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'And—?'

'Hamlet came last.'

'Last? How could he come last?'

'Well, he insisted on playing the soliloquy less like an existential question about life and death and the possibility of an afterlife, and more as if it were about a post-apocalyptic dystopia where crossbow-wielding punks on motorbikes try to kill people for their gasoline.'

I looked across at Hamlet, who had quietened down a bit and was looking through my mother's video collection for Olivier's Hamlet to see whether it was better than Gibson's.

'No wonder he's hacked off.'

'Here we go!' said my mother, returning with a large tray of tea things. 'There's nothing like a nice cup of tea when things look bad!'

'Humph,' grunted Hamlet, staring at his feet. 'I don't suppose you've got any of that cake, have you?'

'Especially for you!' My mother smiled, producing the Battenberg with a flourish. She was right, too. After a few cups and a slice of cake, Hamlet was almost human again.

I left Emma and Hamlet arguing with my mother over whether they should watch Olivier's Hamlet or Great Croquet Sporting Moments on the television and went to sort some washing in the kitchen. I stood there trying to figure out just what sort of brain-scrubbing technique Goliath had used on me to get me to sign their forgiveness release. Oddly, I was still getting pro-Goliath flashbacks. In absent moments I felt they weren't so bad, then had to consciously remind myself that they were. On the plus side there was a possibility that Landen might be reactuallsed, but I didn't know when it would happen, or how.

I was just getting round to wondering whether a cold soak might remove ketchup stains better than a hot wash when there was a light crackling sound in the air like crumpled cellophane. It grew louder and green tendrils of electricity started to envelop the Kenwood mixer, then grew stronger until a greenish glow like St Elmo's fire was dancing around the microwave. There was a bright light and a rumble of thunder as three figures started to materialise into the kitchen. Two of them were dressed in body armour and holding ridiculously large blaster-type weapons; the other figure was tall and dressed in jet-black high-collared robes which hung to the floor on one side and buttoned tightly up to his throat on the other. He had a pale complexion, high cheekbones and a small and very precise goatee. He stood with his arms crossed and was staring at me with one eyebrow raised imperiously. This was truly a tyrant among tyrants, a cruel galactic leader who had murdered billions in his never-ending and inadequately explained quest for total galactic domination. This . . . was Emperor Zhark.

17

Emperor Zhark

'The eight "Emperor Zhark" novels were written in the seventies by Handley Paige, an author whose previous works included Spacestation Z—5 and Revenge of the Thraals. With Zhark he hit upon a pastiche of everything a bad SF novel should ever be: weird worlds, tentacled aliens, space travel and square-jawed fighter aces doing battle with a pantomime emperor who lived for no other reason than to cause evil and disharmony in the galaxy. His usual nemesis in the books was Colonel Brandt of the Space Corps, assisted by his alien partner Ashley. There have been two Zhark films starring Buck Stallion, Zhark the Destroyer and Bad Day at Big Rock, neither of which was any good.'

MILLON DE FLOSS — The Books of H. Paige

'Do you have to do that?' I asked.

'Do what?' replied the emperor.

'Make such a pointlessly dramatic entrance. And what are those two goons doing here?'

'Who said that?' said a muffled voice from inside the opaque helmet of one of his minders. 'I can't see a sodding thing in here.'

'Who's a goon?' said the other.

Zhark laughed, ignoring them both. 'It's a contractual thing. I've got a new agent who knows how to properly handle a character of my quality. I have to be given a minimum of eighty words' description at least once in any featured book, and at least twice in a book a chapter has to end with my appearance.'

'Do you get book title billing?'

'We gave that one away in exchange for chapter heading status. If this were a novel you'd have to start a new chapter as soon as I appeared.'

'Well, it's a good thing it's not,' I replied. 'If my mother was here she'd probably have had a heart attack.'

'Oh!' replied the emperor, looking around. 'Do you live with your mother too?'

'What's up? Problems at Jurisdiction?'

'Take five, lads,' said Zhark to the two guards, who felt around the kitchen until they found chairs and sat down. 'Mrs Tiggy-Winkle sent me,' he breathed. 'She's busy at the Beatrix Potter Characters AGM but wanted to give you an update on what's happening at Jurisfiction.'

'Who's that, darling?' called my mother from the living room.

'It's a homicidal maniac intent on galactic domination,' I called back.

'That's nice, dear.'

I turned back to Zhark.

'So, what's the news?'

'Max de Winter from Rebecca,' said Zhark thoughtfully. 'The Book World Justice Department has rearrested him.'

'I thought Snell got him off the murder charge?'

'He did. The department are still gunning for him, though. They've arrested him for — get this — insurance fraud. Remember the boat he sank with his wife in it?'

I nodded.

'Well, apparently he claimed the insurance on the boat, so they think they might be able to get him on that.'

It was not an untypical turn of events in the BookWorld. Our mandate from the Council of Genres was to keep fictional narrative as stable as possible. As long as it was how the author intended, murderers walked free and tyrants stayed in power — that was what we did. Minor infringements that weren't obvious to the reading public we tended to overlook. However, in a master stroke of inspired bureaucracy, the Council of Genres also empowered a Justice Department to look into individual transgressions. The conviction of David Copperfield for murdering his first wife was their biggest cause celebre — before my time, I hasten to add — and

Jurisfiction, unable to save him, could do little except tram another character to take Copperfield's place. They had tried to get Max de Winter before but we had always managed to outmanoeuvre them. Insurance fraud. I could scarcely believe it.

'Have you alerted the Gryphon?'

'He's working on Fagin's umpteenth appeal.'

'Get him on it. We can't leave this to amateurs. What about Hamlet? Can I send him back?'

'Not . . . as such,' replied Zhark hesitantly.

'He's becoming something of a nuisance,' I admitted, 'and Danes are liable to be arrested. I can't keep him amused watching Mel Gibson's films for ever.'

'I'd like Mel Gibson to play me,' said Zhark thoughtfully.

'I don't think Gibson does bad guys,' I told him. 'You'd probably be played by Geoffrey Rush or someone.'

'That wouldn't be so bad. Is that cake going begging?'

'Help yourself.'

Zhark cut a large slice of Battenberg, took a bite and continued:

'Okay, here's the deaclass="underline" we managed to get the Polonius family to attend arbitration over their unauthorised rewriting of Hamlet.'