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“Looks like we’re going to do a lot of talking about one particular carnival. Where’s it come from, where’s it going, what’s it up to? We thought it never hit town before. Yet, by God, look here.”

He tapped a yellowed newspaper ad dated October 12, 1888, and ran his fingernail along under this:

J.C. COOGER AND G.M. DARK PRESENT THE PANDEMONIUM THEATRE CO. COMBINED SIDE-SHOWS AND UNNATURAL MUSEUMS, INTERNATIONAL!

“J.C. G.M.” said Jim. “Those are the same initials as on the throwaways around town this week. But—it couldn’t be the same men…”

“No?” Will’s father rubbed his elbows. “My goose pimples run counter to that.”

He laid forth other old newspapers.

“1860. 1846. Same ad. Same names. Same initials. Dark and Cooger, Cooger and Dark, they came and went, but only once every twenty, thirty, forty years, so people forgot. Where were they all the other years? Travelling. And more than travelling. Always in October: October 1846, October 1860, October 1888, October 1910, and October now, tonight.” His voice trailed off. “…Beware the autumn people…”

“What?”

“An old religious tract. Pastor Newgate Phillips, I think. Read it as a boy. How does it go again?”

He tried to remember. He licked his lips. He did remember.

“‘For some, autumn comes early, stays late through life where October follows September and November touches October and then instead of December and Christ’s birth, there is no Bethlehem Star, no rejoicing, but September comes again and old October and so on down the years, with no winter, spring, or revivifying summer. For these beings, fall is the ever normal season, the only weather, there be no choice beyond. Where do they come from? The dust. Where do they go? The grave. Does blood stir their veins? No: the night wind. What ticks in their head? The worm. What speaks from their mouth? The toad. What sees from their eye? The snake. What hears with their ear? The abyss between the stars. They sift the human storm for souls, eat flesh of reason, fill tombs with sinners. They frenzy forth. In gusts they beetle-scurry, creep, thread, filter, motion, make all moons sullen, and surely cloud all clear-run waters. The spider-web hears them, trembles—breaks. Such are the autumn people. Beware of them.’”

After a pause, both boys exhaled at once.

“The autumn people,” said Jim. “That’s them. Sure!”

“Then—” Will swallowed—“does that make us… summer people?”

“Not quite.” Charles Halloway shook his head. “Oh, you’re nearer summer than me. If I was ever a rare fine summer person, that’s long ago. Most of us are half-and-half. The August noon in us works to stave off the November chills. We survive by what little Fourth of July wits we’ve stashed away. But there are times when we’re all autumn people.”

“Not you, Dad.”

“Not you, Mr. Halloway!”

He turned quickly to see both appraising him, paleness next to paleness, hands on knees as if to bolt.

“It’s a way of speaking. Easy, boys, I’m after the facts. Will, do you really know your Dad? Shouldn’t you know me, and me you, if it’s going to be us’ns against them’ns?”

“Hey, yeah,” breathed Jim. “Who are you?”

“We know who he is, darn it!” Will protested.

“Do we?” said Will’s father. “Let’s see. Charles William Halloway. Nothing extraordinary about me except I’m fifty-four, which is always extraordinary to the man inside it. Born in Sweet Water, lived in Chicago, survived in New York, brooded in Detroit, floundered in lots of places, arrived here late, after living in libraries around the country all those years because I liked being alone, liked matching up in books what I’d seen on the roads. Then in the middle of all the running away, which I called travel, in my thirty-ninth year, your mother fixed me with one glance, been here ever since. Still most comfortable in the library nights, in out of the rain of people. Is this my last stop? Chances are. Why am I here at all? Right now, it seems, to help you.”

He paused and looked at the two boys and their fine young faces.

“Yes,” he said. “Very late in the game. To help you.”

Chapter 39

Every night-blind library window clattered with cold.

The man, the two boys, waited for the wind to pass away.

Then Will said: “Dad. You’ve always helped.”

“Thanks, but it’s not true.” Charles Halloway examined one very empty hand. “I’m a fool. Always looking over your shoulder to see what’s coming instead of right at you to see what’s here. But then, for what salve it gives me, every man’s a fool. Which means you got to pitch in all your life, bail out, board over, tie rope, patch plaster, pat cheeks, kiss brows, laugh, cry, make do, against the day you’re the worst fool of all and shout “Help!” Then all you need is one person’s answer. I see it so clear, across the country tonight lie cities, towns and mere jerkwater stops of fools. So the carnival steams by, shakes any tree: it rains jackasses. Separate jackasses, I should say, individuals with no one, they think, or no one actual, to answer their “Help!” Unconnected fools, that’s the harvest the carnival comes smiling after with its threshing machine.”

“Oh gosh,” said Will. “It’s hopeless!”

“No. The very fact we’re here worrying about the difference between summer and autumn, makes me sure there’s a way out. You don’t have to stay foolish and you don’t have to be wrong, evil, sinful, whatever you want to call it. There’s more than three or four choices. They, that Dark fellow and his friends, don’t hold all the cards, I could tell that today, at the cigar store. I’m afraid of him but, I could see, he as was afraid of me. So there’s fear on both sides. Now how can we use it to advantage?”

“How?”

“First things first. Let’s bone up on history. If men had wanted to stay bad forever, they could have, agreed? Agreed. Did we stay out in the fields with the beasts? No. In the water with the barracuda? No. Somewhere we let go of the hot gorilla’s paw. Somewhere we turned in our carnivore’s teeth and started chewing blades of grass. We been working mulch as much as blood, into our philosophy, for quite a few life-times. Since then we measure ourselves up the scale from apes, but not half so high as angels. It was a nice new idea and we were afraid we’d lose it, so we put it on paper and built buildings like this one around it. And we been going in and out of these buildings chewing it over, that one new sweet blade of grass, trying to figure how it all started, when we made the move, when we decided to be different. I suppose one night hundreds of thousands of years ago in a cave by a night, fire when one of those shaggy men wakened to gaze over the banked coals at his woman, his children, and thought of their being cold, dead, gone forever. Then he must have wept. And he put out his hand in the night to the woman who must die some day and to the children who must follow her. And for a little bit next morning, he treated them somewhat better, for he saw that they, like himself, had the seed of night in them. He felt that seed like slime in his pulse, splitting, making more against the day they would multiply his body into darkness. So that man, the first one, knew what we know now: our hour is short, eternity is long. With this knowledge came pity and mercy, so we spared others for the later, more intricate, more mysterious benefits of love.