and a stubborn, take-no-crap attitude that went beyond conventional notions of determination. In the absence of a med school that he could both enter and finish, he drove a taxi for a time. Serena used to watch the faces of Amanda and her friends light up when Bart arrived in the cab and told the girls to hop in. He shoveled manure at a friend’s farm near his sister’s place in Reno. He would not let go of his dream of becoming a doctor. Backing down was not an option.
Greenbrae, California Redwood High School
1971
Inside the high school auditorium the bass creeps in, boom-boomba-boom-boom, the hi-hat clicks in smartly, tish-tish-tish, melting into hot licks from the trumpets, bam-bam-BAM, as Sammy Nestico’s The Blues Machine cooks on stage. School bandleader Syd Gordon stands off in the wings, lets the kids swing, then counts them in on the next number—“Here we go now!”—into the most famous swing song of all time, Glen Miller’s “In The Mood,” a throwback to the jitterbugging forties. In the old days, Syd remembered the kids in the band looked pretty sharp, wore red blazers. This being the 1970s, though, the players are dressed casual, no uniforms. In the front row, the jazz band features the saxes, in the middle the trombones, and the back row four trumpets. Off to the side are the piano, drums, guitar. In back, his lips working the brass trumpet mouthpiece, is a skinny, 16-year-old boy with darkrimmed glasses, rust-brown hair and pale blue eyes. Jim Kopp.
Redwood High was a big school, 2,500 students. The building was pure Bauhaus architecture, several blocks joined together. Teachers joked that they taught at “San Quentin west,” a reference to the maximum security prison, not too far along the highway from the school, that had replaced Alcatraz. But Redwood was a mostly staid, upper-middle-class place. Teachers wanted to be there. The San Francisco Bay Area was at the center of America’s cultural tug of war, but the struggle was not in much evidence at Redwood, ten minutes north of the Golden Gate Bridge in prosperous Marin County. Still, there was “respectable” activism—the teachers were proudly liberal and most of the students were, too.
Jim Kopp was not immune to the idealistic vibes of his time, or at least the music that grew from it. One artist in particular struck a chord—the Canadian painter-turned-folksinger Joni Mitchell. Once he heard her, that was it, he forever held the music, and Joni, close to his heart. It gave him a kind of spiritual connection with Canada, a place he had visited in 1965 when he was 11, when he saw picturesque Bouchard Gardens in Victoria, British Columbia. Joni Mitchell was not just a folksinger to him. She was a poet. An angel poet.
Jim did not bond with music teacher Syd Gordon like students often did. Gordon stayed in touch with some of them long after graduation, but years later he had little recollection of Jim Kopp, other than that he was not an exceptional talent. Jim played trumpet in the school orchestra, marching band, jazz band, went on the school trip to Anaheim and Disneyland, where the marching band appeared in a parade. Good enough to play in the bands, but that was it. In general his personality was understated, years later students would have only a vague recollection of him. Those who did recall him remembered his intelligence, a sardonic sense of humour, an ability to see the absurd, irony. He disdained the conventional, what he called “boilerplate” even though he did not stand out in any way as being unconventional.
During the school day, with Mt. Tamalpais in the background, students talked and hung out on the side lawn. There were the normal cliques, the freaks, artsies, jocks. Jim didn’t belong to any one particular group. After school, or at lunch, some students went on hikes, visited each other’s homes. Jim was not one of them. He was not exactly a loner, he had friends, maybe even a girlfriend. It was easy to blend into the woodwork at the school, especially when you were a twin, and Jim’s brother, Walter, also attended Redwood, a member of the United Nations club, a more personable guy than he was.
So many students, many from privileged backgrounds with considerable expectations for their future. One who cut a popular figure in the class of 1969 was Robin Williams, who was voted Most Humorous and Most Likely To Succeed by his classmates.
Jim’s final full year at Redwood was 1971. His yearbook photo showed him in heavy, black-rimmed glasses, his neatly trimmed, rust-colored hair brushed across his forehead, wearing a striped tie and a restrained confident smile. A conservative exterior, but then there were other boys with a similar look. He took summer school to graduate early. It was as though he didn’t need the glorious trappings of his senior year, he was smart enough to graduate early, and so he did.
During his last year, Jim made what amounted to, for him, a political statement. Syd Gordon had an idea. The Redwood Giants football team had a game that Friday night. Time, thought Syd, to shake things up a bit, to make a statement. Syd asked the kids: why not do something different at halftime, make a statement against the Vietnam war? They would form a peace sign at the center of the field. A couple of the students spoke out against doing it. One of them was Jim Kopp. When it came time to do it, he and the other dissenters stood off to one side in silence. Vietnam would soon cease to be an abstraction for him. According to his own account, in 1973 he and Walt had their names drawn as “high probability” numbers in the U.S. draft lottery. But the war ended before their numbers were called.
Life for Mary Kopp, the youngest of Chuck and Nancy’s three daughters, was never easy. To the neighborhood boys living near the Kopp house on Via Lerida, Mary seemed odd. She was a heavy girl with a round face, who wore dark-rimmed glasses. She resembled her mother, Nancy, who also struggled to keep her weight down. It was Marty, the middle sister, who had the looks, the personality.
Jim believed Mary was tormented by other students. They were shallow and cruel. He knew she was a gentle soul who taught everyone how to love. She was the one who first taught him to read when he was four. Jack and the Beanstalk. He still could see sunlight pouring in the window back in South Pasadena, the room with walls covered in knotty pine and painted a garish pink. Mary had been diagnosed with schizophrenia in 1965, when she was 13. Not uncommon for those suffering mental illness at the time, she underwent electric shock therapy. She was diagnosed with leukemia six years later, when she was 19. Even as she fought the disease, Mary managed to graduate from Redwood high in 1972. She became a born-again Christian.
On May 2 1974, she died. Three months away from his 20th birthday, it was the first time Jim could say that death had truly affected him. The family gathered for the burial in a town just north of Greenbrae called Novato, where Nancy’s Lutheran Church was located. It is a beautiful spot, lush green grass of the cemetery set against the parched foothills in the background. On top of the main stone is a concrete cast of her small hands, with “Mary” written freehand with a finger above it. She was buried next to her grandmother, Kathryn Leonard. Jim wept along with Mary’s friends from the neighborhood, the ones who had understood her and had cared about her.