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Mourn the slaughtered. Pray for those squatted in some concrete lair facing betrayal.
1995

LOVE SONG

If you were drowning, I’d come to the rescue, wrap you in my blanket and pour hot tea. If I were a sheriff, I’d arrest you and keep you in a cell under lock and key.
If you were a bird, I’d cut a record and listen all night long to your high-pitched trill. If I were a sergeant, you’d be my recruit, and boy, I can assure you, you’d love the drill.
If you were Chinese, I’d learn the language, burn a lot of incense, wear funny clothes. If you were a mirror, I’d storm the Ladies’, give you my red lipstick, and puff your nose.
If you loved volcanoes, I’d be lava, relentlessly erupting from my hidden source. And if you were my wife, I’d be your lover, because the Church is firmly against divorce.
1995

ODE TO CONCRETE

You’ll outlast me, good old concrete, as I’ve outlasted, it seems, some men who had taken me, too, for a kind of street, citing color of eyes, or mien.
So I praise your inanimate, porous looks not out of envy but as the next of kin — less durable, plagued with loose joints, though still grateful to the architects.
I applaud your humble — to be exact, meaningless — origins, roar and screech, fully matched, however, by the abstract destination, beyond my reach.
It’s not that nothing begets its kind but that the future prefers to court a date that’s resolutely blind and wrapped in a petrified long skirt.
1995

AT THE CITY DUMP IN NANTUCKET

To Stephen White

The perishable devours the perishable in broad daylight, moribund in its turn in late November: the seagulls, trashing the dump, are trying to outnumber the snow, or have it at least delayed.
The reckless primordial alphabet, savaging every which way the oxygen wall, constitutes a preface to the anarchy of the refuse: in the beginning, there was a screech.
In their stammering Ws one reads not hunger but the prurience of comma-sharp talons toward what outlasts them, or else a torn-out page’s flight from the volume’s fat,
while some mad anemometer giddily spins its cups like a haywire tea ceremony, and the Atlantic is breasting grimly with its athletic swells the darkening overcast.
1995–1996

AB OVO

Ultimately, there should be a language in which the word «egg» is reduced to O entirely. The Italian comes the closest, naturally, with its uova. That’s why Alighieri thought it the healthiest food, sharing the predilection with sopranos and tenors whose pear-like torsos in the final analysis embody «opera». The same pertains to the truly Romantic, that is, German poets, with practically every line starting the way they’d begin a breakfast, or to the equally cocky mathematicians brooding over their regularly laid infinity, whose immaculate zeros won’t ever hatch.
1996

REVEILLE

Birds acquaint themselves with leaves. Hired hands roll up their sleeves. In a brick malodorous dorm boys awake awash in sperm.
Clouds of patently absurd but endearing shapes assert the resemblance of their lot to a cumulative thought.
As the sun displays its badge to the guilty world at large, scruffy masses have to rise, unless ordered otherwise.
Now let’s see what one can’t see elsewhere in the galaxy: life on earth, of which its press makes a lot and comets less.
As a picture doomed to sneak previews only, it’s unique even though some action must leave its audience aghast.
Still, the surplus of the blue up on high supplies a clue as to why our moral laws won’t receive their due applause.
What we used to blame on gods now gets chalked up to the odds of small particles whose sum makes you miss the older sham.
Yet regardless of the cause, or effects that make one pause, one is glad that one has been caught this morning in between.
Painted by a gentle dawn one is proud that like one’s own planet now one will not wince at what one is facing, since
putting up with nothing whose company we cannot lose hardens rocks and — rather fast — hearts as well. But rocks will last.
1996

TSUSHIMA SCREEN

The perilous yellow sun follows with its slant eyes masts of the shuddered grove steaming up to capsize in the frozen straits of Epiphany. February has fewer days than the other months; therefore, it’s more cruel than the rest. Dearest, it’s more sound to wrap up our sailing round the globe with habitual naval grace, moving your cot to the fireplace where our dreadnought is going under in great smoke. Only fire can grasp a winter! Golden unharnessed stallions in the chimney dye their manes to more corvine shades as they near the finish, and the dark room fills with the plaintive, incessant chirring of a naked, lounging grasshopper one cannot cup in fingers.
1978

FOLK TUNE

It’s not that the Muse feels like clamming up, it’s more like high time for the lad’s last nap. And the scarf-waving lass who wished him the best drives a steamroller across his chest.